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A Study of Thumos in Early Greek Poetry by Caroline P. Caswell Pdf
This study of "thumos," one of the most important terms in the vocabulary of early Greek epic in the context of inner experience, and one of the least understood, is a systematic examination which elucidates its meaning and explains its occurrence in a variety of different contexts.
A Study of Thumos in Early Greek Epic by Caswell Pdf
The language of early Greek epic, exemplified primarily by Homer, contains numerous descriptions of inner states and uses a specific vocabulary to do so. Scholars understand these descriptions in a general way; but the precision of the expressions remains a mystery. In this work, one of the most important of these words, thumos, is examined in each of its contexts. This synchronic formulaic analysis is carried out according to the contexts of thumos: the cognitive/intellectual, the emotional, and the physical. Two additional contexts, deliberation and motivation, are discussed separately. Within the discussion of each context, the functional synonyms of thumos, particulary phren/phrenes, and other frequent associates of thumos, are examined. Thumos has associations with words relating to winds and storms, a fact which helps clarify its significance in all contexts. Because this work is a discussion of thumos in all contexts, and also contains an appendix of the relevant passages, it should be useful to scholars engaged in research on Homeric vocabulary.
In contrast with previous methodologies which seek ''key ideas'' or functional ''programs,'' this book argues that the unique complexity of Pindar's choral lyric can be better understood by analysis of each text's logical configuration as a network of interacting polarities and analogies. Against the backdrop of pre-Socratic philosophy and later rhetorical radition, the book systematically examines the primary polar relations which are prominent in Pindar's work, illustrating their development and transformation through the course of individual odes. The author concludes that Pindar expands traditional ethical dichotomies into dynamic tensions which play on the semantic fluidity of Greek poetic language in its formative period. This work attempts to apply ''structuralist'' hermeneutics in an appropriate way to the elucidation of an often difficult and obscure archaic poet. Accordingly, it should be of interest not only to the Pindaric specialist, but also to students of literary theory and the history of ideas in antiquity.
This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek ‘Dark Ages’), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology. Specifically, Webster utilises Michael Ventris’ decipherment of Linear B in 1952 – which proved that Greek was spoken in the Mycenaean world – to determine the general contours of aesthetic development from Mycenae to the time of the written composition of the Homeric epics. Because they record Mycenaean civilisation in Mycenaean terminology, while Homer was writing in Ionian Greek at the beginning of the polis civilisation, they show how much in Homer is in fact Mycenaean. Further, where it is clear that these Mycenaean elements cannot have survived until Homer’s time, they tell us something about the poetry which connected the two.
The Early Greek Poets and Their Times by Anthony J. Podlecki Pdf
This book brings a new approach to the study of the early Greek lyric poets. Instead of concentrating on the poetry as literature, Podlecki has chosen to examine the life and works of the leading poets of the eighth to fifth century B.C. in the context of the military and historical events of the period.
Sophocles, Use of Psychological Terminology by Shirley D. Sullivan Pdf
At once reference text and literary foray, this work is designed to engage both specialists and non-specialists. It offers detailed discussion of the Greek text for those who have a knowledge of the language while also making all readings available in translation and transliterated forms. Sophocles' Use of Psychological Terminology will be an enduring resource for anyone interested in Athenian tragedy and especially for those interested in how the early Greeks viewed what we now think of as psychological activity.
Poetry and Its Public in Ancient Greece by Bruno Gentili Pdf
Brilliantly applying insights and methodologies from anthropology, literary theory, and the social sciences to the historical study of archaic lyric, Poetry and Its Public in Ancient Greece, winner of Italy's prestigious Viareggio Prize, develops a new Picture of the literary history of Greece. An essentially practical art, ancient Greek poetry was clocely linked to the realities of social and political life and to the actual behavior of individuals within a community. Its mythological content was didactic and pedagogical. But Greek poetry differs radically from modern forms in its mode of communication: it was designed not for reading but for performance, with musical accompaniment, before an audience. In analyzing the formal and social aspects of this performance context, Gentili illuminates such topics as oral composition and improvisation, oral transmission and memory, the connections betweek poetry and music, the changing socioeconomic situation of the artist, and the relations among poets, patrons, and the public.
Psychology and the Classics by Jeroen Lauwers,Hedwig Schwall,Jan Opsomer Pdf
While the field of classics has informed and influenced the early developments of the field of psychology, these two disciplines presently enjoy fewer fruitful cross-fertilizations than one would expect. This book shows how the study of classics can help psychologists anchor their scientific findings in a historical, literary and philosophical framework, while insights of contemporary psychology offer new hermeneutic methods and explanations to classicists. This book is the first to date to offer a wide-ranging overview of the possibilities of marrying contemporary trends in psychology and classical studies. Advocating a critical dialogue between both disciplines, it offers novel reflections on psychotherapy, ancient philosophy, social psychology, literature and its theory, historiography, psychoanalysis, tragedy, the philosophy of mind, linguistics and reception. With twenty contributions by specialists in different fields, it promotes the combination of classical and psychological perspectives, and demonstrates the methods and rewards of such an endeavour through concrete case studies. This pioneering book is thus intended for all readers who seek inspiration for their readings, research, or therapeutic practice.
Classical Literature and Posthumanism by Giulia Maria Chesi,Francesca Spiegel Pdf
The subject of the posthuman, of what it means to be or to cease to be human, is emerging as a shared point of debate at large in the natural and social sciences and the humanities. This volume asks what classical learning can bring to the table of posthuman studies, assembling chapters that explore how exactly the human self of Greek and Latin literature understands its own relation to animals, monsters, objects, cyborgs and robotic devices. With its widely diverse habitat of heterogeneous bodies, minds, and selves, classical literature again and again blurs the boundaries between the human and the non-human; not to equate and confound the human with its other, but playfully to highlight difference and hybridity, as an invitation to appraise the animal, monstrous or mechanical/machinic parts lodged within humans. This comprehensive collection unites contributors from across the globe, each delving into a different classical text or narrative and its configuration of human subjectivity-how human selves relate to other entities around them. For students and scholars of classical literature and the posthuman, this book is a first point of reference.
This book examines the formation and development of the biographical traditions about early Greek poets, focusing on the traditions of Hesiod, Stesichorus, Archilochus, Hipponax, Terpander and Sappho. The study provides a detailed overview of the traditions and chronographical material about these poets and seeks to clarify who were the creators of the particular traditions; what were the sources; when the traditions were formed; and to what extent they are shaped by formulaic themes and story-patterns. It challenges several mainstream assumptions on the subject, for example, that the traditions were formed mainly in the Post-Classical period; that the only significant source for the legends is the works of the particular poet; and that the poets were perceived as “new heroes.”
Retrieving Political Emotion by Barbara Koziak Pdf
Then, drawing especially on Aristotle's construal of it as a general capacity for emotion and relating this to contemporary multidisciplinary work on emotion, she reformulates thumos to provide a more adequate theory of political emotion, as an antidote to the modern fixation on rational self-interest as the key to explaining political behavior."--BOOK JACKET.
