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A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; with Particular Reference to the African Race Authored by Wilson Armistead
A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; with Particular Reference to the African Race by Wilson Armistead Pdf
A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; with Particular Reference to the African RaceAuthored by Wilson Armistea
Excerpt from A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; With Particular Reference to the African Race In reviewing the history of mankind, we may observe, that very soon after the creation of our first parents in innocence and happiness, sin and misery entered into the world. The evils of life commenced in the earliest ages, and subsequent history and experience testify, that in all their variety of form and character, they have continued to exist in every successive generation to the present time. To combat these evils, by endeavouring to effect their removal or correction, is the most pleasing and useful occupation in which we can engage ourselves. Providence has wisely instituted, in every age and in every country, a counteracting energy to diminish the crimes and miseries of mankind, which the influences of Christianity have increased, by unfolding to it the widest possible domain. "At her command, wherever she has been fully acknowledged, many of the evils of life have already fled. The prisoner of war is no longer led into the amphitheatre to become a gladiator, and to imbrue his hands in the blood of his fellow-captive, for the sport of a thoughtless multitude. The stem priest, cruel through fanaticism and custom, no longer leads his fellow-creature to the altar, to sacrifice him to fictitious gods. The venerable martyr, courageous through faith and the sanctity of his life, is no longer hurried to the flames. The haggard witch, poring over her incantations by moonlight, no longer scatters her superstitious poison amongst her miserable neighbours, nor suffers for her crime." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Tribute for the Negro Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind by Wilson Armistead Pdf
A Tribute for the Negro, Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind, with Particular Reference to the African Race ... by Wilson Armistead Pdf
A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; with Particular Reference to the African Race Authored by Wilson Armistead
While it is well known that more Africans fought on behalf of the British than with the successful patriots of the American Revolution, Gerald Horne reveals in his latest work of historical recovery that after 1776, Africans and African-Americans continued to collaborate with Great Britain against the United States in battles big and small until the Civil War. Many African Americans viewed Britain, an early advocate of abolitionism and emancipator of its own slaves, as a powerful ally in their resistance to slavery in the Americas. This allegiance was far-reaching, from the Caribbean to outposts in North America to Canada. In turn, the British welcomed and actively recruited both fugitive and free African Americans, arming them and employing them in military engagements throughout the Atlantic World, as the British sought to maintain a foothold in the Americas following the Revolution. In this path-breaking book, Horne rewrites the history of slave resistance by placing it for the first time in the context of military and diplomatic wrangling between Britain and the United States. Painstakingly researched and full of revelations, Negro Comrades of the Crown is among the first book-length studies to highlight the Atlantic origins of the Civil War, and the active role played by African Americans within these external factors that led to it. Listen to a one hour special with Dr. Gerald Horne on the "Sojourner Truth" radio show.
A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.
Lift Every Voice and Sing by Julian Bond,Dr. Sondra Kathryn Wilson Pdf
"A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus of five hundred colored school children. "Shortly afterwards my brother and I moved from Jacksonville to New York, and the song passed out of our minds. But the school children of Jacksonville kept singing it, they went off to other schools and sang it, they became teachers and taught it to other children. Within twenty years it was being sung over the South and in some other parts of the country. Today, the song, popularly known as the Negro National Hymn, is quite generally used. "The lines of this song repay me in elation, almost of exquisite anguish, whenever I hear them sung by Negro children." —James Weldon Johnson, 1935 Pasted into Bibles, schoolbooks, and hearts, "Lift Every Voice and Sing," written by J. Rosamond Johnson and James Weldon Johnson in 1900, has become one of the most beloved songs in the African American community—taught for years in schools, churches, and civic organizations. Adopted by the NAACP as its official song in the 1920s and sung throughout the civil rights movement, it is still heard today at gatherings across America. James Weldon Johnson's lyrics pay homage to a history of struggle but never waver from a sense of optimism for the future—"facing the rising sun of our new day begun, let us march on till victory is won." Its message of hope and strength has made "Lift Every Voice and Sing" a source of inspiration for generations. In celebration of the song's centennial, Julian Bond and Sondra Kathryn Wilson have collected one hundred essays by artists, educators, politicians, and activists reflecting on their personal experiences with the song. Also featuring photos from historical archives, Lift Every Voice and Sing is a moving illustration of the African American experience in the past century. With contributors including John Hope Franklin, Jesse Jackson, Maya Angelou, Norman Lear, Maxine Waters, and Percy Sutton, this volume is a personal tribute to the enduring power of an anthem. "Lift Every Voice and Sing" has touched the hearts of many who have heard it because its true aim, as Harry Belafonte explains, "isn't just to show life as it is but to show life as it should be."
