A Werewolf Problem In Central Russia And Other Stories
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A Werewolf Problem in Central Russia and Other Stories by Victor Pelevin Pdf
Satirical stories by a Russian writer. The story, Vera Pavlovna's Ninth Dream, is on the transition from communism to capitalism as experienced by the cleaner of a public toilet, Bulldozer Driver's Day is on a hydrogen bomb assembly line, while The Ontology of Childhood compares childhood to prison. By the author of The Blue Lantern.
A satire about the Soviet space program finds Omon, who has dreamed of space flight all of his life, enrolled as a cosmonaut only to learn that his task will be piloting a supposedly unmanned lunar vehicle to the Moon and remaining there to die.
The Sacred Book of the Werewolf by Victor Pelevin Pdf
The world?s first Zen Buddhist paranormal romance?published to coincide with Halloween One of the most progressive writers at work today, Victor Pelevin?s comic inventiveness has won him comparisons to Kafka, Calvino, and Gogol, and Time has described him as a ?psychedelic Nabokov for the cyberage.? In The Sacred Book of the Werewolf, a smash success in Russia and Pelevin?s first novel in six years, paranormal meets transcendental with a splash of satire as A Hu-Li, a two-thousand-year-old shape-shifting werefox from ancient China meets her match in Alexander, a Wagner-addicted werewolf who?s the key figure in Russia?s Big Oil. Both a supernatural love story and an outrageously funny send-up of modern Russia, this stunning and ingenious work of the imagination is the sharpest novel to date from Russia?s most gifted literary malcontent.
The Blue Lantern and Other Stories by Victor Pelevin Pdf
Comic stories by a Russian writer. In Hermit and Six Toes, chickens debate the nature of the world, which is ruled by bloodthirsty gods in white coats, while in Mid-Game, young Communist activists change sex to become hard-currency prostitutes.
THE YELLOW ARROW is a Russian train speeding toward a ruined bridge, a train without an end or a beginningand it makes no stops. Andrei, the mystic passenger, less and less lulled by the never-ending sound of the wheels, has begun to look for a way to get off. But life in the carriages goes on as always. This important young Russian author's first American translation garnered rave reviews.
August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.
The short stories of Victor Pelevin are as individual, reality-warping and endlessly inventive as his novels, moving effortlessly between different genres and moods, bursting with absurd wit and existential satire. In The Blue Lantern he brings together sex-change prostitutes, melancholy animals and a cabinful of young boys obsessed by death. Sidestepping the world we take for granted, these stories show in miniature the fantastical talent for which the Observer acclaimed Pelevin's work as 'the real thing, fiction of world class'.
Set in a crumbling Soviet Black Sea resort, The Life of Insects with its motley cast of characters who exist simultaneously as human beings (racketeers, mystics, drug addicts and prostitutes) and as insects, extended the surreal comic range for which Pelevin's first novel Omon Ra was acclaimed by critics. With consummate literary skill Pelevin creates a satirical bestiary which is as realistic as it is delirious - a bitter parable of contemporary Russia, full of the probing, disenchanted comedy that makes Pelevin a vital and altogether surprising writer.
The collapse of the Soviet Union has opened up a huge consumer market, but how do you sell things to a generation that grew up with just one type of cola? When Tatarsky, a frustrated poet, takes a job as an advertising copywriter, he finds he has a talent for putting distinctively Russian twists on Western-style ads. But his success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevera, who, by way of a Ouija board, communicates theories of consumer theology. A bestseller in Russia, Homo Zapiens displays the biting absurdist satire that has gained Victor Pelevin superstar status among today's Russian youth, disapproval from the conservative Moscow literary world, and critical acclaim worldwide.
Kostoya returns from the Chechen War with a face so maimed it looks like a piece of meat. He confines himself to his lonely apartment, with no company save the vodka in his refrigerator. The woman next door checks on him regularly to see that he's still alive, and when she discovers the power his disfigured face has over her misbehaving son, he takes to using Kostoya as a disciplinary influence. His comfortable cocoon is further disrupted after his armmy buddies enlist his help to locate a missing comrade.
Ray Kurzweil is the inventor of the most innovative and compelling technology of our era, an international authority on artificial intelligence, and one of our greatest living visionaries. Now he offers a framework for envisioning the twenty-first century--an age in which the marriage of human sensitivity and artificial intelligence fundamentally alters and improves the way we live. Kurzweil's prophetic blueprint for the future takes us through the advances that inexorably result in computers exceeding the memory capacity and computational ability of the human brain by the year 2020 (with human-level capabilities not far behind); in relationships with automated personalities who will be our teachers, companions, and lovers; and in information fed straight into our brains along direct neural pathways. Optimistic and challenging, thought-provoking and engaging, The Age of Spiritual Machines is the ultimate guide on our road into the next century.
