A World Art History And Its Objects

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A World Art History and Its Objects

David Carrier
A World Art History and Its Objects Book PDF

Author : David Carrier
Publisher : Penn State Press
Page : 200 pages
File Size : 51,7 Mb
Release : 2008-11-21
Category : Art
ISBN : 9780271036069

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A World Art History and Its Objects by David Carrier Pdf

Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.

History and Its Objects

Peter N. Miller
History and Its Objects Book PDF

Author : Peter N. Miller
Publisher : Cornell University Press
Page : 478 pages
File Size : 51,6 Mb
Release : 2017-03-01
Category : History
ISBN : 9781501708237

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History and Its Objects by Peter N. Miller Pdf

Weaving together literary and scholarly insights, History and Its Objects will prove indispensable reading for historians and cultural historians, as well as anthropologists and archeologists worldwide. — Nathan Schlanger, École nationale des chartes, Paris Cultural history is increasingly informed by the history of material culture—the ways in which individuals or entire societies create and relate to objects both mundane and extraordinary—rather than on textual evidence alone. Books such as The Hare with Amber Eyes and A History of the World in 100 Objects indicate the growing popularity of this way of understanding the past. In History and Its Objects, Peter N. Miller uncovers the forgotten origins of our fascination with exploring the past through its artifacts by highlighting the role of antiquarianism—a pursuit ignored and derided by modem academic history—in grasping the significance of material culture. From the efforts of Renaissance antiquarians, who reconstructed life in the ancient world from coins, inscriptions, seals, and other detritus, to amateur historians in the nineteenth century working within burgeoning national traditions, Miller connects collecting—whether by individuals or institutions—to the professionalization of the historical profession, one which came to regard its progenitors with skepticism and disdain. The struggle to articulate the value of objects as historical evidence, then, lies at the heart both of academic history-writing and of the popular engagement with things. Ultimately, this book demonstrates that our current preoccupation with objects is far from novel and reflects a human need to reexperience the past as a physical presence.

Cultural Histories of the Material World

Peter N. Miller
Cultural Histories of the Material World Book PDF

Author : Peter N. Miller
Publisher : University of Michigan Press
Page : 313 pages
File Size : 47,5 Mb
Release : 2013-07-23
Category : History
ISBN : 9780472118915

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Cultural Histories of the Material World by Peter N. Miller Pdf

All across the humanities fields there is a new interest in materials and materiality. This is the first book to capture and study the “material turn” in the humanities from all its varied perspectives. Cultural Histories of the Material World brings together top scholars from all these different fields—from Art History, Anthropology, Archaeology, Classics, Folklore, History, History of Science, Literature, Philosophy—to offer their vision of what cultural history of the material world looks like and attempt to show how attention to materiality can contribute to a more precise historical understanding of specific times, places, ways, and means. The result is a spectacular kaleidoscope of future possibilities and new perspectives.

Marking Time

Edward Town,Angela McShane
Marking Time Book PDF

Author : Edward Town,Angela McShane
Publisher : Yale University Press
Page : 523 pages
File Size : 50,6 Mb
Release : 2020-11-24
Category : Art
ISBN : 9780300254105

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Marking Time by Edward Town,Angela McShane Pdf

An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment—for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects—and the stories they tell—offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain.

Global and World Art in the Practice of the University Museum

Jane Chin Davidson,Sandra Esslinger
Global and World Art in the Practice of the University Museum Book PDF

Author : Jane Chin Davidson,Sandra Esslinger
Publisher : Routledge
Page : 196 pages
File Size : 54,7 Mb
Release : 2017-07-20
Category : Social Science
ISBN : 9781317220800

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Global and World Art in the Practice of the University Museum by Jane Chin Davidson,Sandra Esslinger Pdf

Global and World Art in the Practice of the University Museum provides new thinking on exhibitions of global art and world art in relation to university museums. Taking The Fowler Museum at UCLA, USA, as its central subject, this edited collection traces how university museum practices have expanded the understanding of the ‘art object’ in recent years. It is argued that the meaning of cultural objects infused with the heritage and identity of ‘global culture’ has been developed substantially through the innovative approaches of university scholars, museum curators, and administrators since the latter part of the twentieth century. Through exploring the ways in which universities and their museums have overseen changes in the global context for art, this edited collection initiates a larger dialogue and inquiry into the value and contribution of the empirical model. The volume includes a full-colour photo essay by Marla C. Berns on the Fowler Museum’s ‘Fowler at Fifty’ project, as well as contributions from Donald Preziosi, Catherine M. Cole, Lothar von Falkenhausen, Claire Farago, Selma Holo, and Gemma Rodrigues. It is important reading for professionals, scholars and advanced students alike.

Global Objects

Edward S. Cooke
Global Objects Book PDF

Author : Edward S. Cooke
Publisher : Princeton University Press
Page : 336 pages
File Size : 51,9 Mb
Release : 2022-09-13
Category : Art
ISBN : 9780691184739

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Global Objects by Edward S. Cooke Pdf

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses Art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.

A History of the World in 100 Objects

Neil MacGregor
A History of the World in 100 Objects Book PDF

Author : Neil MacGregor
Publisher : Penguin UK
Page : 564 pages
File Size : 45,7 Mb
Release : 2011-10-06
Category : History
ISBN : 9780141966830

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A History of the World in 100 Objects by Neil MacGregor Pdf

This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentally, as prisms through which we can explore past worlds and the lives of the men and women who lived in them. The book's range is enormous. It begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with an object from the 21st century which represents the world we live in today. Neil MacGregor's aim is not simply to describe these remarkable things, but to show us their significance - how a stone pillar tells us about a great Indian emperor preaching tolerance to his people, how Spanish pieces of eight tell us about the beginning of a global currency or how an early Victorian tea-set tells us about the impact of empire. Each chapter immerses the reader in a past civilisation accompanied by an exceptionally well-informed guide. Seen through this lens, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. An intellectual and visual feast, it is one of the most engrossing and unusual history books published in years.

A History of Art History

Christopher S. Wood
A History of Art History Book PDF

Author : Christopher S. Wood
Publisher : Princeton University Press
Page : 472 pages
File Size : 42,9 Mb
Release : 2021-03-02
Category : Art
ISBN : 9780691204765

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A History of Art History by Christopher S. Wood Pdf

"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket

Art History in a Global Context

Ann Albritton,Gwen Farrelly
Art History in a Global Context Book PDF

Author : Ann Albritton,Gwen Farrelly
Publisher : John Wiley & Sons
Page : 176 pages
File Size : 46,6 Mb
Release : 2020-10-20
Category : Art
ISBN : 9781119127840

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Art History in a Global Context by Ann Albritton,Gwen Farrelly Pdf

Presents a clear and comprehensive introduction to the evolving discipline of global art studies This volume examines how art historians, critics, and artists revisit art from ancient times through to the early modern period as well as the ways in which contemporary objects are approached through the lens of global contact, exchange, networks, and trade routes. It assists students who actively seek to understand "global art history" and the discipline beyond the founding Western canons. The first section of Art History in a Global Context: Methods, Themes and Approaches explores how themes related to globalization are framing the creation, circulation, reception, and study of art today. The second section examines how curators, scholars, artists, and critics have challenged the Eurocentric canon through works of art, writings, exhibitions, biennials, large-scale conferences, and the formation of global networks. The third section is designed to help students look forward by exploring how art history in a global context is beginning to extend beyond the contemporary condition to understand the meaning, conditions, and impacts of exchange across borders and among artists in earlier periods. Presents a historiography of global art histories in academic, museological, and exhibition projects Written by a collection of authors from different linguistic, cultural, geographic, generational, and disciplinary perspectives Aids students in understanding "global art history" and the discipline beyond the founding Western canons Provides a set of case studies to bring to life methodologies being employed in the field Features contributors from the program of the Getty Foundation and the College Art Association International Committee's project Art History in a Global Context is an ideal choice for upper-level undergraduate and entry level graduate art students. It can also be used as a teaching tool, or as models for case studies in different formats.

The Idol in the Age of Art

Michael Wayne Cole,Rebecca Zorach
The Idol in the Age of Art Book PDF

Author : Michael Wayne Cole,Rebecca Zorach
Publisher : Ashgate Publishing, Ltd.
Page : 392 pages
File Size : 54,8 Mb
Release : 2009
Category : History
ISBN : 0754652904

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The Idol in the Age of Art by Michael Wayne Cole,Rebecca Zorach Pdf

Conflicting attitudes towards devotional art was a major factor in the confessional divisions that split Reformation Europe. By presenting essays concerned with both European subjects and European perceptions of other cultures, The Idol in the Age of Art contributes to ongoing attempts to globalize the study of European art. Approaching the Reformation idol as an essentially international problem, and placing particular emphasis on cultural encounters, it provides fresh perspectives on the very nature of Renaissance art, and underscores how colonial issues came to be often framed in terms of European religious conflicts.

Is Art History Global?

James Elkins
Is Art History Global Book PDF

Author : James Elkins
Publisher : Routledge
Page : 128 pages
File Size : 48,9 Mb
Release : 2013-10-18
Category : Art
ISBN : 9781135867676

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Is Art History Global? by James Elkins Pdf

This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.

The Lives of Objects

Maia Kotrosits
The Lives of Objects Book PDF

Author : Maia Kotrosits
Publisher : Class 200: New Studies in Religion
Page : 252 pages
File Size : 52,7 Mb
Release : 2020
Category : Church history
ISBN : 9780226707587

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The Lives of Objects by Maia Kotrosits Pdf

"Judaism and Christianity as condensed illustrations of how people across time struggle with the materiality of life and death. Speaking across many fields, including classics, history, anthropology, literary, gender, and queer studies, the book journeys through the ancient Mediterranean world by way of the myriad physical artifacts that punctuate the transnational history of early Christianity. By bringing a psychoanalytically inflected approach to bear upon her materialist studies of religious history, Kotrosits makes a contribution not only to our understanding of Judaism and early Christianity, but also our sense of how different disciplines construe historical knowledge, and how we as people and thinkers understand our own relation to our material and affective past"--

The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss

Richard Shone,John-Paul Stonard
The Books that Shaped Art History From Gombrich and Greenberg to Alpers and Krauss Book PDF

Author : Richard Shone,John-Paul Stonard
Publisher : Thames & Hudson
Page : 208 pages
File Size : 54,8 Mb
Release : 2013-04-05
Category : Art
ISBN : 9780500771495

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The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss by Richard Shone,John-Paul Stonard Pdf

An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.

Art and Its Objects

Richard Wollheim
Art and Its Objects Book PDF

Author : Richard Wollheim
Publisher : Cambridge University Press
Page : 292 pages
File Size : 53,8 Mb
Release : 1980-09-30
Category : Art
ISBN : 0521297060

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Art and Its Objects by Richard Wollheim Pdf

Aims to convey the author's belief that the nature of art has to be comprehensible from both the artist's and the spectator's point of view. In pursuing this, the book considers questions on expression, representation, style, the significance of the artist.

Art History 101 . . . Without the Exams

Annie Montgomery Labatt
Art History 101 Without the Exams Book PDF

Author : Annie Montgomery Labatt
Publisher : Trinity University Press
Page : 537 pages
File Size : 49,8 Mb
Release : 2022-09-06
Category : Art
ISBN : 9781595348791

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Art History 101 . . . Without the Exams by Annie Montgomery Labatt Pdf

Why is something a masterpiece? Art History 101 . . . Without the Exams is about revisiting famous works of art that we may have studied in an art history class or seen in a textbook. Each discussion delves into one great masterpiece and asks the questions that help us understand how it has shaped history. What is the piece about? How did the original owner look at this piece? Where was it originally placed? Why is it in this museum now? How did it get famous? From the sixth-century mosaics of Ravenna and the painted bulls of Altamira, Spain, dated 12,500 BCE, to an incense burner from twelfth-century Seljuk Iran, frescoes from a Late Byzantine funerary chapel, and masterworks by Botticelli, Caravaggio, Monet, and Sargent, this book shows readers how to look closely. It welcomes us to the joy of art history—but without the papers, notes, and exams.