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Author : Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 226 pages File Size : 50,9 Mb Release : 2007 Category : Abstract expressionism ISBN : 9781588392749
Abstract Expressionism and Other Modern Works by Metropolitan Museum of Art (New York, N.Y.) Pdf
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
Metropolitan Museum of Art (New York, N.Y.). Department of Communications
Author : Metropolitan Museum of Art (New York, N.Y.). Department of Communications Publisher : Unknown Page : 0 pages File Size : 46,5 Mb Release : 2007 Category : Abstract expressionism ISBN : OCLC:201775729
Abstract Expressionism by David Anfam,Jitish Kallat,Haunch of Venison (Gallery) Pdf
Published on the occasion of the artist's first exhibition with Haunch of Venison, Universal Recipient presents Jitish Kallat's engagement with the city of his birth, Mumbai. Interested in using language of the downtrodden, he appropriates the graffiti, peeling paint and broken glass of the city into the language of his work, addressing both the health of the nation and Mumbai's identity as an ever expanding megalopolis. Caste tensions, city planning, government ineptitude and social change are all part of the fabric Kallat weaves in his distinctive and Pop-inspired graphic style.
Metropolitan Museum of Art (New York, N.Y.),Lisa Mintz Messinger
Author : Metropolitan Museum of Art (New York, N.Y.),Lisa Mintz Messinger Publisher : Metropolitan Museum of Art Page : 177 pages File Size : 41,8 Mb Release : 1992 Category : Abstract Expressionism ISBN : 9780870996566
Abstract Expressionism by Metropolitan Museum of Art (New York, N.Y.),Lisa Mintz Messinger Pdf
Abstract Expressionist works on paper from the permanent collection of The Metropolitan Museum of Art are presented in this volume, which documents the wealth of the Museum's holdings in that area. Many of them are published here for the first time, and several are recent additions to the collection. All are illustrated in full-page color reproductions that show the nuances of each work in great detail. The Abstract Expressionists are best known for their paintings and sculptures, and virtually all of the many publications about these artists concentrate on those large-scale works. This unique catalogue deals exclusively with their smaller, more intimate works on paper, providing many new insights about the routes that led to the Abstract Expressionists' innovative artistic accomplishments. The nineteen artists included are William Baziotes, James Brooks, Elaine de Kooning, Willem de Kooning, Arshile Gorky, Adolph Gottlieb, Philip Guston, Gerome Kamrowski, Franz Kline, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Theodore Roszak, Mark Rothko, Anne Ryan, David Smith, Theodoros Stamos, and Mark Tobey. Each of them is discussed in a separate essay, which encompasses information about the artist's background and development, commentary about the importance of drawing in his or her oeuvre, and an analysis of each work in the selection. Also included in the essays is technical information about a number of the individual works that enhances understanding of the variety and originality of these artists' media and techniques.
Abstract expressionism refers to the non-representational use of form and color as a means of expression that emerged in America in the 1940s. These artists had striven to express pure emotion directly on canvas, via color and texture.
Movements in Modern Art by Debra Bricker Balken Pdf
"In this incisive study, the curator and writer Debra Bricker Balken examines the work of the leading artists associated with Abstract Expressionism, including Willem de Kooning, Lee Krasner, Robert Motherwell, Barnett Newman, Jackson Pollock and Mark Rothko. At the same time she examines the myths surrounding the movement, the variation in the motivation and practice of artists grouped by art historians under the same heading, and the role played by critics in the movement's reception, both at the time and up to the present day." "Of equal value to the general reader and the art historical scholar alike, Balken's text is a valuable addition to the literature on one of the most influential of all twentieth-century art movements."--BOOK JACKET.
The last major collective Abstract Expressionism exhibition in the UK took place in 1959. This publication, and the exhibition it accompanies, examines the origins of the movement and seeks to re-evaluate it, recognising its complex and fluid reality, and encompassing sculptors as well as some of the most famous painters of the twentieth century.
Women of Abstract Expressionism by Joan Marter Pdf
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
American Abstract Expressionism by David Thistlewood Pdf
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: • Pastel and acrylic techniques to use to complete your own paintings • The benefits of expressing your ideas abstractly • How to loosen up by using your nondominant hand and drawing to music • Ways to express emotions through mark-making • Using color and symbolism for expression • Working with photos for inspiration • Tips for using color studies Step into your own abstract frame of mind today!
The Abstract Expressionist movement has long been bound up in the careers and lifestyles of about twelve white male artists who exhibited in New York in the 1940s. In this book Ann Eden Gibson reconsiders the history of the movement by investigating other artists -- people of color, women, and gays and lesbians -- whose versions of abstraction have been largely ignored until now.
FROM 1947 TO 1951, more than a dozen Abstract Expressionists achieved "breakthroughs" to independent styles. 1 During the following years, these painters, the first generation of the New York School, received growing recognition nationally and globally, to the extent that American vanguard art came to be considered the primary source of creative ideas and energies in the world, and a few masters, notably Pollock, de Kooning, and Rothko, were elevated to art history's pantheon. Younger artists who entered their circle in the early fifties-the early wave of the second generation-such as Larry Rivers, Helen Frankenthaler, Grace Hartigan, Allan Kaprow, Joan Mitchell, Robert Rauschenberg, and Richard Stankiewicz (to list some of the better known), were also acclaimed, but with a few exceptions, their reputations had gone into decline by the end of the fifties. In the following decade, the second generation was eclipsed by a third generation, the innovators of Pop, Op, Minimal, and Conceptual Art. (Any notion of a generation of artists is necessarily arbitrary, of course. The term "generation," as it is used here, refers to a group of artists close in age who live in the same neighborhood at the same time, and to a greater or lesser degree, know each other and partake of a similar sensibility, a shared outlook and aesthetic.)
