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Accounting for Murder Screenplay by Emma Lathen Pdf
Screenplay ePub eBook 2nd Edition. Accounting for Murder. Simply Media. 3rd of 37 Emma Lathen Best Sellers. Features John Putnam Thatcher, SVP of the Sloan Guaranty Trust, who gets to the bottom of things by cutting through various business goings on, a famous accountant who swooped down on a company to examine the books, dissident shareholders, community groups, and others to examine the financial motives in order to nail the killer. A humorous romp for those who like humor and good writing in their mysteries. Called the American Agatha Christie and Nero Wolfe with Portfolio by the New York Times.
Murder Makes the Wheels Go Round Screenplay by Emma Lathen Pdf
Screenplay ePub eBook 2nd Edition 4th of 37 best selling Emma Lathen mysteries. Cars are at the center of things in Detroit and in this witty Emma Lathen mystery, complete with prison terms, scandals, Department of Justice, Wall Street and more. John Putnam Thatcher, as usual, gets to the real motive, not emotion, but money.
A Place for Murder Emma Lathen Screenplay by Emma Lathen Pdf
Screenplay ePub eBook 2nd Edition. A Place for Murder. Simply Media. 2nd of 37 best selling Emma Lathen mysteries featuring SVP of the Sloan Guaranty Trust, John Putnam Thatcher, who gets to the bottom of things by cutting through divorce, carryings on, dog shows, and more to examine the financial motives and nail the killer. A humorous romp for those who like humor and good writing in their mysteries. Called the American Agatha Christie and Nero Wolfe with Portfolio, by the New York Times.
Accounting for Murder Screenplay by Emma Lathen Pdf
Screenplay ePub eBook 2nd Edition. Accounting for Murder. Simply Media. 3rd of 37 Emma Lathen Best Sellers. Features John Putnam Thatcher, SVP of the Sloan Guaranty Trust, who gets to the bottom of things by cutting through various business goings on, a famous accountant who swooped down on a company to examine the books, dissident shareholders, community groups, and others to examine the financial motives in order to nail the killer. A humorous romp for those who like humor and good writing in their mysteries. Called the American Agatha Christie and Nero Wolfe with Portfolio by the New York Times.
In this moving and thoughtful book, Kathleen Woodward explores the politics and poetics of the emotions, focusing on American culture since the 1960s. She argues that we are constrained in terms of gender, race, and age by our culture’s scripts for “emotional” behavior and that the accelerating impoverishment of interiority is a symptom of our increasingly media-saturated culture. She also shows how we can be empowered by stories that express our experience, revealing the value of our emotions as a crucial form of intelligence. Referring discreetly to her own experience, Woodward examines the interpenetration of social structures and subjectivity, considering how psychological emotions are social phenomena, with feminist anger, racial shame, old-age depression, and sympathy for non-human cyborgs (including robots) as key cases in point. She discusses how emerging institutional and discursive structures engender “new” affects that in turn can help us understand our changing world if we are attentive to them—the “statistical panic” produced by the risk society, with its numerical portents of disease and mortality; the rage prompted by impenetrable and bloated bureaucracies; the brutal shame experienced by those caught in the crossfire of the media; and the conservative compassion that is not an emotion at all, only an empty political slogan. The orbit of Statistical Panic is wide, drawing in feminist theory, critical phenomenology, and recent theories of the emotions. But at its heart are stories. As an antidote to the vacuous dramas of media culture, with its mock emotions and scattershot sensations, Woodward turns to the autobiographical narrative. Stories of illness—by Joan Didion, Yvonne Rainer, Paul Monette, and Alice Wexler, among others—receive special attention, with the inexhaustible emotion of grief framing the book as a whole.
THE STORY: Tony Wendice has married his wife, Margot, for her money and now plans to murder her for the same reason. He arranges the perfect murder. He blackmails a scoundrel he used to know into strangling her for a fee of one thousand pounds, and
