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This collection of film stills, portraits, and private photographs is dedicated to the memory of the unforgettable Audrey Hepburn. The images, many never before published, are by well-known and unknown photographers from all over the world, with biographical text provided by Sembach. 86 duotone and 14 color illustrations.
The most ambitious and personal account ever written about Hollywood's most gracious star-Audrey Hepburn by Barry Paris is a "moving portrayal" (The New York Times Book Review) that truly captures the woman who captured our hearts... With the insights of family and friends who never before spoke to a Hepburn biographer-and never-before-published photographs-Paris has created an in-depth portrait of the actress, from her childhood in Nazi-occupied Europe, through her legendary career, and into her UN ambassadorship.
A young archeologist and her journalist friend join an eclectic mix of anthropologists descending on L'Anse aux Meadows, Canada, the only verified Viking encampment in North America and the planet's first UNESCO World Heritage Site. After thirty-five years, the site is being re-excavated because a new clue has surfaced that might solve a one-thousand-year-old murder. An epic journey of discovery continues where East met West, the past meets the present, and Come-from-Aways meet Newfoundlanders. A modern saga of mystery, magic and mayhem is about to be written.
Peter Bogdanovich, known primarily as a director, film historian and critic, has been working with professional actors all his life. He started out as an actor (he debuted on the stage in his sixth-grade production of Finian’s Rainbow); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director). Now, in his new book, Who the Hell’s in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among them: Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart. Bogdanovich captures—in their words and his—their work, their individual styles, what made them who they were, what gave them their appeal and why they’ve continued to be America’s iconic actors. On Lillian Gish: “the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress.” On Marlon Brando: “He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon—the recognizable human commodity each new film was built around . . . The funny thing is that Brando’s charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. ” Jerry Lewis to Bogdanovich on the first laugh Lewis ever got onstage: “I was five years old. My mom and dad had a tux made—I worked in the borscht circuit with them—and I came out and I sang, ‘Brother, Can You Spare a Dime?’ the big hit at the time . . . It was 1931, and I stopped the show—naturally—a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed—they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning.” John Wayne to Bogdanovich, on the early years of Wayne’s career when he was working as a prop man: “Well, I’ve naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I’d been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford’s need for a goose-herder just seemed to fit my pistol.” These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich’s book is a celebration and a farewell.
Martin Cole is stuck in a rut. But his family and friends have ideas for him. And when Martin's landlord offers him a job sorting out a problem for his niece Anna Martino, he finds it hard to refuse. Soon Martin is back in harness, tempted by the prospect of an intriguing case, not to mention a useful income. Roselake Investigation Services, here we come. He finds himself with an office, an attractive young assistant, Tanya, and a caseload to take on. But Anna's problem is not that easy to resolve. How come her aunt left her money to a cat charity, when she hated cats? And when a hit-and-run driver interrupts Martin's blossoming romance, his investigation takes him once more into a dark past, and a dangerous present. This is the second in the Martin Cole series of novels by Alan Tootill
Out of the Labyrinth is a literary romance novel of ideas about synchronicity, reincarnation, and unprecedented uses of technologytold from the viewpoint of a freethinker in search of enlightened peers with whom to jam, an authentic mystic with whom to study, and an intellectual babe with whom to shack up.... After a decade of conducting experiments in posthumous sustain with the use of super computers and theurgic drugs, a wealthy programming wiz has a suspicious motorcycle accident, falls into a coma, but is sustained by a computer system and his Zen teacher, an American original with extraordinary powers.... The books mellifluous language, the keen psychological insights, the succinct articulation of the main philosophical arguments for and against the existence of god, the insightful connections among classics from The Republic to Ulysses, and the synthesis of Western skepticism with Eastern mysticism comprise a profoundly original thesis about humanitys potential for immortality in this universe and on to others, beginning in the here and nowtold from the perspective of a freethinker looking for the intellectual babe of his dreams while his alter ego is pestering him to hurry up and get laid....
New York photographer Ed Feingersh produced some of the most beautiful Marilyn Monroe shots there are, such as the icon Chanel No. 5 : Marilyn in her New York hotel suite putting the finishing touches to her evening attire with a touch of perfume. In 1955 she retreated to her exile in New York to avoid the constraints of her contract with Twentieth Century Fox and to take acting lessons with Lee Strasberg. For one whole week, Feingersh observed 29-year old Marilyn during her private and public life in New York. He followed her on her wanders through the city, joined her at costume fittings and at the Actors Studio, was along for an incognito jaunt on the subway and during her legendary ride on the pink elephant in Madison Square Garden. What he captured was the truly beautiful Marilyn Monroe oscillating between new self-confidence and extreme vulnerability, who could be relaxed and joyful one moment, contemplative, dreamy and sad the next Marilyn the person, as it were.
