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Innocence, Power, and the Novels of John Hawkes by Rita Ferrari Pdf
For over forty years, John Hawkes has created fictions remarkable for their stylistic beauty and narrative experimentation. Rita Ferrari's Innocence, Power, and the Novels of John Hawkes is an unprecedented exploration of Hawkes's sixteen novels and novellas.
Here are the eloquent, diverting and provocative stories of the celebrated contemporary short story writer and poet, Dylan Thomas. Powerful and dramatic, his work has been awarded the highest praise by reviewers. --Signet Books/New American Library.
"John Hawkes is an extraordinary writer. I have always admired his books. They should be more widely read."—Saul Bellow Skipper, an ex-World War II naval Lieutenant and the narrator of Second Skin, interweaves past and present—what he refers to as his "naked history"—in a series of episodes that tell the story of a volatile life marked by pitiful losses, as well as a more elusive, overwhelming, joy. The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.
After the veritable hype concerning postmodernism in the 1980s and early 1990s, when questions about when it began, what it means and which texts it comprises were apt to trigger heated discussions, the excitement has notably cooled down at the turn of the century. Voices are now beginning to be heard which seem to suggest a new episteme in the making which points beyond postmodernism, while it remains at the same time very uncertain whether what appears as newness is not rather a return to traditional concepts, theoretical premises, and authorial practices. Contributors to this volume propose to explore new openings and recent developments in anglophone literatures and cultural theories which engage with issues seen to be central in the construction of a postmodern paradigm, but deal with them in ways that promise new openings or a new Zeitgeist.
L'épuisement du biographique? by Vincent Broqua,Guillaume Marche Pdf
Pourquoi penser le biographique? N'est-il pas épuisé? Le siècle passé semble l'avoir vidé de son contenu et de sa substance et l'a réduit à un état d'affaiblissement presque complet dans le domaine des sciences sociales comme dans celui de la critique littéraire. L'enjeu de cet ouvrage est d'affirmer que le biographique déborde la biographie et de considérer le biographique comme une condition du retour de la biographie au moyen de son dépassement. Cet ouvrage rassemble des travaux abordant ...
But it would be unfair to the reader to reveal what happens when a gang of professional crooks gets wind of the scheme and moves to muscle in on this bettors' dream of a long-odds situation. Worked out with all the meticulous detail, terror, and suspense of a nightmare, the tale is, on one level, comparable to a Graham Greene thriller; on another, it explores a group of people, their relationships fears, and loves. For as Leslie A. Fiedler says in his introduction, "John Hawkes.. . makes terror rather than love the center of his work, knowing all the while, of course, that there can be no terror without the hope for love and love's defeat . . . ."
In this erudite and engaging collection, Paul Bodine gathers together two decades of his provocative forays into books and culture, from the popular fiction of Stephen King and Richard North Patterson to the ageless classics of D. H. Lawrence and T. S. Eliot. Bristling with wit, frank analysis, and versatile intelligence, Operative Words features reviews of more than thirty books by such authors as Jay McInerney, Daniel Boorstin, John Keegan, and Doris Lessing as well as detailed profiles of twenty-five major American writers (from Cleveland Amory to Tom Wolfe), all originally appearing in major American newspapers and reference books. Bonus features include in-depth analyses of short stories by Vladimir Nabokov and F. Scott Fitzgerald, the critical reception of T.S. Eliot's Four Quartets , and cutting-edge French and American literary theory. No less spirited and eclectic are Bodine's takes on music, which range from an interview with an up-and-coming violinist and reviews of Mahler and Stravinsky biographies to the sounds and images of Roxy Music and John Lennon. A rich feast of opinion and reflection.
Author : Arnold L. Weinstein Publisher : Oxford University Press, USA Page : 362 pages File Size : 52,9 Mb Release : 1993 Category : American fiction ISBN : 9780195080223
In this broad-based study of American fiction, canonical and otherwise, Arnold Weinstein examines closely the strong ties between language, history and culture, with a particular focus on freedom of the self.
This selection of fiction by many of America's best writers, each coupled with a distinguished critic's response, is designed to defy the chronological secondariness of critical interpretation. During the creation of this book the majority of the contributions, chosen by the writers themselves, were as yet unpublished, providing an unmediated encounter between author and critic. Every reader extends what editors, authors, and critics have begun by adding to the imaginary space in which all texts may be woven together. This process serves as metaphor for the changing nature of any latter-day encounter with one's own literary tradition. The interfacing of texts not only illuminates the fiction, and the relationship of fiction to critics, but also informs our conceptions of text, criticism, and fiction itself.