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This updated translation of the Oresteia trilogy and fragments of the satyr play Proteus includes an extensive historical and critical introduction. In the third edition of The Complete Greek Tragedies, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining their vibrancy for which the Grene and Lattimore versions are famous. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. Each volume also includes an introduction to the life and work of the tragedian and an explanation of how the plays were first staged, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. The result is a series of lively and authoritative translations offering a comprehensive introduction to these foundational works of Western drama.
"A boon for classicists and general readers alike. For the reader who comes to tragedy for the first time, these translations are eminently 'accessible,' and consummately American in tone and feeling. For the classicist, these versions constitute an ambitious reinterpretation of traditional masterpieces; after 2,500 years, the poetry of Euripides and Aeschylus has found a new voice—in fact, ten of them."—The Boston Book Review
Aeschylus,Peter Burian Professor of Classical and Comparative Literature and Theater Studies Duke University,Chapel Hill Alan Shapiro Distinguished Professor of English and Creative Writing University of Noth Carolina
Author : Aeschylus,Peter Burian Professor of Classical and Comparative Literature and Theater Studies Duke University,Chapel Hill Alan Shapiro Distinguished Professor of English and Creative Writing University of Noth Carolina Publisher : Oxford University Press, USA Page : 428 pages File Size : 45,5 Mb Release : 2009-02-17 Category : Literary Collections ISBN : 9780199706419
The Complete Aeschylus : Volume II: Persians and Other Plays by Aeschylus,Peter Burian Professor of Classical and Comparative Literature and Theater Studies Duke University,Chapel Hill Alan Shapiro Distinguished Professor of English and Creative Writing University of Noth Carolina Pdf
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the great classical dramatists: Prometheus Bound, translated by James Scully and C. John Herrington, a haunting depiction of the most famous of Olympian punishments; The Suppliants, translated by Peter Burian, an extraordinary drama of flight and rescue arising from women's resistance to marriage; Persians, translated by Janet Lembke and C. John Herington, a masterful telling of the Persian Wars from the view of the defeated; and Seven Against Thebes, translated by Anthony Hecht and Helen Bacon, a richly symbolic play about the feuding sons of Oedipus. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.
Aeschylus' Use of Psychological Terminology by Shirley Darcus Sullivan Pdf
Annotation Sullivan (classics, U. of British Columbia) analyzes how the 6th-5th BC Greek poet used eight key psychological terms that appear frequently in ancient Greek texts but have a wide range of possible meanings. She also compares his use with that of earlier and contemporary poets, including Homer, Hesiod, Pindar, and Bacchylides, to assess the degree to which his usage was innovative or traditional. She very adroitly explains the use of the Greek terms for readers who do not read Greek. Canadian card order number: C97-900392-X. Annotation c. by Book News, Inc., Portland, Or.
The Oresteia of Aeschylus by George Thomson,Walter G. Headlam Pdf
First published in 1938, this book forms the second part of a two-volume edition of the Oresteia. The first volume contains the original Greek text of the Oresteia with a facing-page English translation, notes and a detailed introduction. This second volume is largely composed of a comprehensive textual commentary. A metrical appendix is also provided. This book will be of value to anyone with an interest in the works of Aeschylus and classical literature.
Greek Tragedies II by Aeschylus,Sophocles,Euripides Pdf
Greek Tragedies, Volume II contains Aeschylus’s “The Libation Bearers,” translated by Richmond Lattimore; Sophocles’s “Electra,” translated by David Grene; Euripides’s “Iphigenia among the Taurians,” translated by Anne Carson; Euripides’s “Electra,” translated by Emily Townsend Vermeule; and Euripides’s “The Trojan Women,” translated by Richmond Lattimore. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
This accessible edition for students brings the Agamemnon, Aeschylus' opening play in the Oresteia trilogy, to life for first-time readers. A hugely popular play in antiquity and with a rich reception history to the present day, this is an essential play for students of classics, drama and the canon of western literature. Leah Himmelhoch provides a helpful guide for students and instructors wishing to study and teach the play, building on her over twenty-five years of experience teaching college and university students. A quick introduction sets out Agamemnon's historical, literary, and performative context, its use of imagery and themes (especially gender conflict and the perversion of sacrificial ritual), and its subsequent literary and cultural impact while extensive commentary notes guide students through every line of the Greek text. Difficult passages are carefully explained while the power and beauty of the language is brought out at every opportunity. Himmelhoch's commentary also offers a companion website with a running vocabulary for the entire Agamemnon as further help for students.
The Artistry of Aeschylus and Zeami by Mae J. Smethurst Pdf
By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation. Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Myth of Lycurgus in Aeschylus, Naevius, and beyond by Bartłomiej Bednarek Pdf
This book offers a new interpretation of Aeschylus’ tragic tetralogy Lycurgeia and Naevius’ tragedy Lycurgus, the two most important texts that shaped the tradition of the myth about Lycurgus’ resistance against the god Dionysus.
A Companion to Aeschylus by Peter Burian,Jacques Bromberg Pdf
A COMPANION TO AESCHYLUS A COMPANION TO AESCHYLUS In A Companion to Aeschylus, a team of eminent Aeschyleans and brilliant younger scholars delivers an insightful and original multi-authored examination—the first comprehensive one in English—of the works of the earliest surviving Greek tragedian. This book explores Aeschylean drama, and its theatrical, historical, philosophical, religious, and socio-political contexts, as well as the receptions and influence of Aeschylus from antiquity to the present day. This companion offers readers thorough examinations of Aeschylus as a product of his time, including his place in the early years of the Athenian democracy and his immediate and ongoing impact on tragedy. It also provides comprehensive explorations of all the surviving plays, including Prometheus Bound, which many scholars have concluded is not by Aeschylus. A Companion to Aeschylus is an ideal resource for students encountering the work of Aeschylus for the first time as well as more advanced scholars seeking incisive treatment of his individual works, their cultural context and their enduring significance. Written in an accessible format, with the Greek translated into English and technical terminology avoided as much as possible, the book belongs in the library of anyone looking for a fresh and authoritative account of works of continuing interest and importance to readers and theatre-goers alike.
A new, accurate, and readable translation of four of Aeschylus' plays: Persians, Seven Against Thebes, Suppliants, and Prometheus Bound. It is based upon the most authoritative recent edition of the Greek text and particular care is taken with the many lyric passages. A lengthy introduction sets the plays in their original context, and includes short appreciative essays on them. The explanatory notes treat dramatic issues, structure and form, and theatrical aspects, as well as details of content and language. Major difficulties in the texts themselves, which affect general interpretation, are briefly discussed. The volume as a whole should provide an informative, reliable, and suggestive basis for study and enjoyment.
Greek dramatist Aeschylus (525-456 BC) is called the creator of the art of tragedy in the Western tradition. Author of "The Persians," "Seven Against Thebes," "The Suppliants," "Oresteia," and "Prometheus Bound." A historical, biographical, and literary study. Hermes series on classical authors.
