Aesthetic Hybridity In Mughal Painting 1526 1658

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Aesthetic Hybridity in Mughal Painting, 1526–1658

Author : Valerie Gonzalez
Publisher : Routledge
Page : 336 pages
File Size : 41,5 Mb
Release : 2016-03-03
Category : Art
ISBN : 9781317184874

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Aesthetic Hybridity in Mughal Painting, 1526–1658 by Valerie Gonzalez Pdf

The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique

Aesthetic Hybridity in Mughal Painting, 1526-1658

Author : Nong Hong,Valerie Gonzalez
Publisher : Unknown
Page : 336 pages
File Size : 54,6 Mb
Release : 2015-11-01
Category : Art
ISBN : 1409412571

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Aesthetic Hybridity in Mughal Painting, 1526-1658 by Nong Hong,Valerie Gonzalez Pdf

The first critical study to be published on Mughal pictorial hybridity, this book investigates the workings of the diverse creative forces that underpinned the formation of the Mughal painting. Valerie Gonzalez here explores - with the updated methodology of art criticism - the processes of cross-fertilization between the Indo-Persianate legacy, the Persian models imported after 1555 and the influx of European art that have brought about a unique Indo-Islamic pictorial metaphysics characterized by a positivist mimetic order distinct from the idealistic Persian pictoriality.

Inside/Outside Islamic Art and Architecture

Author : Saygin Salgirli
Publisher : Bloomsbury Publishing USA
Page : 272 pages
File Size : 47,5 Mb
Release : 2021-07-29
Category : Architecture
ISBN : 9781501341878

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Inside/Outside Islamic Art and Architecture by Saygin Salgirli Pdf

When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given painting may in fact be central to what it represents. In this volume, a simple question is presented: instead of dichotomous separations between inside and outside, or exterior and interior, what other relationships can we think of? The first book of its kind to grapple with this question, Inside/Outside Islamic Art and Architecture focuses on a wide spectrum of mediums and topics, including painted manuscripts, objects, architectural decoration, architecture and urban planning, and photography. Bringing together scholars with diverse methodologies-who work on a geographical span stretching from India to Spain and Nigeria, and across a temporal spectrum from the thirteenth to the twenty-first century-this original book also poses engaging questions about the boundaries of the field.

Naẓar:Vision, Belief, and Perception in Islamic Cultures

Author : Samer Akkach
Publisher : BRILL
Page : 339 pages
File Size : 40,7 Mb
Release : 2021-12-13
Category : History
ISBN : 9789004499485

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Naẓar:Vision, Belief, and Perception in Islamic Cultures by Samer Akkach Pdf

Naẓar: Vision, Belief, and Perception in Islamic Cultures offers multiple perspectives on how the Islamic visual culture and aesthetic sensibility have been enabled and shaped by common conceptual tools, consistent socio-spatial practices, and unifying beliefs and moral parameters.

Natural Light: The Art of Adam Elsheimer and the Dawn of Modern Science

Author : Julian Bell
Publisher : Thames & Hudson
Page : 307 pages
File Size : 40,5 Mb
Release : 2023-06-13
Category : Art
ISBN : 9780500778289

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Natural Light: The Art of Adam Elsheimer and the Dawn of Modern Science by Julian Bell Pdf

A brand-new perspective on early modern art and its relationship with nature as reflected in this moving account of overlooked artistic genius Adam Elsheimer, by an outstanding writer and critic. Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted “nature,” currents that would soon gather force to form modern science. Natural Light deliberates on the era’s uncertainties, as distilled in the work of long underappreciated artist Adam Elsheimer (1578–1610), a native of Frankfurt who settled in Rome and whose diminutive and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and early modern scientists were starting to turn to the new “world system” of Galileo. His visual inventions influenced many famous artists—including Rembrandt van Rijn, Claude Lorrain, and Nicolas Poussin. Julian Bell guides the reader through key Elsheimer artworks, examining the contexts behind them before exploring the new imaginative thoughts that opened up in their wake. He also explores the experiences of Elsheimer and other Northern artists in the literary, artistic, and scientific culture of 1600s Rome. Although his life was tragically short, Elsheimer’s legacy endured and prints of his work were widely spread throughout Europe, with his influence extending as far as the Indian subcontinent.

Deconstructing the Myths of Islamic Art

Author : Onur Öztürk,Xenia Gazi,Sam Bowker
Publisher : Routledge
Page : 320 pages
File Size : 40,9 Mb
Release : 2022-03-20
Category : Art
ISBN : 9781000555950

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Deconstructing the Myths of Islamic Art by Onur Öztürk,Xenia Gazi,Sam Bowker Pdf

Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

Rembrandt and the Inspiration of India

Author : Stephanie Schrader
Publisher : Getty Publications
Page : 162 pages
File Size : 48,5 Mb
Release : 2018-03-20
Category : Art
ISBN : 9781606065525

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Rembrandt and the Inspiration of India by Stephanie Schrader Pdf

This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.

Mughal Painting

Author : Ashok Kumar Srivastava
Publisher : Unknown
Page : 272 pages
File Size : 45,5 Mb
Release : 2000
Category : Art
ISBN : UOM:39015050819377

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Mughal Painting by Ashok Kumar Srivastava Pdf

Illustrations: Numerous B/w & Colour Illustrations Description: The present work is based on an extensive and critical study of the original Mughal paintings supported by contemporary historical literature and provides fresh perspective for the interpretation and analysis of the painter's art under the Mughals. After a brief discussion on painting in Islam the author goes on to expound the nature and role of pre-Mughal indigenous traditions in the making of Mughal style. Thereafter, the study turns towards the origin and development of Mughal painting from Humayun to Aurangzeb. Finally, the various influences--Persian, Chinese and European--have been examined. The author concludes that Mughal painting reflecte a non-mechanical fusion of the different cultures of Asia and Europe. It had never been a colonial expression of Persian painting. Despite the presence of a number of elements borrowed from foreign sources, it remained truly Indian from the very beginning. This richly illustrated volume carries finest treasures of Mughal court paintings.

Real Birds in Imagined Gardens

Author : Kavita Singh
Publisher : Getty Publications
Page : 120 pages
File Size : 48,9 Mb
Release : 2017-03-07
Category : Art
ISBN : 9781606065181

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Real Birds in Imagined Gardens by Kavita Singh Pdf

Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.

Aspects of Mughal Painting

Author : Som Prakash Verma
Publisher : Punascha
Page : 382 pages
File Size : 41,9 Mb
Release : 2009
Category : Painting, Mogul
ISBN : 8170174511

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Aspects of Mughal Painting by Som Prakash Verma Pdf

Present collection of essays researched and analyzed by S.P. Verma, since 1973, provides the readers an introduction to the Mughal painting. The sixteen studies in this volume offer afresh interpretation of the Mughal miniatures. These relate to the aesthetic values, art-forms, signs and symbols, and the social and cultural history. Most importantly, Akbar`s attempt to liberale painting from the straitjacket of sectarian ideology is the theme of Chapter 1.2. The `artists signatures` (Chapter 1.4) and `self-portraits` (Chapter 3.4) are the new features introduced with the rise of Mughal school. The volume draws on diverse textual sources to delve into the social history of dominant themes, motifs and styles. Verma presents a vivid account of the sixteenth century narrative art (Chapter 2.1), and major illustrated manuscripts (Chapters 2.2-3.4, and 7). Chapter 1.1 provides insights into the life and times of patrons and artists. Verma also touches parallel art tradilions. His approach to the subject features the Mughal painting as an historical source.

Jahangir, a Connoisseur of Mughal Art

Author : Sanjeev Prasad Srivastava
Publisher : Abhinav Publications
Page : 244 pages
File Size : 52,7 Mb
Release : 2001
Category : Art
ISBN : 8170173868

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Jahangir, a Connoisseur of Mughal Art by Sanjeev Prasad Srivastava Pdf

Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.

Mug̲h̲al Painter of Flora and Fauna Ustād Manṣūr

Author : Som Prakash Verma
Publisher : Abhinav Publications
Page : 199 pages
File Size : 41,5 Mb
Release : 1999
Category : Animals in art
ISBN : 9788170173656

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Mug̲h̲al Painter of Flora and Fauna Ustād Manṣūr by Som Prakash Verma Pdf

This volume follows Mughal Painters and their Work-A Biographical Survey and Comprehensive Catalogue (Oxford University Press, New Delhi, 1994), the first comprehensive book of reference on the work of nearly 200 Mughal painters; and has been conceived to provide readers much information on the Mughal painting through the contribution of individual master painters. Need not say ample information is available about the artists of the Mughal atelier (sixteenth-seventeenth centuries). Yet, to date, except for some articles on a few painters, no book has been published on individual artist. Ustad Mansur, a keen observer of nature endowed with almost Euclidean intellect, deserved a more detailed study to re-evaluate his merit as an artist whose achievement in naturalistic portraiture of a large number of species from the world of flora and fauna has remained unsurpassed till today. Our attempt is to enter into the very creative process of this great Mughal painter; to relive in his times and environment, in order to discover real Mansur. The whole panorama of Mansur’s portraits of birds, animals and flowers set in marvellously and uniquely laid background represents, in his true spirit and characteristics, the very quintessence of nature’s endless variety of creation and beauty. Part I provides historical and artistic context in which Ustad Mansur worked. Information about him has been gleaned from original texts (principally Persian historical sources), supplemented by the evidence of artist’s own work. Part II comprises the plate section of representative eighteen miniatures that illustrate our painter’s style and his specialisation in painting. The appendix further enhances the value of this work since it provides correct rendering of contemporary inscriptions and determines genuine signatures and contemporary ascriptions. The volume is richly illustrated with a large number of black-and-white and colour illustrations. These illustrate the art and style of Ustad Mansur Nadir u’l ‘Asr (Unequalled of the Age), the most illustrious naturalist painter of India. It will naturally be of interest to students of art and natural history. It is also recommended to persons curious to know about the Mughal times. It is hoped that other volumes on individual Mughal painters will follow’ and monographs on their lives and work with a criticale valuation will be available.

The Adventures of Hamza

Author : John William Seyller,Wheeler McIntosh Thackston
Publisher : Freer Gallery of Art and Arthur M. Sackler Gallery
Page : 326 pages
File Size : 47,7 Mb
Release : 2002
Category : Illumination of books and manuscripts, Islamic
ISBN : UOM:39076002308802

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The Adventures of Hamza by John William Seyller,Wheeler McIntosh Thackston Pdf

Beauty and Islam

Author : Valerie Gonzalez
Publisher : Bloomsbury Publishing
Page : 186 pages
File Size : 54,9 Mb
Release : 2001-08-24
Category : Philosophy
ISBN : 9780755699346

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Beauty and Islam by Valerie Gonzalez Pdf

'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.

Transcultural Imaginations of the Sacred

Author : Klaus Krüger,Margit Kern
Publisher : Unknown
Page : 286 pages
File Size : 51,7 Mb
Release : 2019
Category : Christian art and symbolism
ISBN : 384675630X

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Transcultural Imaginations of the Sacred by Klaus Krüger,Margit Kern Pdf

Although we tend to suggest that clear constructions of identity are granted to religious symbols under the assumption that they distinguish between self and other explicitly, perceptions of alterity in fact play a vital role in sacral forms of representation. Markers of foreignness are used in a semantics of the exceptional that characterizes the sacral. Perceptions of difference are thus capable of making visible the remoteness of sacral forms from the profane world of experience. This book, therefore, asks: What role do traits of alterity play in the sacral context? How are various concepts of the sacred synthesized in situations of transcultural translation, for instance in the context of missionary activity? How did an artifact arrive at sacral potency in various cultures, and under what conditions did semantic shifts occur?