Aesthetics And The Art Of Musical Composition In The German Enlightenment

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Aesthetics and the Art of Musical Composition in the German Enlightenment

Author : Johann Georg Sulzer
Publisher : Cambridge University Press
Page : 224 pages
File Size : 45,9 Mb
Release : 1995
Category : Music
ISBN : 9780521360357

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Aesthetics and the Art of Musical Composition in the German Enlightenment by Johann Georg Sulzer Pdf

Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.

Musical Listening in the German Enlightenment

Author : Matthew Riley
Publisher : Routledge
Page : 198 pages
File Size : 48,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351556903

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Musical Listening in the German Enlightenment by Matthew Riley Pdf

The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century. Those critics explained numerous technical features of the music of their time as devices for arousing, sustaining or otherwise influencing the attention of a listener, citing in illustration works by Gluck, C. P. E. Bach, Georg Benda and others. Two types of attention were identified: the uninterrupted experience of a single emotional state conveyed by a piece of music as a whole, and the fleeting sense of 'wonder' or 'astonishment' induced by a local event in a piece. The relative validity of these two modes was a topic of heated debate in the German Enlightenment, encompassing issues of musical communication, compositional integrity and listener competence. Matthew Riley examines the significant writers on the topic (Descartes, Leibniz, Wolff, Baumgarten, Rousseau, Meier, Sulzer and Forkel) and provides analytical case studies to illustrate how these perceived modes of attention shaped interpretations of music of the period.

Discoveries from the Fortepiano

Author : Donna Louise Gunn
Publisher : Oxford University Press
Page : 273 pages
File Size : 48,6 Mb
Release : 2016
Category : Music
ISBN : 9780199396641

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Discoveries from the Fortepiano by Donna Louise Gunn Pdf

"The focus of this book is limited to the performance of late-eighteenth-century keyboard music"--Page xii.

Reader's Guide to Music

Author : Murray Steib
Publisher : Routledge
Page : 928 pages
File Size : 40,9 Mb
Release : 2013-12-02
Category : Music
ISBN : 9781135942625

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Reader's Guide to Music by Murray Steib Pdf

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Music and the French Enlightenment

Author : Cynthia Verba
Publisher : Oxford University Press
Page : 208 pages
File Size : 50,9 Mb
Release : 2016-10-03
Category : Music
ISBN : 9780190633264

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Music and the French Enlightenment by Cynthia Verba Pdf

Around the middle of the eighteenth century, the leading figures of the French Enlightenment engaged in a philosophical debate about the nature of music. The principal participants-Rousseau, Diderot, and d'Alembert-were responding to the views of the composer-theorist Jean-Philippe Rameau, who was both a participant and increasingly a subject of controversy. The discussion centered upon three different events occurring roughly simultaneously. The first was Rameau's formulation of the principle of the fundamental bass, which explained the structure of chords and their progression. The second was the writing of the Encyclopédie, edited by Diderot and d'Alembert, with articles on music by Rousseau. The third was the "Querelle des Bouffons," over the relative merits of Italian comic opera and French tragic opera. The philosophes, in the typical manner of Enlightenment thinkers, were able to move freely from the broad issues of philosophy and criticism, to the more technical questions of music theory, considering music as both art and science. Their dialogue was one of extraordinary depth and richness and dealt with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of Music and the French Enlightenment, Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published. Stressing the importance of seeing the philosophes' writings in context of a dynamic dialogue, Verba carefully reconstructs the chain of arguments and rebuttals across which Rousseau, D'Alembert, and Diderot formulated their own evolving positions. A section of key passages in translation presents several texts in English for the first time, recapturing the tenor and tone of the dialogue at hand. In a new epilogue, Verba discusses important trends in new scholarship, tracing how scholars continue to grapple with many of the same fundamental oppositions and competing ideas that were debated by the philosophes in the French Enlightenment.

Music in German Philosophy

Author : Stefan Lorenz Sorgner,Oliver Fürbeth
Publisher : University of Chicago Press
Page : 312 pages
File Size : 43,7 Mb
Release : 2011-01-15
Category : Philosophy
ISBN : 9780226768397

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Music in German Philosophy by Stefan Lorenz Sorgner,Oliver Fürbeth Pdf

Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.

A History of Western Philosophy of Music

Author : James O. Young
Publisher : Cambridge University Press
Page : 684 pages
File Size : 45,7 Mb
Release : 2023-01-31
Category : Philosophy
ISBN : 9781108570930

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A History of Western Philosophy of Music by James O. Young Pdf

This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music.

Musical Aesthetics

Author : Jonathan L. Friedmann
Publisher : Cambridge Scholars Publishing
Page : 179 pages
File Size : 54,6 Mb
Release : 2018-07-27
Category : Music
ISBN : 9781527514904

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Musical Aesthetics by Jonathan L. Friedmann Pdf

This book contains six chapters covering key areas of musical aesthetics, including aesthetics of emotions; aesthetics of listening; aesthetics of performance; aesthetics of composition; aesthetics of nature; and aesthetics of commerce. Each chapter adopts an experiential approach to aesthetics, in which perceptual and intuitive musical responses – real-time experiences – are valued as a source of truth. Unlike intellectual aesthetics, which values conscious associations and meticulous artistic appraisals, experiential aesthetics looks primarily at everyday subconscious appreciations. The explorations here draw from the social sciences, hard sciences, philosophy, literature, theology, musicology, humanities, and other fields that directly or indirectly contribute to an understanding of our attraction to music. Presenting user-friendly distillations of numerous theories, concepts, and functions, this book will be of interest to both lay readers and expert practitioners.

Sound and Affect

Author : Judith Lochhead,Eduardo Mendieta,Stephen Decatur Smith
Publisher : University of Chicago Press
Page : 416 pages
File Size : 44,6 Mb
Release : 2021-04-23
Category : History
ISBN : 9780226758015

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Sound and Affect by Judith Lochhead,Eduardo Mendieta,Stephen Decatur Smith Pdf

"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

Instrumental Music in an Age of Sociability

Author : W. Dean Sutcliffe
Publisher : Cambridge University Press
Page : 613 pages
File Size : 47,8 Mb
Release : 2019-10-10
Category : Music
ISBN : 9781107013810

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Instrumental Music in an Age of Sociability by W. Dean Sutcliffe Pdf

Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Mozart's Piano Concertos

Author : Simon P. Keefe
Publisher : Boydell & Brewer
Page : 217 pages
File Size : 43,8 Mb
Release : 2001
Category : Music
ISBN : 9780851158341

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Mozart's Piano Concertos by Simon P. Keefe Pdf

This study investigates the interactive relationship between the piano and the orchestra in Mozart's concertos by exploring the historical implications and hermeneutic potential of dramatic dialogue.

Metaphor and Musical Thought

Author : Michael Spitzer
Publisher : University of Chicago Press
Page : 393 pages
File Size : 54,5 Mb
Release : 2015-12-21
Category : Music
ISBN : 9780226279435

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Metaphor and Musical Thought by Michael Spitzer Pdf

"The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.

Reconstructing Social Theory, History and Practice

Author : Harry F. Dahms,Eric R. Lybeck
Publisher : Emerald Group Publishing
Page : 300 pages
File Size : 46,5 Mb
Release : 2016-12-05
Category : Social Science
ISBN : 9781786354709

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Reconstructing Social Theory, History and Practice by Harry F. Dahms,Eric R. Lybeck Pdf

Taken from papers presented at the 2015 International Social Theory Consortium (ISTC), this volume focusses on “Reconstruction”, dedicated to taking account of and interrogating the possibility of picking up the pieces.

Musical Vitalities

Author : Holly Watkins
Publisher : University of Chicago Press
Page : 207 pages
File Size : 50,5 Mb
Release : 2018-11-21
Category : Music
ISBN : 9780226594842

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Musical Vitalities by Holly Watkins Pdf

Does it make sense to refer to bird song—a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate—as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as “the art of possibly animate things,” Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature—approaches that appear increasingly untenable in an era defined by human-generated climate change—Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music’s structural resemblances to the songs of nonhuman species, the intricacies of music’s physiological impact on listeners, and the many analogues between music’s formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.

Schoenberg's Twelve-Tone Music

Author : Jack Boss
Publisher : Cambridge University Press
Page : 467 pages
File Size : 45,5 Mb
Release : 2014-10-02
Category : Music
ISBN : 9781107046863

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Schoenberg's Twelve-Tone Music by Jack Boss Pdf

Jack Boss presents detailed analyses of Arnold Schoenberg's twelve-tone pieces, bringing the composer's 'musical idea' - problem, elaboration, solution - to life.