Author : Anonim
Publisher : Unknown
Page : 136 pages
File Size : 53,7 Mb
Release : 1999
Category : Electronic
ISBN : OCLC:909854798
The Aesthetics of Live Electronic Music
Anonim
Aesthetics Of Live Electronic Music
Aesthetics Of Live Electronic Music Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Aesthetics Of Live Electronic Music book. This book definitely worth reading, it is an incredibly well-written.
Aesthetics of Live Electronic Music
Marc Battier
Author : Marc Battier
Publisher : Routledge
Page : 136 pages
File Size : 50,5 Mb
Release : 1999
Category : Music
ISBN : 9057551144
Aesthetics of Live Electronic Music by Marc Battier Pdf
The vast leaps being made in live and interactive technology, and the increasing availability of immensely sophisticated equipment have opened up a tremendously exciting world for today's composers working with live electronic music. This book comprises essays from working composers, who provide their own unique insight into how live electronic music impacts and audience, the performance situation and ultimately, music. Also includes 12 musical examples. Marc Battier has composed several live electronic pieces in the last twenty years. He is associate professor at the University of Sorbonne in Paris.
Living Electronic Music
Simon Emmerson
Author : Simon Emmerson
Publisher : Routledge
Page : 332 pages
File Size : 55,8 Mb
Release : 2017-09-29
Category : Music
ISBN : 9781351217842
Living Electronic Music by Simon Emmerson Pdf
Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.
Listening through the Noise
Joanna Demers
Author : Joanna Demers
Publisher : Oxford University Press
Page : 212 pages
File Size : 50,5 Mb
Release : 2010-07-30
Category : Music
ISBN : 9780199774487
Listening through the Noise by Joanna Demers Pdf
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Bodily Expression in Electronic Music
Deniz Peters,Gerhard Eckel,Andreas Dorschel
Author : Deniz Peters,Gerhard Eckel,Andreas Dorschel
Publisher : Routledge
Page : 285 pages
File Size : 54,8 Mb
Release : 2012-02-06
Category : Music
ISBN : 9781136504877
Bodily Expression in Electronic Music by Deniz Peters,Gerhard Eckel,Andreas Dorschel Pdf
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.
Listening through the Noise
Joanna Demers
Author : Joanna Demers
Publisher : Oxford University Press
Page : 212 pages
File Size : 41,8 Mb
Release : 2010-07-30
Category : Music
ISBN : 9780199889051
Listening through the Noise by Joanna Demers Pdf
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Live Electronic Music
Friedemann Sallis,Valentina Bertolani,Jan Burle,Laura Zattra
Author : Friedemann Sallis,Valentina Bertolani,Jan Burle,Laura Zattra
Publisher : Routledge
Page : 340 pages
File Size : 51,5 Mb
Release : 2017-11-20
Category : Music
ISBN : 9781317692102
Live Electronic Music by Friedemann Sallis,Valentina Bertolani,Jan Burle,Laura Zattra Pdf
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
Living Electronic Music
Professor Simon Emmerson
Author : Professor Simon Emmerson
Publisher : Ashgate Publishing, Ltd.
Page : 220 pages
File Size : 41,8 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409493716
Living Electronic Music by Professor Simon Emmerson Pdf
Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.
Composing Electronic Music
Curtis Roads
Author : Curtis Roads
Publisher : Oxford University Press, USA
Page : 513 pages
File Size : 55,9 Mb
Release : 2015
Category : Music
ISBN : 9780195373240
Composing Electronic Music by Curtis Roads Pdf
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
Composing Electronic Music
Curtis Roads
Author : Curtis Roads
Publisher : Oxford University Press
Page : 512 pages
File Size : 54,5 Mb
Release : 2015-06-17
Category : Music
ISBN : 9780199706471
Composing Electronic Music by Curtis Roads Pdf
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
Innovation in Music: Technology and Creativity
Jan-Olof Gullö,Russ Hepworth-Sawyer,Justin Paterson,Rob Toulson,Mark Marrington
Author : Jan-Olof Gullö,Russ Hepworth-Sawyer,Justin Paterson,Rob Toulson,Mark Marrington
Publisher : CRC Press
Page : 348 pages
File Size : 40,9 Mb
Release : 2024-03-27
Category : Music
ISBN : 9781003847960
Innovation in Music: Technology and Creativity by Jan-Olof Gullö,Russ Hepworth-Sawyer,Justin Paterson,Rob Toulson,Mark Marrington Pdf
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
Push
Mike D'Errico
Author : Mike D'Errico
Publisher : Oxford University Press
Page : 337 pages
File Size : 52,6 Mb
Release : 2022
Category : Performing Arts
ISBN : 9780190943301
Push by Mike D'Errico Pdf
Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the industry standard, professional DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity to commercial DAWs by presenting users with nothing but a blank screen. These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's design thinking. Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.
Performing Electronic Music Live
Kirsten Hermes
Author : Kirsten Hermes
Publisher : CRC Press
Page : 347 pages
File Size : 49,8 Mb
Release : 2021-12-28
Category : Music
ISBN : 9781000470260
Performing Electronic Music Live by Kirsten Hermes Pdf
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
Audio Culture, Revised Edition
Christoph Cox,Daniel Warner
Author : Christoph Cox,Daniel Warner
Publisher : Bloomsbury Publishing USA
Page : 664 pages
File Size : 40,8 Mb
Release : 2017-07-27
Category : Social Science
ISBN : 9781501318382
Audio Culture, Revised Edition by Christoph Cox,Daniel Warner Pdf
The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.
Live Electronics
Gary Montague
Author : Gary Montague
Publisher : CRC Press
Page : 252 pages
File Size : 41,8 Mb
Release : 1992-02-12
Category : Technology & Engineering
ISBN : 3718651165