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Born in Blackness: Africa, Africans, and the Making of the Modern World, 1471 to the Second World War by Howard W. French Pdf
Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day. “Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.
A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.
This book critically analyses the ways in which Africa has shifted from the periphery of global trade, international relations and politics to the centre of the world stage because of its existing and potential economic prowess and purchasing power that the continent has to offer.
In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface superco
Featuers the four plays - ""Reach"", ""Some Mother's Sons"", ""Shwele Bawo!!"", and ""Dream of the Dog"" - that explore the themes such as reconciliation, matriarchy, justice, accountability, corruption, truth, memory, and violence which reflect on the challenges and questions South Africans are confronted with in their nascent democratic state.
Shaping the Future of African American Film by Monica White Ndounou Pdf
In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films. How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history. By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film.
Author : A. A. Yusuf Publisher : Martinus Nijhoff Publishers Page : 362 pages File Size : 44,7 Mb Release : 1994-05-27 Category : Law ISBN : 0792327187
African Yearbook of International Law by A. A. Yusuf Pdf
The "African Yearbook of International Law" provides an intellectual forum for the systematic analysis and scientific dissection of issues of international law as they apply to Africa, as well as Africa's contribution to the progressive development of international law. It contributes to the promotion, acceptance of and respect for the principles of international law, as well as to the encouragement of the teaching, study, dissemination and wider appreciations of international law in Africa. A clear articulation of Africa's views on the various aspects of international law based on the present realities of the continent as well as on Africa's civilization, culture, philosophy and history will undoubtedly contribute to a better understanding among nations. The "African Yearbook of International Law" plays an important role in examining the tensions underlying the State in Africa, and by shedding more light on the causes of the fragility of African State institutions so as to facilitate the identification of appropriate remedies. The tension and interrelationships among issues such as territorial integrity, self determination, ethnic diversity and nation-building are constantly addressed. Development, human rights and democratization in Africa are also the subject of continuous attention and examination. The structure of the first two volumes - consisting of a special theme, individual articles, notes and comments, book reviews and basic documents - will be reflected to the extent possible in future volumes, but will also be constantly improved with the addition of new features and areas of study. The "African Yearbook of International Law" will attract more contributions in the futurefrom African international lawyers currently teaching or practising in Africa. Most of those who have toiled to make the first volume a reality are now working outside the continent. They are, however, all determined to see to it that this intellectual forum will serve first and foremost the teachers and practitioners of international law in Africa.
Julius Nyerere, Africa's Titan on a Global Stage by Ali AlʼAmin Mazrui,Lindah Mhando Pdf
Julius K. Nyerere rose to global greatness in what was at the time one of the poorest countries in the world. He led the way in uniting two countries into one (Tanganyika and Zanzibar) and emerged as in the vanguard of the struggle against colonialism and apartheid. He also became one of the most eloquent voices of the Global South in its demands for fairness and justice in the global economy. This collection of essays captures Nyerere's invention of a new indigenous ideology (ujamaa), his promotion of an indigenous language policy (Kiswahili), his remarkable influence in Pan-African politics, and Nyerere's special place in the history of the 20th century. Because the essays were written across time, they capture the unfolding narrative of continuity and change. This volume also demonstrates how a political leader could be humble enough to avoid ostentation, scholarly enough to translate Shakespeare into an African language, and great enough to help change the African continent forever. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "...[I]t is genuinely a useful book for all those seeking inspiration in 'their struggles to transcend dependency.' It is of importance to all students and those interested in understanding Tanzania and Africa." -- Conrad John Masabo, African Studies Quarterly
Author : Roland Anthony Oliver,J. D. Fage Publisher : Penguin Group Page : 324 pages File Size : 43,9 Mb Release : 1988 Category : Africa ISBN : 0140136010
A Short History of Africa by Roland Anthony Oliver,J. D. Fage Pdf
Dramatic alterations in political power have corrected the once prevalent vision of a European-centered world. While the centers of European culture flourished, decayed and sprouted in turn, empires in Africa rose, ruled, resisted, and succumbed. Much of Africa's past has now been excavated from ignorance and error, revealing a rich and previously little-known human heritage. This classic work draws on the whole range of literature about Africa as well as evidence provided by archaeology, oral traditions, language relationships, and social institutions. It marshals the most authoritative views of African specialists into an absorbing narrative and puts forward original conclusions that take the study of Africa a stage further.