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Afro-Cuban keyboard grooves by Manny Patiño,Jorge Moreno Pdf
This book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos that are played over the Clave, this book will help every keyboard player learn these fundamental Latin rhythms. [Matching bass book (EL9707CD) also available.]
Afro-Cuban Bass Grooves by Manny Patiño,Jorge Moreno Pdf
This book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos which are played over the Clave, this book will help every bass player learn these fundamental Latin rhythms. (Matching keyboard book (EL9706CD) also available.)
The Latin Bass Book by Chuck Sher,Oscar Stagnaro Pdf
The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc.
The Tejano superstar Selena and the tango revival both in the dance clubs and on Broadway are only the most obvious symptoms of how central Latin music is to American musical life. Latino rap has brought a musical revolution, while Latin and Brazilian jazz are ever more significant on the jazz scene. With the first edition of The Latin Tinge, John Storm Roberts offered revolutionary insight into the enormous importance of Latin influences in U.S. popular music of all kinds. Now, in this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last twenty years. From the merengue wave to the great traditions of salsa and norte?a music to the fusion styles of Cubop and Latin rock, Roberts provides a comprehensive review. With an update on the jazz scene and the careers of legendary musicians as well as newer bands on the circuit, the second edition of The Latin Tinge sheds new light on a rich and complex subject: the crucial contribution that Latin rhythms are making to our uniquely American idiom.
Afro-Cuban Big Band Play-Along for Drumset/Percussion: Book & CD by Joe McCarthy Pdf
The Afro-Cuban Big Band Play-Along book and CD gives the drummer/percussionist an opportunity to play contemporary Afro-Cuban music in a big band setting. The book and CD includes six charts from the Grammy(R) Award-winning Caribbean Jazz Project album, Afro-Bop Alliance (featuring Dave Samuels). The tracks, minus the drum/percussion parts, will give the player an opportunity to solo and experiment with a variety of groove and/or style variations.
The only complete method book on Salsa ever published. Numerous musical examples of how different Afro-Cuban styles are created, what each instrument does, text explaining the history and structure of the music, etc. "This will be the Salsa Bible for years to come." Sonny Bravo, Tito-Puente's pianist.
The Essence of Afro-Cuban Percussion and Drum Set by Ed Uribe Pdf
An in-depth study (324 pages) of all the percussion instruments, rhythms and song styles of Afro-Cuban music, along with their applications to the drum set. Detailed technical studies of each instrument are presented along with notations of many rhythm styles. The entire rhythm section (parts for bass, piano, horn section, string section, tres, and guitar) is also studied in detail. The book comes with two CDs that include performances of each percussion instrument, drum set, all rhythm section instruments, as well as examples of all musical styles with full instrumentation in score form.
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
The ultimate technical study of four-way independence based on Afro-Cuban rhythms. This detailed and methodical approach will develop four-limb coordination and expand rhythmic vocabulary. Understanding the clave and the relationship between eighth-note and triplet rhythms will aid in mastering the multiple and complex rhythms of Afro-Cuban styles.
Beyond Salsa Percussion-The Cuban Timba Revolution by Kevin Moore Pdf
This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzón, chachachá et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized.To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or "box" notation, full speed audio, slow motion audio, and two speeds using a special "task-by-task" learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment.Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations.One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product.The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there's a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body's natural ability to learn how to play. To put it another way, if you're concentrating on mastering the pattern of a new rhythm, you won't be able to give 100% of your effort to tone production, posture, hand position, and feeling the groove, and you're likely to develop "bad habits" that are hard to unlearn later. But if you've already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you'll be much more likely to succeed, and - just as important - you'll be much more likely to enjoy the process.
Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussionensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part oneincludes information on Clave, Tumbao for one and two drums, Yamb£, Guaguanc¢ (Havana), Guaguanc¢ (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo,Arar, Abaku (Havana), Abaku (Matanzas), Gag, Vud£ and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.
