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Author : Pedro Pérez Sarduy,Jean Stubbs
Publisher : Unknown
Page : 0 pages
File Size : 54,8 Mb
Release : 2020
Category : Black people
ISBN : OCLC:1430979162
Author : Pedro Pérez Sarduy,Jean Stubbs
Publisher : University Press of Florida
Page : 292 pages
File Size : 54,6 Mb
Release : 2020-03-23
Category : History
ISBN : 9780813065557
From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba."—Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of ‘racial blind spots’ in official history and present-day racial discrimination."—James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-on with the issue of race in Cuba today. . . . Pérez Sarduy and Stubbs [seek to] put a human face on this debate, and do so well. The book will be received with relief by some and with frustration by others. Controversial it will undoubtedly be, since—as with most things Cuban—strong emotions are a given assumption. It will be an admirable beginning for the series and, it is hoped, will spark a much-needed debate in the United States on many aspects of the ‘Cuban question.’ It is about time."—John M. Kirk Based on the vivid firsthand testimony of prominent Afro-Cubans who live in Cuba, this book of interviews looks at ways that race affects daily life on the island. While celebrating their racial and national identity, the collected voices express an urgent need to end the silences and distortions of history in both pre- and postrevolutionary Cuba. The 14 people interviewed—of different generations and from different geographic areas of Cuba—come from the arts, the media, industry, academia, and medicine. They include a doctor who calls for joint U.S.-Cuban studies on high blood pressure and a craftsman who makes the batá drums used in Yoruba worship ceremonies. All responded to four controversial questions: What is it like to be black in Cuba? How has the revolution made a difference? To what extent is that difference true today? What can be done? Exposing the contradictions of both racial stereotyping and cultural assimilation, their eloquent answers make the case that the issue of race in Cuba, no matter how hard to define, will not be ignored. A volume in the series Contemporary Cuba, edited by John M. Kirk
Author : Kristina Wirtz
Publisher : University of Chicago Press
Page : 344 pages
File Size : 43,8 Mb
Release : 2014-06-05
Category : Social Science
ISBN : 9780226119199
Visitors to Cuba will notice that Afro-Cuban figures and references are everywhere: in popular music and folklore shows, paintings and dolls of Santería saints in airport shops, and even restaurants with plantation themes. In Performing Afro-Cuba, Kristina Wirtz examines how the animation of Cuba’s colonial past and African heritage through such figures and performances not only reflects but also shapes the Cuban experience of Blackness. She also investigates how this process operates at different spatial and temporal scales—from the immediate present to the imagined past, from the barrio to the socialist state. Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.
Author : Judy Maloof
Publisher : University Press of Kentucky
Page : 340 pages
File Size : 44,5 Mb
Release : 2021-05-11
Category : Social Science
ISBN : 9780813182674
Latin American women were among those who led the suffrage movements of the nineteenth and early twentieth centuries, and their opposition to military dictatorships has galvanized more recent political movements throughout the region. But because of the continuous attempts to silence them, activists have struggled to make their voices heard. At the heart of Voices of Resistance are the testimonies of thirteen women who fought for human rights and social justice in their communities. Some played significant roles in the Cuban Revolution of 1959, while others organized grassroots resistance to the seventeen-year Pinochet dictatorship in Chile. Though the women share many objectives, they are a diverse group, ranging in age from thirty to eighty and coming from varied ethnic and socioeconomic backgrounds. The Cuban and Chilean women Judy Maloof interviewed use the narrative form to reinvent themselves. Maloof includes narratives from a poet, a tobacco worker, a political prisoner, an artist, and a social worker to demonstrate the different faces of their struggle. In the process, these women were able to begin to put together their fragmented lives. Speaking out is both a means for personal liberation and a political act of protest against authoritarian regimes. The bond that these women have is not simply that they have suffered; they share a commitment to resisting violence and confronting inequities at great personal risk.
Author : Edna M. Rodríguez-Plate
Publisher : Univ of North Carolina Press
Page : 216 pages
File Size : 51,6 Mb
Release : 2005-11-16
Category : Literary Criticism
ISBN : 9780807876282
Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Author : Andrea E. Morris
Publisher : Lexington Books
Page : 205 pages
File Size : 47,9 Mb
Release : 2012
Category : History
ISBN : 9781611484229
Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists' participation in and questioning of the revolutionary government's revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba's poor and marginalized, the government's official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue on race was cut short, the work of several novelists and film directors from the late 1960s and 70s expresses the need to explore what was gained and lost by Afro-Cubans in the early years of the revolution, among them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara G mez, C sar Leante, Tom s Guti rrez Alea, Sergio Giral, and Manuel Cofi o. Their works participate in the process of redefining Cuban national identity that took place after the revolution and, more specifically, they explore the place of Afro-Cuban identity within a broader notion of revolutionary "Cubanness." This occurs through an emphasis on Afro-Cuban cultural practices that have constituted forms of resistance to colonial and neo-colonial oppression. This book examines the identity conflicts portrayed in these works and takes into account the artists' negotiation of their own status within the revolutionary context by looking at the narrative strategies used to address racial issues within the constraints placed on cultural production in Cuba after 1962.
Author : Julia Cuervo Hewitt
Publisher : Bucknell University Press
Page : 403 pages
File Size : 50,9 Mb
Release : 2009
Category : History
ISBN : 9780838757291
Hewitt (Spanish and Portuguese, Pennsylvania State U.) explores the representation of Africa and "Afro-Caribbean-ness" in Spanish Caribbean literature of the 20th century. Her main argument "is that the literary representation of Africa and "Africanness," meaning practices, belief systems, music, art, myths, popular knowledge, in Spanish-speaking Caribbean societies, constructs a self-referential discourse in which Africa and African "things" shift to a Caribbean landscape as the site of the (M)Other." Or, in other words, these representations imaginatively rescue and simultaneously construct a "Caribbean cultural imaginary conceived as the Other within that associates Africa with a cultural womb." Among the texts she explores are Fernando Ortiz's interpretations of the "Black Carnival" in Cuba, the early Afro-Cuban poems of Alejo Carpentier, the Afro-Cuban stories of Lydia Cabrera, a number of literary representations of the figure of the runaway slave, and two works by Puerto Rican novelist Edgardo Rodiguez Julia.
Author : Ivor L. Miller
Publisher : Univ. Press of Mississippi
Page : 401 pages
File Size : 42,9 Mb
Release : 2010-01-06
Category : History
ISBN : 9781604738148
In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or "leopard," which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness. This book is sponsored by a grant from the InterAmericas(r)/Society of Arts and Letters of the Americas, a program of the Reed Foundation.
Author : Peter R. Bush
Publisher : Grove Press
Page : 404 pages
File Size : 45,5 Mb
Release : 1997
Category : Fiction
ISBN : 0802135552
An anthology of stories by Cuban writers. In Uva de Aragon's Round Trip, when a Cuban woman dies while visiting her sister in the U.S. the sister adopts her identity and returns to Cuba. In the title story, by Guillermo Cabrera Infante, a boy pays dearly for coitus with an overturned female giant turtle.
Author : Monika Gosin
Publisher : Cornell University Press
Page : 273 pages
File Size : 44,7 Mb
Release : 2019-06-15
Category : Social Science
ISBN : 9781501738258
The Racial Politics of Division deconstructs antagonistic discourses that circulated in local Miami media between African Americans, "white" Cubans, and "black" Cubans during the 1980 Mariel Boatlift and the 1994 Balsero Crisis. Monika Gosin challenges exclusionary arguments pitting these groups against one another and depicts instead the nuanced ways in which identities have been constructed, negotiated, rejected, and reclaimed in the context of Miami's historical multiethnic tensions. Focusing on ideas of "legitimacy," Gosin argues that dominant race-making ideologies of the white establishment regarding "worthy citizenship" and national belonging shape inter-minority conflict as groups negotiate their precarious positioning within the nation. Rejecting oversimplified and divisive racial politics, The Racial Politics of Division portrays the lived experiences of African Americans, white Cubans, and Afro-Cubans as disrupters in the binary frames of worth-citizenship narratives. Foregrounding the oft-neglected voices of Afro-Cubans, Gosin posits new narratives regarding racial positioning and notions of solidarity in Miami. By looking back to interethnic conflict that foreshadowed current demographic and social trends, she provides us with lessons for current debates surrounding immigration, interethnic relations, and national belonging. Gosin also shows us that despite these new demographic realities, white racial power continues to reproduce itself by requiring complicity of racialized groups in exchange for a tenuous claim on US citizenship.
Author : Pedro Pérez Sarduy
Publisher : Ocean Press
Page : 328 pages
File Size : 52,5 Mb
Release : 1993
Category : Literary Criticism
ISBN : 1875284419
This anthology looks at the AfroCuban experience through the eyes of the island’s writers, scholars and artists. "A rich portrait of AfroCuba—one of the most vibrant and least well-documented of the black Caribbean diasporas."—Stuart Hall An insightful look at Cuba’s rich ethnic and cultural reality. What is it like to be black in Cuba? Does racism exist in a revolutionary society that claims to have abolished it? How does the legacy of slavery and segregation live on in today’s Cuba? Essays, poetry, extracts from novels, anthropological studies and political analysis are brought together by editors Jean Stubbs and Pedro Pérez to create an outstanding anthology of Cuban scholars, writers and artists. Drawing on an extensive knowledge of Cuba, the editors have produced a multi-faceted insight into Cuba’s right ethnic and cultural reality. The book is divided into three sections: The Die is Cast, Myth and Reality and Redrawing the Line, introducing the reader to a wide range of previously unavailable Cuban authors, in which dissenting voices speak alongside established writers, such as Fernando Ortiz. Jean Stubbs is a professor of Caribbean and Latin American History at the University of North London. She has been a visiting associate professor at Hunter College, CUNY (New York) and Rockefeller scholar at the University of Florida (Gainesville), the University of Puerto Rico and Florida International University. Stubbs has published several other books, including Cuba: The Test of Time. Pedro Pérez Sarduy is an AfroCuban poet and journalist. He was writer-in-residence at Columbia University and a Rockefeller visiting scholar at the University of Florida (Gainesville) and the University of Puerto Rico. He has been the recipient of several literary awards and regularly undertakes speaking tours in the United States.
Author : Andrea Easley Morris
Publisher : Lexington Books
Page : 205 pages
File Size : 53,9 Mb
Release : 2011-11-25
Category : Literary Criticism
ISBN : 9781611484236
Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and questioning of the revolutionary government’s revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba’s poor and marginalized, the government’s official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue on race was cut short, the work of several novelists and film directors from the late 1960s and 70s expresses the need to explore what was gained and lost by Afro-Cubans in the early years of the revolution, among them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara Gómez, César Leante, Tomás Gutiérrez Alea, Sergio Giral, and Manuel Cofiño. Their works participate in the process of redefining Cuban national identity that took place after the revolution and, more specifically, they explore the place of Afro-Cuban identity within a broader notion of revolutionary “Cubanness.” This occurs through an emphasis on Afro-Cuban cultural practices that have constituted forms of resistance to colonial and neo-colonial oppression. This book examines the identity conflicts portrayed in these works and takes into account the artists’ negotiation of their own status within the revolutionary context by looking at the narrative strategies used to address racial issues within the constraints placed on cultural production in Cuba after 1962.
Author : Lisandro Perez,Uva De Aragon
Publisher : University of Pittsburgh Pre
Page : 302 pages
File Size : 40,9 Mb
Release : 2004-02-01
Category : History
ISBN : 9780822970804
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
Author : Roberto Miguel Rodriguez
Publisher : Unknown
Page : 0 pages
File Size : 42,7 Mb
Release : 2023-09-20
Category : Electronic
ISBN : 9798223337553
"Celia Cruz - The Defiant Voice of Afro-Cuban Music" is a riveting tribute to the life, legacy, and indomitable spirit of one of Latin music's most celebrated icons. This biography captures the essence of Celia Cruz's journey -- from her humble beginnings in Havana's vibrant neighborhoods to her ascent as the undisputed "Queen of Salsa." Using a rich tapestry of different sources, the author paints a vivid portrait of Cruz as not just a musical sensation but also a symbol of resilience and defiance against the socio-political challenges of her era. The book delves into Cruz's early exposure to Santería chants, rumba rhythms, and the burgeoning sounds of mambo, highlighting the Afro-Cuban roots that deeply influenced her musical style. While celebrating her chart-topping hits and collaborations with legendary artists, this biography also sheds light on Cruz's profound struggles. From facing racism due to her African heritage to her painful decision to leave Cuba post the Castro revolution, Cruz's life was marked by battles that went beyond the stage. Her voice, both in song and in life, became a beacon for countless immigrants and Afro-Latinos, echoing themes of hope, identity, and freedom. The author also emphasizes Cruz's role in challenging the gender norms of Latin music. In a male-dominated industry, Cruz carved out a space for herself, breaking barriers and setting the stage for future female artists. Through her distinctive style, characterized by vibrant costumes and her electrifying stage presence, the singer asserted her identity and influenced fashion and pop culture. "Celia Cruz - The Defiant Voice of Afro-Cuban Music" is not merely a chronicle of Cruz's life. It's a celebration of Afro-Cuban heritage, a testament to the power of perseverance, and an intimate look at the woman whose voice continues to inspire and resonate with generations across the globe. Whether you're a seasoned salsa aficionado or a newcomer to Cruz's captivating melodies, this book is an essential read, promising to immerse you in the rhythms and passions of a remarkable life.
Author : Jean Stubbs,Pedro Pérez Sarduy
Publisher : Unknown
Page : 128 pages
File Size : 41,5 Mb
Release : 1997-06-01
Category : Social Science
ISBN : 1876175028
This is a unique book of recent interviews with a wide range of AfroCubans presenting their differing political, social and cultural outlooks on the transition process taking place in Cuba today. "The editors have brought together a rich portrait of AfroCuba, one of the most vibrant and -- from an Anglo-Saxon viewpoint -- least well-documented of the black Caribbean diasporas". Stuart Hall, Carribean scholar on Perez and Stubbs previous book, AfroCuba In Cuban history, the race question has been extraordinarily linked to the search for a national identity. After more than 35 years of revolution, the crisis years of the 1990s brought paradoxical developments where race is concerned. While the symbolism of race was deployed, black Cuban support for the revolution invoked and AfroCuban culture celebrated, there have been increasing racial divides in the restructuring process and a perceived growing unease about those divides, especially among black and brown Cubans. This book presents their voices. In these interviews AfroCuban women and men of different generations, walks of life, and parts of the island, reflect on their lives and experiences of race in both pre-and post-revolutionary Cuba, and the broader issues of race and racism. Together, they constitute eloquent and moving testimony to the tremendous openings provided by the revolution and also its contradictions. An introduction by the editors draws on their extensive knowledge of Cuba and Cuban history. The introduction seeks also to place current day Cuba in the context of the Americas, looking especially at Brazil and the United States. In a popular and highly readable style, Stubbs and Perez pose three key questionsregarding race in Cuba: How far has the revolution made a difference? To what extent is th