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A new edition of Sarah Schulman’s 1988 novel, about a no-nonsense coffee-shop waitress who is nursing a broken heart after her girlfriend Dolores leaves her. Her attempts to find love again are funny, sexy, and ultimately even violent. The novel is a fast-paced, electrifying chronicle of the Lower East Side’s lesbian subculture in the 1980s.
Meet Dolores Price. She's thirteen, wise-mouthed but wounded. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the chocolate, crisps and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly up. In his extraordinary coming-of-age odyssey, Wally Lamb invites us to hitch an incredible ride on a journey of love, pain, and renewal with the most heartbreakingly comical heroine to come along in years. At once a fragile girl and a hard-edged cynic, so tough to love yet so inimitably loveable, Dolores is as poignantly real as our own imperfections.
Accused of murdering the old woman whose house she cleaned, Dolores Claiborne is forced to explain a few things from her past, like the circumstances surrounding her husband's death years before
From intimate relationships to global politics, Sarah Schulman observes a continuum: that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behavior and Traumatized behavior resemble each other, through a shared inability to tolerate difference. This important and sure to be controversial book illuminates such contemporary and historical issues of personal, racial, and geo-political difference as tools of escalation towards injustice, exclusion, and punishment, whether the objects of dehumanization are other individuals in our families or communities, people with HIV, African Americans, or Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, and how those in positions of power exacerbate and manipulate fear of the "other" to achieve their goals. Sarah Schulman is a novelist, nonfiction writer, playwright, screenwriter, journalist and AIDS historian, and the author of eighteen books. A Guggenheim and Fulbright Fellow, Sarah is a Distinguished Professor of the Humanities at the City University of New York, College of Staten Island. Her novels published by Arsenal include Rat Bohemia, Empathy, After Delores, and The Mere Future. She lives in New York. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
From the nation that elected Barack Obama in the flames of economic disaster comes the first novel of the New Era, The Mere Future, by award-winning novelist, activist, and playwright Sarah Schulman. In this dystopian vision, New York City has morphed into an idealized version of itself, the result of what the newly elected mayor calls The Big Change. Rent is cheap, homelessness is over, and everyone works in Marketing. Despite the utopian surface, however, there is a disturbing malaise that infects the population. Our heroine, a lowly copywriter, and her girlfriend Nadine just want to fall in love all over again, but can't help noticing that the social packaging may not be recyclable.
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money. But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle’s grasp without ruinous—even fatal—consequences?
Rat Bohemia (Large Print 16pt) by Sarah Schulman Pdf
First published in 1995, this award-winning novel, written from the epicentre of the AIDS crisis, is a bold, achingly honest story set in the rat bohemia of New York City, whose huddled masses include gay men and lesbians who bond with one ano...
The Child (Large Print 16pt) by Sarah Schulman Pdf
The Child is the eleventh and perhaps most controversial book by acclaimed lesbian writer Sarah Schulman, available for the first time in paperback. This novel explores the parameters of queer teen sexuality against a backdrop of hysteria and sanctioned homophobia. Stew is a fifteen-year-old boy who goes online looking for an older man to have sex with. But when his older boyfriend is arrested in an Internet pedophilia sting, his life is exposed to his family and town. Devastated by these revelations and left to fend for himself, he ends up committing murder. Brazen and daring in its themes, The Child is a powerful indictment of sex panic in America, and a plaintive meditation on isolation and desire.
Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Dolores Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust. The novel chronicles Humbert's obsession with Lolita and his manipulative and ultimately abusive relationship with her as they travel across the United States. Nabokov's writing in "Lolita" is characterized by its lyrical prose, intricate wordplay, and dark humor, which serves to both captivate and unsettle the reader. Despite its disturbing subject matter, "Lolita" is celebrated for its literary brilliance and has been praised for its exploration of themes such as desire, obsession, and the corruption of innocence. Nabokov challenges readers to confront their own moral judgments and perceptions of love and sexuality through Humbert's unreliable narration. "Lolita" has sparked intense debate and controversy since its publication due to its portrayal of taboo subjects, including pedophilia. However, it's also widely regarded as a masterpiece of literature and continues to be studied and analyzed for its complex narrative structure and psychological depth.
"One look at the baby girl, and there was no question Kade Ryland was the father. For three months, Kade had posed as Bree Winston's husband at the Fulbright Fertility Clinic, while the two FBI agents investigated a trail of illegal adoptions and surrogates. Nine months later, a baby was dropped at his fee--and Bree was nowhere to be found. Now Kade had to reopen a case that had gotten way too personal and find Bree--fast. But if the two of them had never been a real couple, were they ready to be parents? Whatever the answer, Kade now had more than one reason to close this case once and for all"--Publisher.
Dolores has accumulated information about the Death experience and what lies beyond through 16 years of hypnotic research and past-life therapy. While retrieving past-life experiences, hundreds of subjects reported the same memories when experiencing their death, the spirit realm, and their rebirth.This book also explores: * Guides and guardian angels* Ghosts and poltergeists* Planning your present lifetime and karmic relationships before your birth* The significance of bad lifetimes* Perceptions of God and the Devil* And much more
A young teenager stays a step ahead of her parents’ sexuality-based restrictions by running away and learns a very different set of rules. A woman grieves the loss of a sister, a “gay divorce,” and the pain of unacknowledged abuse with the help of a lone wallaby on a farm in Washington State. A professor of women’s and gender studies revels in academic and sexual power but risks losing custody of the family dog. In Corinne Manning’s stunning debut story collection, a cast of queer characters explore the choice of assimilation over rebellion. In this historical moment that’s hyperaware of and desperate to define even the slowest of continental shifts, when commitment succumbs to the logic of capitalism and nobody knows what to call each other or themselves—Gay? Lesbian? Queer? Partners? Dad?—who are we? And if we don’t know who we are, what exactly can we offer each other? Spanning the years 1992 to 2019, and moving from New York to North Carolina to Seattle, the eleven first-person stories in We Had No Rules feature characters who feel the promise of a radically reimagined world but face complicity instead.
Horace and Morris But Mostly Dolores by James Howe Pdf
Horace, Morris, and Dolores do everything together and know that they will be Friends Forever...until one day, when Horace and Morris become part of an exclusive boys' club and Dolores finds herself left out. Soon, she, too, finds her own club, where no boys are allowed and girls are supposed to have fun doing girl stuff. But after a while, Horace and Morris and Dolores realize they aren't happy at all doing what everyone in their clubs seems to enjoy. They miss each other. Is it too late to be friends again? Join these three charming mouse friends as they learn to do what they like, rather than what others say they should like.