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Reading both philosophical and theological texts, this book presents an argument against nostalgia: against the myth of a Golden Age, against the posture that sees "modernity" as a problem to be solved.
AFTER September 11, 2001, emotions couldn't be clearly defined. There were no WORDS strong enough to justify, avenge, explain, or express the sheer magnitude of this horrifyingly unique moment in history. In this remarkable anthology, compiled by Salon.com's award-winning editorial team, Rick Moody, Janet Fitch, Caroline Knapp, and Jeffrey Eugenides join many contemporary literary talents and reporters in giving a voice to the day that left a stunning roar of silence across America. Dread, fear, heroism, and dignity color these pages from eyewitness accounts of ordinary citizens turned rescue workers, to an escape from the World Trade Center, a report on everyday New Yorkers finding comfort in "terror sex," and stories of miracles in the madness -- like that of a blind man led by his seeing-eye dog down eighty-seven flights of stairs to safety. Afterwords also probes the aftermath of the attacks on the nation and the world's cultural, political, and social fabric through writing ranging from an in-depth interview with controversial social critic Noam Chomsky, to a female Pakistani-American journalist's meeting with a Taliban leader and his wives, and essays on how sheer horror gave way to heartening solidarity, macabre spectacle, and kitschy sentimentality. Immediate, raw, emotional, and empowering, this outstanding collection speaks brilliantly to the simple need to remember and comprehend what happened against that perfect blue sky on September 11, 2001. A portion of the royalties will be donated to the Twin Towers Fund and the Red Cross's Fund for Afghan Children.
"The belief in translation as an act of self-portraiture drives Afterwords, Geoffrey Cook's ambitious reimagining of German poems by Goethe, Heine, Rilke and Brecht. Cook's versions not only transform these foreign texts into English poems in their own right, but enrich and expand his uniquely prismatic voice. Cook brings a contemporary and Canadian tone to his adaptations, which also showcase the exacting craftsmanship for which his first collection, Postscript, was praised. Afterwords is a book that daringly celebrates authorship as a shared project. "Do you / not feel," writes Goethe, "that, in my songs, / I am one and the other, too?" Geoffrey Cook's poetry and translations have been widely published and anthologized. His first book, Postscript (Signal, 2004) was shortlisted for the Alfred G. Bailey and Gerald Lampert Memorial awards. He lives in Sainte-Adáele, Quebec."--
The essays in this collection were written as reviews, mainly for The New York Review of Books and The New Yorker, on books by or about Alexander Pope, Vincent van Gogh, Thomas Mann, Virginia Woolf, Oscar Wilde, and A. E. Housman, or as introductions to editions of the classical Greek writers, the Protestant mystics, Shakespeare, Goethe, Kierkegaard, Tennyson, Grimm and Andersen, Poe, G. K. Chesterton, Paul Valéry, and others. Throughout, these prose pieces reveal the same wit and intelligence--as well as the vision--that sparked the brilliance of Auden's poetry.
Contains imaginary interviews with deceased British and American authors, including Samuel Johnson, Henry James, Jane Austen, Joseph Conrad, William Faulkner, and others.
Fame can be deadly. Out of the wreckage of environmental collapse, the country of Delicatum emerged. Its most popular celebrities are the Famoux, uniquely beautiful stars of a reality TV show called the Fishbowl. In a world still recovering from catastrophe, they provide a 24/7 distraction. Sixteen-year-old Emilee Laurence is obsessed with the Famoux—they provide a refuge from her troubled home life and the bullies at school. When she receives an unimaginable offer to become a member herself, she takes it. Leaving behind everything she’s ever known, Emilee enters a world of high glamour and even higher stakes. Because behind their perfect image lies an ugly truth—an anonymous stalker has been dictating the Famoux’s every move, and being popular really is a matter of life or death.
Author : David Patterson,John K Roth Publisher : University of Washington Press Page : 308 pages File Size : 51,7 Mb Release : 2004 Category : History ISBN : 029598371X
Nine contributors tackle questions about the nature of memory and forgiveness after the Holocaust. This book - created out of shared concerns about forgiveness, reconciliation, and justice, and out of a desire to investigate differences between religious traditions - represents an effort to spark meaningful dialogue between Jews and Christians and to encourage others to participate in similar inter- and intrafaith inquiries.
The Afterwordis the afterword to a best-selling novel that doesn’t exist. It is a stunning, deliriously original work of fiction about the nature of faith in the modern world.
FROM THE #1 BESTSELLING AUTHOR OF THE HARRY BOSCH AND LINCOLN LAWYER SERIES An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King. Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
"Lorenzo in Taos," is written loosely in the form of letters to and from D.H. Lawrence, Frieda Lawrence, Robinson Jeffers, and Luhan. The book is a highly personal and most informative account of an intense relationship with a great writer.
Mehl offers this heart-to-heart talk that every father desires to have with a son or daughter who is about to the nest. Pastor Mehl offers godly, biblical counsel on issues of faith and integrity.
Why is it that so many efforts by liberals to lift the black underclass not only fail, but often harm the intended beneficiaries? In Please Stop Helping Us, Jason L. Riley examines how well-intentioned welfare programs are in fact holding black Americans back. Minimum-wage laws may lift earnings for people who are already employed, but they price a disproportionate number of blacks out of the labor force. Affirmative action in higher education is intended to address past discrimination, but the result is fewer black college graduates than would otherwise exist. And so it goes with everything from soft-on-crime laws, which make black neighborhoods more dangerous, to policies that limit school choice out of a mistaken belief that charter schools and voucher programs harm the traditional public schools that most low-income students attend. In theory these efforts are intended to help the poor—and poor minorities in particular. In practice they become massive barriers to moving forward. Please Stop Helping Us lays bare these counterproductive results. People of goodwill want to see more black socioeconomic advancement, but in too many instances the current methods and approaches aren’t working. Acknowledging this is an important first step.
Poetry. AFTER WORDS, like First Words (Red Dragonfly Press, 2010), is both memoir and elegy, but the losses are more apparent in this volume, as the author knowingly celebrates lives that have ended and things that have nearly disappeared. The deaths of a sister, of beloved uncles, aunts, and grandparents happen in a world where the old homesteads are divided to build highways and new houses—and yet telling what it was like to live on one of those farms, to be caught in those ancient chores and rhythms, makes them lasting and beautiful.
The Birth of the Pill: How Four Crusaders Reinvented Sex and Launched a Revolution by Jonathan Eig Pdf
A Chicago Tribune "Best Books of 2014" • A Slate "Best Books 2014: Staff Picks" • A St. Louis Post-Dispatch "Best Books of 2014" The fascinating story of one of the most important scientific discoveries of the twentieth century. We know it simply as "the pill," yet its genesis was anything but simple. Jonathan Eig's masterful narrative revolves around four principal characters: the fiery feminist Margaret Sanger, who was a champion of birth control in her campaign for the rights of women but neglected her own children in pursuit of free love; the beautiful Katharine McCormick, who owed her fortune to her wealthy husband, the son of the founder of International Harvester and a schizophrenic; the visionary scientist Gregory Pincus, who was dismissed by Harvard in the 1930s as a result of his experimentation with in vitro fertilization but who, after he was approached by Sanger and McCormick, grew obsessed with the idea of inventing a drug that could stop ovulation; and the telegenic John Rock, a Catholic doctor from Boston who battled his own church to become an enormously effective advocate in the effort to win public approval for the drug that would be marketed by Searle as Enovid. Spanning the years from Sanger’s heady Greenwich Village days in the early twentieth century to trial tests in Puerto Rico in the 1950s to the cusp of the sexual revolution in the 1960s, this is a grand story of radical feminist politics, scientific ingenuity, establishment opposition, and, ultimately, a sea change in social attitudes. Brilliantly researched and briskly written, The Birth of the Pill is gripping social, cultural, and scientific history.