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Author : Martha R. Severens
Publisher : Carolina Art Assn
Page : 162 pages
File Size : 52,9 Mb
Release : 1993
Category : Art
ISBN : 0910326215
Over 50 famous watercolors are superbly reproduced in color. The text explores Smith's prominent role in Charleston and its history.
Author : Dwight McInvaill,Caroline Palmer,Anne Tinker
Publisher : Evening Post Books
Page : 198 pages
File Size : 47,7 Mb
Release : 2021-02-09
Category : Electronic
ISBN : 1929647522
Alice Ravenel Huger Smith (1876-1958), a leader of the Charleston Renaissance, immortalized the beauty and history of the Carolina Lowcountry and helped propel the region into an important destination for cultural tourism. A lifelong Charleston resident, she helped spark the city's historic preservation movement, depicted the waning days of rice planting, and captured the mystical spirit of the Lowcountry in luminous watercolors. This beautifully-illustrated volume is a personal account of the artist's life and work that draws on unpublished papers, letters, and interviews. It includes over 200 paintings, prints, sketches, and photographs, many shared for the first time. The most comprehensive book ever made of Alice's work, it is both an important contribution to Southern art scholarship and a gorgeous addition to the bookshelves of art lovers.Published by Evening Post Books in collaboration with the Middleton Place Foundation.
Author : Alice Ravenal Huger Smith
Publisher : Unknown
Page : 128 pages
File Size : 45,6 Mb
Release : 1947
Category : Electronic
ISBN : OCLC:81627109
Author : Elizabeth Allston Pringle
Publisher : Univ of South Carolina Press
Page : 510 pages
File Size : 40,5 Mb
Release : 2021-11-24
Category : History
ISBN : 9781643362809
A Woman Rice Planter offers insights into a broad spectrum of Southern life after the Civil War. As an account of a woman's struggle for survival and dignity in a distinctly male-dominated society, it contributes significantly to women's history. It presents a rich portrait of a distinctive place—the South Carolina Low Country—in a troubled and generally undocumented time, a portrait made all the more vivid by the fine pen-and-ink sketches of Charleston artist Alice R. Huger Smith. Elizabeth Alston Pringle was the daughter of Robert Francis Withers Allston, a state legislator and governor, who was at one time owner of seven plantations but bankrupt at the time of his death. Left to struggle for income to regain the property and position the family held prior to the war, Pringle turned to writing and eventually published a column on Southern culture in the New York Sun under the pseudeonym Patience Pennington. In 1913 she collected and reshaped these newspaper columns and compiled them into one volume, A Woman Rice Planter, a best-selling book that reduced her financial worries. Her descriptions of the vagaries of rice planting, of her relationships with former slaves and the first generation of free-born African Americans, and of her life in the early Reconstruciton period are important to our understanding of the prevailing attitudes and persistence of the Old South in the New. The volume was illustrated by Alice R. Huger Smith (1876–1958), an American painter and printmaker. This edition features an introduction by Charles Joyner (1935–2016), distinguished professor emeritus of southern history and culture at Coastal Carolina University and author of several books, including Down by the Riverside: A South Carolina Slave Community.
Author : Alice Smith
Publisher : Unknown
Page : 128 pages
File Size : 40,7 Mb
Release : 2016-07-01
Category : Electronic
ISBN : 1532313179
Author : Martha R. Severens
Publisher : University of South Carolina Press
Page : 240 pages
File Size : 45,7 Mb
Release : 1998
Category : Art
ISBN : UOM:39015042927924
"The Charleston Renaissance chronicles a dynamic period of Southern history, detailing the artistic legacy of native and national artists whose collective image-making led to Charleston's transformation from a faded Southern capital to a premier tourist destination. Martha Severens, as art historian, curator, and former Charleston resident, introduces readers to the city's traditions and lore, and delineates their impact on the art of the day. Through her examination of the major local figures of the period - Alfred Hurry, Alice Ravenel Huger Smith, Anna Heyward Taylor, and Verner - as well as the impressive list of visiting artists - including Birge Harrison, Childe Hassam, Edward Hopper, Lilla Cabot Perry, and many more - Severens expands upon the existing scholarship, adding new depth and dimension to both the period and the place. Ultimately, by connecting the artistic advances in Charleston to the greater American art scene, Severens brings clarity to the "ancient, beautiful" city's vital role in Southern art and American regionalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Angela D. Mack,Stephen G. Hoffius
Publisher : Univ of South Carolina Press
Page : 188 pages
File Size : 51,8 Mb
Release : 2008
Category : Art
ISBN : 1570037205
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Author : Alice Ravenel Huger Smith,Angela D. Mack,Roberta Sokolitz,Carolina Galleries (Charleston, S.C.)
Publisher : Unknown
Page : 128 pages
File Size : 49,7 Mb
Release : 2002
Category : Block printing
ISBN : OCLC:50700055
The catalog for "Through the pines, the poetic vision of Alice Ravenel Huger Smith, an exhibition of 12 watercolors and 3 woodblock prints," on view at Carolina Galleries, 188 King Street, Charleston, South Carolina, during the autumn of 2002. This publication "visually documents two significant, private, lowcountry collections, " that of Anne (Mrs. William P.) Montague and the McInvaill family, particularly Henry McInvaill.--p. [1].
Author : Daniel Elliott Huger Smith
Publisher : Unknown
Page : 466 pages
File Size : 55,8 Mb
Release : 1917
Category : Architecture, Domestic
ISBN : STANFORD:36105036998248
Author : Jonathan Green
Publisher : Univ of South Carolina Press
Page : 209 pages
File Size : 54,7 Mb
Release : 2021-11-23
Category : Art
ISBN : 9781643362144
A celebration of the life and culture of the Gullah people of the South Carolina Lowcountry in 179 new paintings Jonathan Green is best known for his vibrant depictions of the Gullah life and culture established by descendants of enslaved Africans who settled between northern Florida and North Carolina during the nineteenth century. For decades, Green's vividly colored paintings and prints have captured and preserved the daily rituals and Gullah traditions of his childhood in the Lowcountry marshes of South Carolina. While Green's art continues to express the same energy, color, and deep respect for his ancestors, his techniques have evolved to feature bolder brush strokes and a use of depth and texture, all guided by his maturing artistic vision that is now more often about experiencing freedom and contentment through his art. This vision is reflected in the 179 new paintings featured in Gullah Spirit. His open and inviting images beckon the world to not only see this vanishing culture but also to embrace its truth and enduring spirit. Using both the aesthetics of his heritage and the abstraction of the human figure, Green creates an almost mythological narrative from his everyday observations of rural and urban environments. Expressed through his mastery of color, Green illuminates the challenges and beauty of work, love, belonging, and the richness of community. Angela D. Mack, executive director of the Gibbes Museum of Art in Charleston, South Carolina, provides a foreword. The book also includes short essays by historian Walter B. Edgar, educator Kim Cliett Long, and curator Kevin Grogan.
Author : Valinda W. Littlefield
Publisher : Univ of South Carolina Press
Page : 190 pages
File Size : 45,6 Mb
Release : 2020-12-30
Category : History
ISBN : 9781643361604
Prior to the twenty-first century, most historical writing about women in South Carolina focused on elite White women, even though working-class women of diverse backgrounds were actively engaged in the social, economic, and political battles of the state. Although often unrecognized publicly, they influenced cultural and political landscapes both within and outside of the state's borders through their careers, writing, art, music, and activism. Despite significant cultural, social, and political barriers, these brave and determined women affected sweeping change that advanced the position of women as well as their communities. The entries in 101 Women Who Shaped South Carolina, which include many from the landmark text The South Carolina Encyclopedia, offer a concise and approachable history of the state, while recognizing the sacrifice, persistence, and sheer grit of its heroines and history makers. A foreword is provided by Walter Edgar, Neuffer Professor of Southern Studies Emeritus and Distinguished Professor Emeritus of History at the University of South Carolina.
Author : Lynne Blackman
Publisher : Univ of South Carolina Press
Page : 435 pages
File Size : 45,7 Mb
Release : 2018-06-20
Category : Art
ISBN : 9781611179552
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author : Anna Heyward Taylor
Publisher : Unknown
Page : 0 pages
File Size : 48,8 Mb
Release : 2010
Category : Artists
ISBN : 1570039453
The introduction and extensive annotations by southern historian Alexander Moore establish a broader place for Taylor in American art history and the intellectual life of the twentieth century.
Author : Stephanie E. Yuhl
Publisher : Univ of North Carolina Press
Page : 304 pages
File Size : 50,9 Mb
Release : 2006-03-08
Category : History
ISBN : 9780807876541
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.
Author : Ted Phillips
Publisher : Unknown
Page : 248 pages
File Size : 49,6 Mb
Release : 2010
Category : Biography & Autobiography
ISBN : STANFORD:36105215320396
A guide to more than two hundred of the most famous, infamous, and influential individuals now interred in the iconic Charleston landmark Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Taking its title from the poem that William Gilmore Simms delivered at the 1850 consecration of the cemetery, City of the Silent is a unique guide to some of the complex personalities who have contributed to the Holy City's rich culture. The book includes entries on writers, artists, statesmen, educators, religious leaders, scientists, war heroes, financiers, captains of industry, slave traders, socialites, criminals, victims, and others. Some of these men and women are as distinguished as author Josephine Pinckney, civil rights champion J. Waties Waring, and artist Alice Ravenel Huger Smith. Others are as notorious as bootlegger Frank "Rumpty Rattles" Hogan, adulterous killer Dr. Thomas McDow, and brothel-keeper Belle Percival. Most of Phillips's subjects achieved prominence while alive, but a few are better known for their manner of death. The members of the third and final crew of the Confederate submarine H. L. Hunley, interred with great ceremony in 2004 after the discovery of their vessel in Charleston harbor, are among the newest Magnolia residents depicted in the portrait gallery. Each authoritative profile offers a vivid depiction of a memorable individual rendered in conversational tone with refreshing wit and apt anecdotes. These artfully braided stories describe an intricate network of family ties, civic institutions, business enterprises, and local landmarks. Together the biographies provide an affectionate, insightful history of an influential society and establish Magnolia as a center of community traditions that extend from the mid-nineteenth century to the present. City of the Silent is a celebration of intertwining lives and an engrossing account of Charleston's past as witnessed by those no longer able to tell their own tales. In addition to the biographical sketches, City of the Silent includes a foreword by Josephine Humphreys, Charleston writer and longtime friend of the author, and an afterword by Phillips's daughter Alice McPherson Phillips. The volume also features an introductory essay by historian Thomas J. Brown examining how the cemetery became a leading site of historical memory in the aftermath of the Civil War, and sets of maps and thematic tours that invite visitors to locate the featured graves within Magnolia's evocative grounds.
