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Author : Martha R. Severens
Publisher : Carolina Art Assn
Page : 162 pages
File Size : 43,8 Mb
Release : 1993
Category : Art
ISBN : 0910326215
Over 50 famous watercolors are superbly reproduced in color. The text explores Smith's prominent role in Charleston and its history.
Author : Dwight McInvaill,Caroline Palmer,Anne Tinker
Publisher : Evening Post Books
Page : 198 pages
File Size : 41,5 Mb
Release : 2021-02-09
Category : Electronic
ISBN : 1929647522
Alice Ravenel Huger Smith (1876-1958), a leader of the Charleston Renaissance, immortalized the beauty and history of the Carolina Lowcountry and helped propel the region into an important destination for cultural tourism. A lifelong Charleston resident, she helped spark the city's historic preservation movement, depicted the waning days of rice planting, and captured the mystical spirit of the Lowcountry in luminous watercolors. This beautifully-illustrated volume is a personal account of the artist's life and work that draws on unpublished papers, letters, and interviews. It includes over 200 paintings, prints, sketches, and photographs, many shared for the first time. The most comprehensive book ever made of Alice's work, it is both an important contribution to Southern art scholarship and a gorgeous addition to the bookshelves of art lovers.Published by Evening Post Books in collaboration with the Middleton Place Foundation.
Author : Alice Ravenal Huger Smith
Publisher : Unknown
Page : 128 pages
File Size : 44,9 Mb
Release : 1947
Category : Electronic
ISBN : OCLC:81627109
Author : Elizabeth Allston Pringle
Publisher : Univ of South Carolina Press
Page : 510 pages
File Size : 54,6 Mb
Release : 2021-11-24
Category : History
ISBN : 9781643362809
A Woman Rice Planter offers insights into a broad spectrum of Southern life after the Civil War. As an account of a woman's struggle for survival and dignity in a distinctly male-dominated society, it contributes significantly to women's history. It presents a rich portrait of a distinctive place—the South Carolina Low Country—in a troubled and generally undocumented time, a portrait made all the more vivid by the fine pen-and-ink sketches of Charleston artist Alice R. Huger Smith. Elizabeth Alston Pringle was the daughter of Robert Francis Withers Allston, a state legislator and governor, who was at one time owner of seven plantations but bankrupt at the time of his death. Left to struggle for income to regain the property and position the family held prior to the war, Pringle turned to writing and eventually published a column on Southern culture in the New York Sun under the pseudeonym Patience Pennington. In 1913 she collected and reshaped these newspaper columns and compiled them into one volume, A Woman Rice Planter, a best-selling book that reduced her financial worries. Her descriptions of the vagaries of rice planting, of her relationships with former slaves and the first generation of free-born African Americans, and of her life in the early Reconstruciton period are important to our understanding of the prevailing attitudes and persistence of the Old South in the New. The volume was illustrated by Alice R. Huger Smith (1876–1958), an American painter and printmaker. This edition features an introduction by Charles Joyner (1935–2016), distinguished professor emeritus of southern history and culture at Coastal Carolina University and author of several books, including Down by the Riverside: A South Carolina Slave Community.
Author : Alice Smith
Publisher : Unknown
Page : 128 pages
File Size : 55,5 Mb
Release : 2016-07-01
Category : Electronic
ISBN : 1532313179
Author : Angela D. Mack,Stephen G. Hoffius
Publisher : Univ of South Carolina Press
Page : 188 pages
File Size : 52,6 Mb
Release : 2008
Category : Art
ISBN : 1570037205
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Author : Martha R. Severens
Publisher : University of South Carolina Press
Page : 240 pages
File Size : 43,7 Mb
Release : 1998
Category : Art
ISBN : UOM:39015042927924
"The Charleston Renaissance chronicles a dynamic period of Southern history, detailing the artistic legacy of native and national artists whose collective image-making led to Charleston's transformation from a faded Southern capital to a premier tourist destination. Martha Severens, as art historian, curator, and former Charleston resident, introduces readers to the city's traditions and lore, and delineates their impact on the art of the day. Through her examination of the major local figures of the period - Alfred Hurry, Alice Ravenel Huger Smith, Anna Heyward Taylor, and Verner - as well as the impressive list of visiting artists - including Birge Harrison, Childe Hassam, Edward Hopper, Lilla Cabot Perry, and many more - Severens expands upon the existing scholarship, adding new depth and dimension to both the period and the place. Ultimately, by connecting the artistic advances in Charleston to the greater American art scene, Severens brings clarity to the "ancient, beautiful" city's vital role in Southern art and American regionalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Alice Ravenel Huger Smith,Angela D. Mack,Roberta Sokolitz,Carolina Galleries (Charleston, S.C.)
Publisher : Unknown
Page : 128 pages
File Size : 52,6 Mb
Release : 2002
Category : Block printing
ISBN : OCLC:50700055
The catalog for "Through the pines, the poetic vision of Alice Ravenel Huger Smith, an exhibition of 12 watercolors and 3 woodblock prints," on view at Carolina Galleries, 188 King Street, Charleston, South Carolina, during the autumn of 2002. This publication "visually documents two significant, private, lowcountry collections, " that of Anne (Mrs. William P.) Montague and the McInvaill family, particularly Henry McInvaill.--p. [1].
Author : James M. Hutchisson,Harlan Greene
Publisher : University of Georgia Press
Page : 280 pages
File Size : 55,7 Mb
Release : 2003
Category : Literary Criticism
ISBN : 082032518X
"The essays tell how these and other individuals faced the tensions and contradictions of their time and place. While some traced their lineage back to the city's first families, others were relative newcomers. Some broke new ground racially and sexually as well as artistically; others perpetuated the myths of the Old South. Some were censured at home but praised in New York, London, and Paris. The essays also underscore the significance and growth of such cultural institutions as the Poetry Society of South Carolina, the Charleston Museum, and the Gibbes Art Gallery."--BOOK JACKET.
Author : Estill Curtis Pennington,Martha R. Severens
Publisher : Univ of South Carolina Press
Page : 348 pages
File Size : 55,7 Mb
Release : 2015-12-16
Category : Art
ISBN : 9781611177176
The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny emphasized the subtle textures of nature through warm color and broken brush stroke. Artists' subject matter tended to represent a prosperous middle class at play, with the subtle suggestion that painting was indeed art for art's sake and not an evocation of the heroic manner. Many painters in the South took up the stylistics of Tonalism, Impressionism, and naturalism to create works of a very evocative nature, works which celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment. Scenic Impressions offers an insight into a particular period of American art history as borne out in seminal paintings from the holdings of the Johnson Collection of Spartanburg, South Carolina. By consolidating academic information on a disparate group of objects under a common theme and important global artistic umbrella, Scenic Impressions will underscore the Johnsons' commitment to illuminating the rich cultural history of the American South and advancing scholarship in the field, specifically examining some forty paintings created between 1880 and 1940, including landscapes and genre scenes. A foreword, written by Kevin Sharp, director of the Dixon Gallery and Gardens in Memphis, Tennessee, introduces the topic. Two lead essays, written by noted art historians Estill Curtis Pennington and Martha R. Severens, discuss the history and import of the Impressionist movement—abroad and domestically—and specifically address the school's influence on art created in and about the American South. The featured works of art are presented in full color plates and delineated in complementary entries written by Pennington and Severens. Also included are detailed artist biographies illustrated by photographs of the artists, extensive documentation, and indices. Featured artists include Wayman Adams, Colin Campbell Cooper, Elliott Daingerfield, G. Ruger Donoho, Harvey Joiner, John Ross Key, Blondelle Malone, Lawrence Mazzanovich, Paul Plaschke, Hattie Saussy, Alice Ravenel, Huger Smith, Anthony Thieme, and Helen Turner.
Author : Daniel Elliott Huger Smith
Publisher : Unknown
Page : 466 pages
File Size : 52,8 Mb
Release : 1917
Category : Architecture, Domestic
ISBN : STANFORD:36105036998248
Author : Jonathan Green
Publisher : Univ of South Carolina Press
Page : 209 pages
File Size : 42,7 Mb
Release : 2021-11-23
Category : Art
ISBN : 9781643362144
A celebration of the life and culture of the Gullah people of the South Carolina Lowcountry in 179 new paintings Jonathan Green is best known for his vibrant depictions of the Gullah life and culture established by descendants of enslaved Africans who settled between northern Florida and North Carolina during the nineteenth century. For decades, Green's vividly colored paintings and prints have captured and preserved the daily rituals and Gullah traditions of his childhood in the Lowcountry marshes of South Carolina. While Green's art continues to express the same energy, color, and deep respect for his ancestors, his techniques have evolved to feature bolder brush strokes and a use of depth and texture, all guided by his maturing artistic vision that is now more often about experiencing freedom and contentment through his art. This vision is reflected in the 179 new paintings featured in Gullah Spirit. His open and inviting images beckon the world to not only see this vanishing culture but also to embrace its truth and enduring spirit. Using both the aesthetics of his heritage and the abstraction of the human figure, Green creates an almost mythological narrative from his everyday observations of rural and urban environments. Expressed through his mastery of color, Green illuminates the challenges and beauty of work, love, belonging, and the richness of community. Angela D. Mack, executive director of the Gibbes Museum of Art in Charleston, South Carolina, provides a foreword. The book also includes short essays by historian Walter B. Edgar, educator Kim Cliett Long, and curator Kevin Grogan.
Author : Lynne Blackman
Publisher : Univ of South Carolina Press
Page : 435 pages
File Size : 53,8 Mb
Release : 2018-06-20
Category : Art
ISBN : 9781611179552
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author : Anna Heyward Taylor
Publisher : Unknown
Page : 0 pages
File Size : 43,6 Mb
Release : 2010
Category : Artists
ISBN : 1570039453
The introduction and extensive annotations by southern historian Alexander Moore establish a broader place for Taylor in American art history and the intellectual life of the twentieth century.
Author : Stephanie E. Yuhl
Publisher : Univ of North Carolina Press
Page : 304 pages
File Size : 53,7 Mb
Release : 2006-03-08
Category : History
ISBN : 9780807876541
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.