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Allied Looting in World War II by Kenneth D. Alford Pdf
Looting has long been recognized as one of the crimes committed by the Third Reich during World War II, a crime which stripped economic wealth and artistic treasures from the populations the Nazis terrorized. This historical text reveals the shocking extent of looting by Allied forces, exploring their thievery against the Germans and others. It follows the journey of the Hungarian Crown Treasure from a muddy oil drum in Austria to Fort Knox and back to Hungary, and discusses numerous lost treasures ranging from priceless art works to rare manuscripts, including the earliest known printing by the Gutenberg press.
The Nazi looting machine was notoriously efficient during the Second World War. In the Netherlands, 8.5 million citizens suffered losses estimated at 3.6 billion guilders. Approximately one-third of these losses were borne by Jews, who comprised only 1.6% of the total population. In todays terms, the German occupiers stripped the Jewish population of assets worth $7 billion.Nazi Looting offers a comprehensive history of the Dutch experience and demonstrates how reputable indigenous institutions acted as willing collaborators. Beginning with a survey of international law and various definitions of 'looting', the author shows how the Germans systematically robbed Dutch Jewry through a variety of means that gave the outward appearance of honest trading. Forced to sell under duress and at unreasonably low prices, few dared refuse the German on the doorstep when threatened with prison or incarceration in a camp.The plundering was total and systematic. In May 1940, a team of highly trained art historians, linguists, musicologists and literary experts arrived immediately behind the victorious German troops to catalogue the vast collections for Hitler. From 1941, Jews were compelled to deposit all their money into a bank called Lippmann, Rosenthal Co. The name of the bank itself was a cynical ploy since it was taken from a respected, Jewish-owned Amsterdam bank and presented as a new branch. This bank, however, simply channelled money into the Third Reich with the help of the Amsterdam Stock Exchange, insurance brokers and other well-established Dutch banks. Once the Jews were deported, their houses were emptied and the contents used to re-furnish bombed out areas of the Reich. In common with many other formerly Nazi-occupied countries in Europe, the Netherlands has been unable to retrieve many of its pre-war assets. More than fifty years after the wars end, 20% of its most important pre-war museum exhibits and approximately 80% of the less important works remain untrace
World War II was the most devastating conflict in human history, but the tragedy did not end on the battlefields. During the war, Germany -- and, later, the Allies -- plundered Europe's historic treasures. Between 1939 and 1945, German armed forces roamed from Dunkirk to Stalingrad, looting gold, silver, currency, paintings and other works of art, coins, religious artifacts, and millions of books and other documents. The value of these items, many of which were irreplaceable, is estimated in the billions of dollars. The artwork alone, looted under Hitler's direction, exceeded the combined collections of the Metropolitan Museum, the British Museum, and the Louvre. As the war wound to its conclusion in 1945, occupying forces continued the looting. The story of these celebrated works of art and other vanished treasures -- and the mystery of where they went -- is a remarkable tale of greed, fraud, deceit, and treachery. Kenneth Alford's Nazi Plunder is the latest word on this fascinating subject.
Author : Robert M. Edsel Publisher : W. W. Norton & Company Page : 491 pages File Size : 46,9 Mb Release : 2013-05-06 Category : History ISBN : 9780393240450
Saving Italy: The Race to Rescue a Nation's Treasures from the Nazis by Robert M. Edsel Pdf
From the author of the #1 New York Times bestseller The Monuments Men: "An astonishing account of a little-known American effort to save Italy's…art during World War II." —Tom Brokaw When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli. With the German army retreating up the Italian peninsula, orders came from the highest levels of the Nazi government to transport truckloads of art north across the border into the Reich. Standing in the way was General Karl Wolff, a top-level Nazi officer. As German forces blew up the magnificent bridges of Florence, General Wolff commandeered the great collections of the Uffizi Gallery and Pitti Palace, later risking his life to negotiate a secret Nazi surrender with American spymaster Allen Dulles. Brilliantly researched and vividly written, the New York Times bestselling Saving Italy brings readers from Milan and the near destruction of The Last Supper to the inner sanctum of the Vatican and behind closed doors with the preeminent Allied and Axis leaders: Roosevelt, Eisenhower, and Churchill; Hitler, Göring, and Himmler. An unforgettable story of epic thievery and political intrigue, Saving Italy is a testament to heroism on behalf of art, culture, and history.
Nazi Germany utilized every available resource to fight the Second World War, and one significant weapon in Hitler's economic arsenal was gold - gold looted from the central banks of those European countries which were occupied by the Nazi regime between 1939 and 1942. Calculated at pre-1939 prices, the Germans gained access to about $625 million (US) in monetary gold, only about half of which was recovered by American Forces in April 1945 from a mine in central Germany. The 'Gold War' did not end then, however; it just assumed a different shape. Instead of fuelling Hitler's war effort, the recovered gold soon became a pawn in the Cold War struggle between the United States and the Soviet Union and has remained a controversial issue in international politics for years, one not completely resolved to this day.Although this is an important aspect of the Second World War and its aftermath, it has been largely neglected in historical research because of the lack of adequate source materials. The author succeeded in gaining access to hitherto unavailable but crucial records from archives in West Germany, Britain and the United States and is thus in a position to piece together, for the first time, the story of the Nazi gold loot and the long, complicated restitution of part of this gold by the Western Allies. Hitler's Gold represents an essential contribution to the economic history of the Second World War.
Art and the Nazis, 1933-1945 by Arthur J. McLaughlin, Jr. Pdf
This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.
This paper is a case study in the wartime evolution of tactical doctrine. Besides providing a summary of German Infantry tactics of the First World War, this study offers insight into the crucial role of leadership in facilitating doctrinal change during battle. It reminds us that success in war demands extensive and vigorous training calculated to insure that field commanders understand and apply sound tactical principles as guidelines for action and not as a substitute for good judgment. It points out the need for a timely effort in collecting and evaluating doctrinal lessons from battlefield experience. --Abstract.
This recent government publication investigates an area often overlooked by historians: the impact of the Holocaust on the Western powers' intelligence-gathering community. A guide for researchers rather than a narrative study, it explains the archival organization of wartime records accumulated by the U.S. Army's Signal Intelligence Service and Britain's Government Code and Cypher School. In addition, it summarizes Holocaust-related information intercepted during the war years and deals at length with the fascinating question of how information about the Holocaust first reached the West. The guide begins with brief summaries of the history of anti-Semitism in the West and early Nazi policies in Germany. An overview of the Allies' system of gathering communications intelligence follows, along with a list of American and British sources of cryptologic records. A concise review of communications intelligence notes items of particular relevance to the Holocaust's historical narrative, and the book concludes with observations on cryptology and the Holocaust. Numerous photographs illuminate the text.
The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies - American, French and British - as by the members of the Red Army, and they occurred not only in Berlin but throughout Germany. Nor was the suffering limited to the immediate aftermath of the war. Gebhardt powerfully recounts how raped women continued to be the victims of doctors, who arbitrarily granted or refused abortions, welfare workers, who put pregnant women in homes, and wider society, which even today prefers to ignore these crimes. Crimes Unspoken is the first historical account to expose the true extent of sexual violence in Germany at the end of the war, offering valuable new insight into a key period of 20th century history.
Hermann Goring and the Nazi Art Collection by Kenneth D. Alford Pdf
During World War II, the Nazis plundered from occupied countries millions of items of incalculable value estimated in the hundreds of millions of dollars. Spearheaded by Hermann Goring the looting program quickly created the largest private art collection in the world, exceeding the collections amassed by the Metropolitan in New York, the British Museum in London, the Louvre in Paris and the Tretiakov Gallery in Moscow. By the end of the war, the Nazis had stolen roughly one-fifth of the entire art treasures of the world. This book explores the formation of the Nazi art collection and the methods used by Goring and his party to strip occupied Europe of a large part of its artistic heritage.
Intriguing, real-life espionage stories bring to life a comparative history of the Allies' efforts to seize, control, and exploit German science and technology after the Second World War. During the Second World War, German science and technology posed a terrifying threat to the Allied nations. These advanced weapons, which included rockets, V-2 missiles, tanks, submarines, and jet airplanes, gave troubling credence to Nazi propaganda about forthcoming "wonder-weapons" that would turn the war decisively in favor of the Axis. After the war ended, the Allied powers raced to seize "intellectual reparations" from almost every field of industrial technology and academic science in occupied Germany. It was likely the largest-scale technology transfer in history. In Taking Nazi Technology, Douglas M. O'Reagan describes how the Western Allies gathered teams of experts to scour defeated Germany, seeking industrial secrets and the technical personnel who could explain them. Swarms of investigators invaded Germany's factories and research institutions, seizing or copying all kinds of documents, from patent applications to factory production data to science journals. They questioned, hired, and sometimes even kidnapped hundreds of scientists, engineers, and other technical personnel. They studied technologies from aeronautics to audiotapes, toy making to machine tools, chemicals to carpentry equipment. They took over academic libraries, jealously competed over chemists, and schemed to deny the fruits of German invention to any other land—including that of other Allied nations. Drawing on declassified records, O'Reagan looks at which techniques worked for these very different nations, as well as which failed—and why. Most importantly, he shows why securing this technology, how the Allies did it, and when still matters today. He also argues that these programs did far more than spread German industrial science: they forced businessmen and policymakers around the world to rethink how science and technology fit into diplomacy, business, and society itself.
Now a major film starring GEORGE CLOONEY, MATT DAMON, CATE BLANCHETT, BILL MURRAY, JOHN GOODMAN, HUGH BONNEVILLE, BOB BALABAN, JEAN DUJARDIN and DIMITRI LEONIDAS. What if I told you that there was an epic story about World War II that has not been told, involving the most unlikely group of heroes? What if I told you there was a group of men on the front lines who didn’t carry machine guns or drive tanks; a new kind of soldier, one charged with saving, not destroying. From caves to castles in a thrilling race against time, these men risked their lives daily to save hundreds of thousands of the world’s greatest works of art. THEY were the Monuments Men, and THIS is their extraordinary true story. ‘Remarkable’ Washington Post ‘Engaging, inspiring’ Publishers Weekly
The Lost Masters by Peter Harclerode,Brendan Pittaway Pdf
"The Nazis systematically looted Europe's treasurehouses to accumulate a magnificent hoard of important and priceless art collections. Much loot was recovered at war's end, but vast quantities disappeared again, pillaged by Stalin's Red Army and other Allies alike. To this day, many of those who suffered the loss of their collections remain impoverished and empty-handed." "The Lost Masters is an account of the tragic looting of Europe and the victims' attempts to reclaim the precious art heritage in the face of indifference from governments and the international art trade. It also includes the story of how courage possibly saved from destruction the most famous painting in the world, Leonardo da Vinci's Mona Lisa."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved