Allusion As Narrative Premise In Brahms S Instrumental Music

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Allusion as Narrative Premise in Brahms's Instrumental Music

Jacquelyn E. C. Sholes
Allusion as Narrative Premise in Brahms s Instrumental Music Book PDF

Author : Jacquelyn E. C. Sholes
Publisher : Indiana University Press
Page : 276 pages
File Size : 54,8 Mb
Release : 2018-05-24
Category : Music
ISBN : 9780253033161

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Allusion as Narrative Premise in Brahms's Instrumental Music by Jacquelyn E. C. Sholes Pdf

Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

Allusion as Narrative Premise in Brahms's Instrumental Music

Jacquelyn E. C. Sholes
Allusion as Narrative Premise in Brahms s Instrumental Music Book PDF

Author : Jacquelyn E. C. Sholes
Publisher : Indiana University Press
Page : 332 pages
File Size : 50,9 Mb
Release : 2018-05-24
Category : Music
ISBN : 9780253033178

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Allusion as Narrative Premise in Brahms's Instrumental Music by Jacquelyn E. C. Sholes Pdf

A musicologist offers a fresh look at how Brahms used the inspiration of earlier composers in his own instrumental works. As Jacquelyn E. C. Sholes reveals in this study, an essential aspect of Johannes Brahms’s art was the canny use of musical references to the works of others. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, Sholes demonstrates how a historical reference in one movement can resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. Brahms masterfully wove such references into broad, movement-spanning narratives. Sholes argues that these narratives served as expressive outlets for his complicated attitudes toward the material to which he alludes. Ultimately, Brahms’s music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to establish his own artistic voice and place in musical history.

Sibelius

Glenda Dawn Goss
Sibelius Book PDF

Author : Glenda Dawn Goss
Publisher : University of Chicago Press
Page : 588 pages
File Size : 49,7 Mb
Release : 2009-12-15
Category : Music
ISBN : 9780226304793

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Sibelius by Glenda Dawn Goss Pdf

One of the twentieth century’s greatest composers, Jean Sibelius (1865–1957) virtually stopped writing music during the last thirty years of his life. Recasting his mysterious musical silence and his undeniably influential life against the backdrop of Finland’s national awakening, Sibelius will be the definitive biography of this creative legend for many years to come. Glenda Dawn Goss begins her sweeping narrative in the Finland of Sibelius’s youth, which remained under Russian control for the first five decades of his life. Focusing on previously unexamined events, Goss explores the composer’s formative experiences as a Russian subject and a member of the Swedish-speaking Finnish minority. She goes on to trace Sibelius’s relationships with his creative contemporaries, with whom he worked to usher in a golden age of music and art that would endow Finns with a sense of pride in their heritage and encourage their hopes for the possibilities of nationhood. Skillfully evoking this artistic climate—in which Sibelius emerged as a leader—Goss creates a dazzling portrait of the painting, sculpture, literature, and music it inspired. To solve the deepest riddles of Sibelius’s life, work, and enigmatic silence, Goss contends, we must understand the awakening in which he played so great a role. Situating this national creative tide in the context of Nordic and European cultural currents, Sibelius dramatically deepens our knowledge of a misunderstood musical giant and an important chapter in the intellectual history of Europe.

Musical Genre and Romantic Ideology

Matthew Gelbart
Musical Genre and Romantic Ideology Book PDF

Author : Matthew Gelbart
Publisher : Oxford University Press
Page : 553 pages
File Size : 40,6 Mb
Release : 2022-09-30
Category : History
ISBN : 9780190646929

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Musical Genre and Romantic Ideology by Matthew Gelbart Pdf

European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.

Understanding the Leitmotif

Matthew Bribitzer-Stull
Understanding the Leitmotif Book PDF

Author : Matthew Bribitzer-Stull
Publisher : Cambridge University Press
Page : 357 pages
File Size : 44,5 Mb
Release : 2015-05-14
Category : Language Arts & Disciplines
ISBN : 9781107098398

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Understanding the Leitmotif by Matthew Bribitzer-Stull Pdf

Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.

The Cambridge Companion to Michael Tippett

Kenneth Gloag,Nicholas Jones
The Cambridge Companion to Michael Tippett Book PDF

Author : Kenneth Gloag,Nicholas Jones
Publisher : Cambridge University Press
Page : 335 pages
File Size : 45,5 Mb
Release : 2013-01-17
Category : Biography & Autobiography
ISBN : 9781107021976

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The Cambridge Companion to Michael Tippett by Kenneth Gloag,Nicholas Jones Pdf

This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.

Music and Death

Peter Edwards
Music and Death Book PDF

Author : Peter Edwards
Publisher : Boydell & Brewer
Page : 261 pages
File Size : 44,9 Mb
Release : 2023
Category : Music
ISBN : 9781837650644

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Music and Death by Peter Edwards Pdf

Music gives specific meanings to our lives, but also to how we experience death; it forms a central part of death rituals, consoles survivors, and celebrates the deceased. Music & Death investigates different musical engagements with death. Its eleven essays examine a broad range of genres, styles and periods of Western music from the Middle Ages until the present day. This volume brings a variety of methodological approaches to bear on a broad, but non-exhaustive, range of music. These include musical rituals and intercessions on behalf of the departed. Chapters also focus on musicians' reactions to death, their ways of engaging with grief, anger and acceptance, and the public's reaction to the death of musicians. The genres covered include requiem settings, operas and ballets, arts songs, songs by Leonard Cohen and the B-52s, and instrumental music. There are also broader reflections regarding the psychological links between creative musical practice and the overcoming of grief, music's central role in shaping a specific lifestyle (of psychobillies) and the supposed universalism of Western art music (as exemplified by Brahms). The volume adds many new facets to the area of death studies, highlighting different aspects of "musical thanatology". It will appeal to those interested in the intersections between western music and theology, as well as scholars of anthropology and cultural studies. CONTRIBUTORS: Matt BaileyShea, Alexandra Buckle, Peter Edwards, Richard Elliott, Nicole Grimes, Mieko Kanno, Kimberly Kattari, Wolfgang Marx, Fred E. Maus, Jillian C. Rogers, UtaSailer and Miriam Wendling.

Composing for the Cinema

Ennio Morricone,Sergio Miceli
Composing for the Cinema Book PDF

Author : Ennio Morricone,Sergio Miceli
Publisher : Scarecrow Press
Page : 312 pages
File Size : 40,6 Mb
Release : 2013-10-10
Category : Performing Arts
ISBN : 9780810892422

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Composing for the Cinema by Ennio Morricone,Sergio Miceli Pdf

With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition.

Music as Cultural Practice, 1800-1900

Lawrence Kramer
Music as Cultural Practice 1800 1900 Book PDF

Author : Lawrence Kramer
Publisher : Univ of California Press
Page : 243 pages
File Size : 53,8 Mb
Release : 1993-11-24
Category : Music
ISBN : 9780520084438

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Music as Cultural Practice, 1800-1900 by Lawrence Kramer Pdf

In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.

Pop Culture Matters

Martin F. Norden,Robert E. Weir
Pop Culture Matters Book PDF

Author : Martin F. Norden,Robert E. Weir
Publisher : Cambridge Scholars Publishing
Page : 341 pages
File Size : 53,5 Mb
Release : 2019-03-05
Category : Social Science
ISBN : 9781527530683

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Pop Culture Matters by Martin F. Norden,Robert E. Weir Pdf

We immerse ourselves daily in expressions of popular culture—YouTube videos, hip hop music, movies, adverts, greeting cards, videogames, and comics, to name just a few possibilities—and far too often we pay only scant critical attention to them. The essays in this collection redress this situation by probing a wide range of topics within the field of popular culture studies. Written in engaging and jargon-free prose, contributions critically examine various offerings in film, television, social media, music, literature, sports, and related areas. Moreover, they often pay special attention to the ways in which these pop culture artefacts intersect with issues of race, ethnicity, gender, sexual orientation, age, and ability. Providing a rich mixture of broad perspectives and intriguing case studies, the essays form a compelling mosaic of findings and viewpoints on popular culture. Exploring everything from toxic masculinity in twenty-first century television programmes to gendered greeting cards and adult colouring books, this provocative volume is essential reading for anyone interested in that fabricated and all-pervasive environment we call popular culture.

The Rite of Spring at 100

SEVERINE NEFF,MAUREEN A CARR,GRETCHEN G HORLACHER
The Rite of Spring at 100 Book PDF

Author : SEVERINE NEFF,MAUREEN A CARR,GRETCHEN G HORLACHER
Publisher : Indiana University Press
Page : 552 pages
File Size : 42,7 Mb
Release : 2017-05-15
Category : Music
ISBN : 9780253027351

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The Rite of Spring at 100 by SEVERINE NEFF,MAUREEN A CARR,GRETCHEN G HORLACHER Pdf

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.

Brahms's A German Requiem

R. Allen Lott
Brahms s A German Requiem Book PDF

Author : R. Allen Lott
Publisher : Eastman Studies in Music
Page : 511 pages
File Size : 55,7 Mb
Release : 2020
Category : Music
ISBN : 9781580469869

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Brahms's A German Requiem by R. Allen Lott Pdf

Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.

Cultures of Memory in the Nineteenth Century

Katherine Haldane Grenier,Amanda R. Mushal
Cultures of Memory in the Nineteenth Century Book PDF

Author : Katherine Haldane Grenier,Amanda R. Mushal
Publisher : Springer Nature
Page : 289 pages
File Size : 46,7 Mb
Release : 2020-06-08
Category : Social Science
ISBN : 9783030376475

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Cultures of Memory in the Nineteenth Century by Katherine Haldane Grenier,Amanda R. Mushal Pdf

This collection provides a long-overdue examination of the nineteenth century as a crucible of new commemorative practices. Distinctive memory cultures emerged during this period which would fundamentally reshape public and private practices of remembrance in the modern world. The essays in this volume bring together scholars of History, Literature, Art History, and Musicology to explore uses of memory in nineteenth-century empire-building and constructions of national identity, cultures of sentiment and mourning practices, and discourses of race and power. Contributors approach the topic through case studies of Europe, the United States, and the British Empire. Their analyses of nineteenth-century innovations in commemoration at both the personal and the larger civic and political levels will appeal to students and scholars of memory and of the nineteenth-century world.

Rethinking Brahms

Nicole Grimes,Reuben Phillips
Rethinking Brahms Book PDF

Author : Nicole Grimes,Reuben Phillips
Publisher : Oxford University Press
Page : 585 pages
File Size : 47,8 Mb
Release : 2022-10-28
Category : Music
ISBN : 9780197541753

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Rethinking Brahms by Nicole Grimes,Reuben Phillips Pdf

As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.

A Theory of Virtual Agency for Western Art Music

Robert S. Hatten
A Theory of Virtual Agency for Western Art Music Book PDF

Author : Robert S. Hatten
Publisher : Indiana University Press
Page : 334 pages
File Size : 47,5 Mb
Release : 2018-09-06
Category : Music
ISBN : 9780253038012

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A Theory of Virtual Agency for Western Art Music by Robert S. Hatten Pdf

In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.