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"By examining everyday life in Venezuela's post-colonial period, Reuben Zahler provides a broad perspective on conditions throughout the Americas and the tension between traditional norms and new liberal standards during Venezuela's transformation from aSpanish colony to a modern republic"--
Bandits and Liberals, Rebels and Saints by Alan Knight Pdf
In Bandits and Liberals, Rebels and Saints Alan Knight offers a distinct perspective on several overarching themes in Latin American history, spanning approximately two centuries, from 1800 to 2000. Knight’s approach is ambitious and comparative—sometimes ranging beyond Latin America and combining relevant social theory with robust empirical detail. He tries to offer answers to big questions while challenging alternative answers and approaches, including several recently fashionable ones. While the individual essays and the book as a whole are roughly chronological, the approach is essentially thematic, with chapters devoted to major contentious themes in Latin American history across two centuries: the sociopolitical roots and impact of banditry; the character and evolution of liberalism; religious conflict; the divergent historical trajectories of Peru and Mexico; the nature of informal empire and internal colonialism; and the region’s revolutionary history—viewed through the twin prisms of British perceptions and comparative global history.
This book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by Indian theatre enthusiasts. His work has been discussed on various reputed international platforms. Yet there is a stark lacuna when it comes to intellectual attention devoted to Dutt’s theatre. This is the first book which attempts to introduce Dutt’s theatre comprehensively to an international readership. The book looks briefly at Dutt’s life, the impact of his politics on his theatre, the art of his characterization, his dramaturgy and stage technique, and the legacy of his work in theatre. It also offers the reader with a chronological list of the first performances of his original theatrical works and an exhaustive bibliography, which, it is hoped, shall prove especially useful for researchers. The book is designed for lay theatre enthusiasts as well as advanced students of theatre.
Becoming Shakespeare by Jack Lynch,John T. Lynch Pdf
Beginning with the death of William Shakespeare in 1616, a study of the bard explores his evolution from provincial playwright to universally acclaimed, literary giant, beginning with his growing popularity during the late-seventeenth-century Restoration and ranging to the Stratford celebration of the tricentennial of Shakespeare's birth in 1864.
Garcilaso de la Vega, the great chronicler of the Incas and the conquistadors, was born in Cuzco in 1539. At the age of twenty, he sailed to Spain to acquire an education, and he remained there until his death at Córdoba in 1616. As the natural son of a noble conquistador and an Indian woman of royal blood, he took immense pride in both his Spanish and Inca heritage, and, living as he did during a bewildering but stimulating epoch, he personally witnessed the last gasp of the dying Inca empire, the fratricidal conflicts that accompanied the Conquest, and the literary growth as well as the political decline of the Spain of Philip II and Philip III. Garcilaso left for posterity one of the earliest accounts of the ancient Incas, a reliable though admittedly biased chronicle of Spanish conquests in Andean America and a glowing story of Hernando de Soto’s exploration of North America. Though he never lost pride in his Spanish heritage, continued rebuffs in caste-conscious Spain strengthened his pride in his Indian heritage and his sympathy for his mother’s people. Thus his histories, while ennobling Spaniards, also ennobled the Incas, and eventually were to have some influence in the struggle of South Americans for political independence from Spain. In both blood and character El Inca Garcilaso was a true mestizo. He is generally considered to have been the first native-born American to attain the honor of publication. This was the life, and these were the times, that Varner has evoked so richly in his narrative. It rings and glitters with the sounds and colors of festivals, pageantry, and battle; it listens to the murmur of prayers, the defeated mutter of the Incas, the scratch of the scholar’s quill; it pictures both highlights and shadows. For the reader already acquainted with Garcilaso’s chronicles, this book will be a welcome complement; for those who are meeting El Inca here for the first time, it will be a rewarding and satisfying introduction.
Dani Wadada Nabudere, the illustrious Ugandan scholar, produced a diverse body of work on various aspects of African culture, politics, and philosophy. Toward the end of his life, he formulated a theoretical construct that he termed “Afrikology.” Unlike most other Afrocentrists, who have stopped with the task of proving the primacy of the Egyptian past and its numerous cultural and scientific achievements, Nabudere strenuously attempts to connect that illustrious heritage with the African present. This, remarkably, is what makes his project worthy of careful attention. His corpus is multidisciplinary, although a major preoccupation with Africa is discernible in virtually all his works. His writings deal with critiques of imperialism, African political systems, processes of globalization and Africa’s location within them, and finally the ideological and existential imperatives of Afrocentric discourse.
Hobbes on Politics and Religion by Laurens van Apeldoorn,Robin Douglass Pdf
Thomas Hobbes, one of the most important figures in the history of political philosophy, is still widely regarded as a predominantly secular thinker. Yet a great deal of his political thought was motivated by the need to address problems of a distinctively religious nature. This is the first collection of essays dedicated to the complex and rich intersections between Hobbes's political and religious thought. Written by experts in the field, the volume opens up new directions for thinking about his treatment of religion as a political phenomenon and the political dimensions of his engagement with Christian doctrines and their history. The chapters investigate his strategies for showing how his provocative political positions could be accepted by different religious audiences for whom fidelity to religious texts was of crucial importance, while also considering the legacy of his ideas and examining their relevance for contemporary concerns. Some chapters do so by pursuing mainly historical inquiries about the motives and circumstances of Hobbes's writings, while others reconstruct the logic of his arguments and test their philosophical coherence. They thus offer wide-ranging and sometimes conflicting assessments of Hobbes's ideas, yet they all demonstrate how closely intertwined his political and religious preoccupations are and thereby showcase how this perspective can help us to better understand his thought.
THOUGHT AND WORD ASHBY MANOR by William Allingham Pdf
"Thought and Word at Ashby Manor" is a poem by William Allingham. This work is a reflection on the relationship between thought and expression, likely set in the context of Ashby Manor. Allingham, an Irish poet and editor, often explored themes of nature, love, and the human experience in his works. In "Thought and Word at Ashby Manor," Allingham may contemplate the interplay between internal contemplation and the external articulation of ideas. The specific setting of Ashby Manor could add a sense of place and atmosphere to the poem, influencing the tone and imagery. As with many of Allingham's poems, readers can expect a lyrical quality, careful attention to language, and a contemplative exploration of human emotions and experiences. The poem likely invites readers to ponder the nuances of thought and expression within the context of the serene Ashby Manor.
