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From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew. Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map: Wink, New Mexico. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different . . . "Perfect for fans of Stephen King and Neil Gaiman." -- Library Journal
This study conceives the literary and cinematic category of 'noir' as a way of understanding the defining conflict between authenticity and consumer culture in post-World War II America. It analyses works of fiction and film in order to argue that both contribute to a 'noir tradition' that is initiated around the end of World War II and continues to develop and evolve in the present.
Americans think of their country as a welcoming place where everyone has equal opportunity. Yet historical baggage and anxious times can restrain these possibilities. Newcomers often find that civic belonging comes with strings attached––riddled with limitations or legally punitive rites of passage. For those already here, new challenges to civic belonging emerge on the basis of belief, behavior, or heritage. This book uses the term "elsewhere" in describing conditions that exile so many citizens to "some other place" through prejudice, competition, or discordant belief. Yet, in another way, "elsewhere" evokes an undefined "not yet" ripe with potential. In the face of America’s daunting challenges, can "elsewhere" point to optimism, hope, and common purpose? Through 12 detailed chapters, the book applies critical theory in the humanities and social sciences to examine recurring crises of social inclusion in the U.S. After two centuries of incremental "progress" in securing human dignity, today the U.S. finds itself torn by new conflicts over reproductive rights, immigration, health care, religious extremism, sexual orientation, mental illness, and fear of terrorists. Is there a way of explaining this recurring tendency of Americans to turn against each other? Elsewhere in America engages these questions, charting the ever-changing faces of difference (manifest in contested landscapes of sex and race to such areas as disability and mental health), their spectral and intersectional character (recent discourses on performativity, normativity, and queer theory), and the grounds on which categories are manifest in ideation and movement politics (metapolitics, cosmopolitanism, dismodernism).
The cities, landscapes and people of America have been the subject of many a film, but when seen through an outsider's perspective, new and often significant aspects of its culture are revealed. America: Films from Elsewhere examines film and America from the perspective of auteurs from around the world--from anyplace but America--covering the half-century from the assassination of John F. Kennedy in 1963 to the election of Donald Trump in 2017. Masters of the medium such as Chantal Akerman, Joyce Wieland, Michelangelo Antonioni, Lars von Trier, Jacques Demy, Rainer Werner Fassbinder and Chris Marker are discussed, alongside lesser-known greats such as Yolande du Luart and Babette Mangolte. The book also features specially commissioned portfolios by artists, including Camille Henrot, Harun Farocki, Lucy Raven, the Otolith Group and Ute Aurand.
Author : Jimmy L. Bryan Jr. Publisher : University Press of Kansas Page : 406 pages File Size : 44,7 Mb Release : 2017-09-15 Category : History ISBN : 9780700624782
As important cultural icons of the early nineteenth-century United States, adventurers energized the mythologies of the West and contributed to the justifications of territorial conquest. They told stories of exhilarating perils, boundless landscapes, and erotic encounters that elevated their chauvinism, avarice, and violence into forms of nobility. As self-proclaimed avatars of American exceptionalism, Jimmy L. Bryan Jr. suggests in The American Elsewhere, adventurers transformed westward expansion into a project of romantic nationalism. A study of US expansionism from 1815–1848, The American Elsewhere delves into the “adventurelogues” of the era to reveal the emotional world of men who sought escape from the anonymity of the urban East and pressures of the Market Revolution. As volunteers, trappers, traders, or curiosity seekers, they stepped into “elsewheres,” distant and dangerous. With their words and art, they entered these unfamiliar realms that had fostered caution and apprehension, and they reimagined them as regions that awakened romantic and reckless optimism. In doing so, Bryan shows, adventurers created the figure of the remarkable American male that generated a wide appeal and encouraged a personal investment in nationhood among their audiences. Bryan provides a thorough reading of a wide variety of sources—including correspondence, travel accounts, fiction, poetry, artwork, and material culture—and finds that adventurers told stories and shaped images that beguiled a generation of Americans into believing in their own exceptionality and in their destiny to conquer the continent.
Scott Mandelker interviewed twenty-five Americans who claim extraterrestrial (E.T.) identity, a he made some astounding discoveries. Focusing on personal stories, Mandelker describes how childhood experiences, emotional traumas, and paranormal events led each subject from a life of confusion to one of clarity and self-validation. It is not easy to believe that you are an E.T., but once Mandeker's subjects were sure, all embraced their new identity with renewed sense of purpose Whether or not you accept it ad truth, "From Elsewhere" presents a compelling and credible examination of an unforgettable group of individuals who are firm in their beliefs and ardent in their desire to affect our lives for the better.
These intimate stories of South Indian immigrants and the families they left behind center women’s lives and ask how women both claim and surrender power—a stunning debut collection from an O. Henry Prize winner Traveling from Pittsburgh to Eastern Washington to Tamil Nadu, these stories about dislocation and dissonance see immigrants and their families confront the costs of leaving and staying, identifying sublime symmetries in lives growing apart. In “Malliga Homes,” selected by Chimamanda Ngozi Adichie for an O. Henry Prize, a widow in a retirement community glimpses her future while waiting for her daughter to visit from America. In "No. 16 Model House Road," a woman long subordinate to her husband makes a choice of her own after she inherits a house. In "Nature Exchange," a mother grieving in the wake of a school shooting finds an unusual obsession. In "A Life in America," a professor finds himself accused of having exploited his graduate students. Sindya Bhanoo’s haunting stories show us how immigrants’ paths, and the paths of those they leave behind, are never simple. Bhanoo takes us along on their complicated journeys where regret, hope, and triumph appear in disguise.
George Carole ran away from home to join the Vaudeville circuit. Sixteen years old, uncommonly gifted at the piano, he falls in with a strange troupe - even for Vaudeville. Under the watchful eye of the enigmatic figure of Silenus, George comes to realise that the members of the troupe are more than they appear to be. And their travels have a purpose that runs deeper than entertainment. George must uncover the mysteries of Silenus's company before it is too late. He is already entangled in their web of secrets and, if he doesn't learn where they are taking him, he may never find his way out.
#1 NATIONAL BESTSELLER From one of the most beloved media personalities of his generation comes a one-of-a-kind reflection on Blackness, faith, language, pop culture, and the challenges and rewards of finding your way in the world. Professional wrestling super fandom, Ontario's endlessly unfurling 401 highway, late nights at the convenience store listening to heavy metal—for writer and podcast host Elamin Abdelmahmoud, these are the building blocks of a life. Son of Elsewhere charts that life in wise, funny, and moving reflections on the many threads that weave together into an identity. Arriving in Canada at age 12 from Sudan, Elamin's teenage years were spent trying on new ways of being in the world, new ways of relating to his almost universally white peers. His is a story of yearning to belong in a time and place where expectation and assumptions around race, faith, language, and origin make such belonging extremely difficult, but it's also a story of the surprising and unexpected ways in which connection and acceptance can be found. In this extraordinary debut collection, the process of growing—of trying, failing, and trying again to fit in—is cast against the backdrop of the memory of life in a different time, and different place—a Khartoum being bombed by the United States, a nation seeking to define and understand itself against global powers of infinite reach. Taken together, these essays explore how we pick and choose from our experience and environment to help us in the ongoing project of defining who we are—how, for instance, the example of Mo Salah, the profound grief practices of Islam, the nerdy charm of The O.C.'s Seth Cohen, and the long shadow of colonialism can cohere into a new and powerful whole. With the perfect balance of relatable humor and intellectual ferocity, Son of Elsewhere confronts what we know about ourselves, and most important, what we’re still learning.
Challenging the commonly held perception that immigrants' lives are shaped exclusively by their sending and receiving countries, Here, There, and Elsewhere breaks new ground by showing how immigrants are vectors of globalization who both produce and experience the interconnectedness of societies—not only the societies of origin and destination, but also, the societies in places beyond. Tahseen Shams posits a new concept for thinking about these places that are neither the immigrants' homeland nor hostland—the "elsewhere." Drawing on rich ethnographic data, interviews, and analysis of the social media activities of South Asian Muslim Americans, Shams uncovers how different dimensions of the immigrants' ethnic and religious identities connect them to different elsewheres in places as far-ranging as the Middle East, Europe, and Africa. Yet not all places in the world are elsewheres. How a faraway foreign land becomes salient to the immigrant's sense of self depends on an interplay of global hierarchies, homeland politics, and hostland dynamics. Referencing today's 24-hour news cycle and the ways that social media connects diverse places and peoples at the touch of a screen, Shams traces how the homeland, hostland, and elsewhere combine to affect the ways in which immigrants and their descendants understand themselves and are understood by others.
The Not-Quite States of America: Dispatches from the Territories and Other Far-Flung Outposts of the USA by Doug Mack Pdf
“To truly understand the United States, one must understand The Not-Quite States of America.” —Mark Stein, best-selling author of How the States Got Their Shapes Everyone knows that America is 50 states and… some other stuff. The U.S. territories—American Samoa, Guam, Puerto Rico, the Northern Mariana Islands, and the U.S. Virgin Islands—and their 4 million people are little known and often forgotten, so Doug Mack set out on a 30,000-mile journey to learn about them. How did they come to be part of the United States? What are they like today? And why aren’t they states? Deeply researched and richly reported, The Not-Quite States of America is an entertaining and unprecedented account of the territories’ crucial yet overlooked place in the American story.
The extraordinary love story of an American blueblood and a German aristocrat—and a riveting tale of survival in wartime Germany Sigrid MacRae never knew her father, until a trove of letters revealed not only him, but also the singular story of her parents’ intercontinental love affair. While visiting Paris in 1927, her American mother, Aimée, raised in a wealthy Connecticut family, falls in love with a charming, sophisticated Baltic German baron, a penniless exile of the Russian revolution. They marry. But the harsh reality of post–World War I Germany is inescapable: a bleak economy and the rise of Hitler quash Heinrich’s diplomatic ambitions, and their struggling family farm north of Berlin drains Aimée’s modest fortune. In 1941, Heinrich volunteers for the Russian front and is killed by a sniper. Widowed, living in a country soon at war with her own, Aimée must fend for herself. With home and family in jeopardy, she and her six young children flee the advancing Russian army in an epic journey, back to the country she thought she’d left behind. A World Elsewhere is a stirring narrative of two hostages to history and a mother’s courageous fight to save her family.
This study conceives the literary and cinematic category of 'noir' as a way of understanding the defining conflict between authenticity and consumer culture in post-World War II America. It analyses works of fiction and film in order to argue that both contribute to a 'noir tradition' that is initiated around the end of World War II and continues to develop and evolve in the present.
Discover Robert Jackson Bennett's stunning debut, "set during the Great Depression and reading like a collaboration between Stephen King and John Steinbeck" (Publishers Weekly -- starred review). In the ruins of the Dust Bowl, thousands have left their homes looking for a better life, a new life. But Marcus Connelly is not one of them. He searches for one thing, and one thing only: Revenge. Because out there, riding the rails, stalking the camps, is the scarred vagrant who murdered Connelly's daughter. One man must face a dark truth and answer the question -- how much is he willing to sacrifice for his satisfaction?