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American Ballads and Folk Songs by John A. Lomax,Alan Lomax Pdf
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad Man Ballad, Jesse James, Down in the Valley, The Bear in the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and many more.
Pete Seeger is an outstanding folksinger and an American treasure. Millions in every corner of the globe have listened to and sung along with Seeger—discovering the riches of America's folk song heritage. Originally published in 1961, this book includes the most popular songs in Pete Seeger's songbag. 84 traditional folk songs, including such favorites as "Irene Goodnight," "Darline Corey," "Shenandoah," etc. Each song comes complete with melody line, lyrics, guitar chords, and Seeger's own introductory comments. Beautifully illustrated throughout with over 100 reproductions of documentary prints and wood-cuts, American Favorite Ballads presents a rich panorama of our America's great folk song legacy.
American Folk Tales and Songs by Richard Chase Pdf
Full of lively stories, jokes, and games for performance, the book also includes 40 songs with melody and guitar chords. Written by outstanding practicing folk performer. Includes 44 illustrations.
Originally published in 1995. This book’s collection of key essays presents a coherent overview of touchstone statements and issues in the study of Anglo-American popular ballad traditions and suggests ways this panoramic view affords us a look at Euro-American scholarship’s questions, concerns and methods. The study of ballads in English began early in the eighteenth century with Joseph Addison’s discussions which marked the onset of an aesthetic and scholarly interest in popular traditions. Therefore the collection begins with him and then chronologically includes scholars whose views mark pivotal moments which taken together tell a story that does not emerge through an examination of the ballads themselves. The book addresses debates in tradition, orality, performance and community as well as national genealogies and connections to contexts. Each selected piece is pre-empted by an introductory section on its importance and relevance.
PREFACE. FLAX culture and praparation, though ranking amongst the oldest of the worlds industries, is nevertheIess very imperfectIy supplied with any publications which present in seriatim a compIetc description of thc essential and possiblc methods connected wit, h the selection of sced, suitability of land anti its prcparatiori, harvesting and handling of flax crops, incltxding rcttir g, s cutching, preparing the flax for the market and the saving of seed for subscqueut sowings or fcotiing purposes. It was with a vicw of ncutralixing to some extent this cleficiency, that I consented to propare for publication in Foolr form t, Ile results of a long and enthrasiastic study of the pro blems associated with the ultivat io a n n d preparation of this national, csscritial and commerciaI commodity. Speaking generally, I have long been ardcntly interested, theoretically and practically, in flax cultivation and prbeparation. As a result of much study, numerous discussions with prodrlcers arid experimenters, observations and tabulated experiences, I have naturally formed some definite conclusions, even on such a subjcct as Flax, in any branch of which, every experimenter and obscrvcr has a different opinion to offer. The substance of thcsc cxpcricnces I have embodied in my lectures to the students at the Municipal Technical Institute, Belfast. These classes have recently been particularly wcll attended by successive groups of demobilized officers and men arid farmers sons who have gone, or are going out to British East Africa to grow flax, among other crops, for thornothcr country. This volume embodics not only the above-mentioned lectures, but also includes an exhaustive description of the .usual methods practised md the recent dcveloprnents and modem1 methods of httudling flax arid thc possiFiIitjes connected with flax cultivation from seed, to seed and fibre Tncidentally, the future of the Linen Irldustry depe ltls primariIy for its continued success and increase upon the supply of its raw rna, teriaI-flax, and it is hoped that this treatise will contribute to encourage many to grow flax who hitherb0 never a, ttempted to do so, pcrha. ps, from a lack of holdedge of the subjcct, its natural importance a, nd its rern nerat iivpeo ssibilities. At the sa, me time the work shoultl be helpful in its suggestions to a11 otllera interested in thc growth, preparation, spinning, weaving and distribution of lirleri rna, teriala. RIy tha, nks are due to Mr. A. R, ...
Songs and Ballads from Nova Scotia by Helen Creighton Pdf
Songs of love, of the sea, of batt≤ humorous songs, songs on the theme of the broken ring token, Irish songs, nursery songs, songs native to the province or North America, and more. Unlike many collections, this book includes not only the words but the music for every song. 150 songs. Introduction. Bibliography. Index of Titles.
The American Popular Ballad of the Golden Era, 1924-1950 by Allen Forte Pdf
In this pathbreaking book, Allen Forte uses modern analytical procedures to explore the large repertoire of beautiful love songs written during the heyday of American musical theater, the Big Bands, and Tin Pan Alley. Covering the work of such songwriters as Jerome Kern, Irving Berlin, Cole Porter, George Gershwin, Richard Rodgers, and Harold Arlen, he seeks to illuminate this extraordinary music indigenous to America by revealing its deeper organizational characteristics. In so doing, he aims to establish it as a unique corpus of music that deserves more intensive study and appreciation by scholars and connoisseurs in the broader fields of American popular music and jazz. Expressing much of the traditional tonality associated with European music in the eighteenth and nineteenth centuries, the love songs of the Golden Age are shown to draw on a rich variety of elements--popular harmony, idiomatic lyric-writing, and Afro-American dance rhythms. His analyses of such songs as "Embraceable You" or "Yesterdays" in particular exemplify his ability to convey the sublime, unpretentious simplicity of this great music.