American Eccentric Cinema

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American Eccentric Cinema

Author : Kim Wilkins
Publisher : Bloomsbury Publishing USA
Page : 224 pages
File Size : 47,8 Mb
Release : 2019-02-21
Category : Performing Arts
ISBN : 9781501336928

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American Eccentric Cinema by Kim Wilkins Pdf

Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.

American Smart Cinema

Author : Claire Perkins
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 55,5 Mb
Release : 2013-01-14
Category : Performing Arts
ISBN : 9780748654253

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American Smart Cinema by Claire Perkins Pdf

American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.

The Cinema of Paul Thomas Anderson

Author : Ethan Warren
Publisher : Columbia University Press
Page : 509 pages
File Size : 49,8 Mb
Release : 2023-04-25
Category : Performing Arts
ISBN : 9780231555609

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The Cinema of Paul Thomas Anderson by Ethan Warren Pdf

Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance. This book provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations—the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley—as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson’s films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential.

American Independent Cinema

Author : Geoff King
Publisher : Bloomsbury Publishing
Page : 324 pages
File Size : 40,6 Mb
Release : 2014-09-08
Category : Performing Arts
ISBN : 9780857737335

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American Independent Cinema by Geoff King Pdf

The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.

Screening American Independent Film

Author : Justin Wyatt,W.D. Phillips
Publisher : Taylor & Francis
Page : 564 pages
File Size : 48,9 Mb
Release : 2023-05-31
Category : Performing Arts
ISBN : 9781000872743

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Screening American Independent Film by Justin Wyatt,W.D. Phillips Pdf

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Hollywood and the Great Depression

Author : Iwan Morgan
Publisher : Edinburgh University Press
Page : 296 pages
File Size : 45,9 Mb
Release : 2016-10-31
Category : Performing Arts
ISBN : 9781474414029

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Hollywood and the Great Depression by Iwan Morgan Pdf

Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University

ReFocus: The Films of Spike Jonze

Author : Kim Wilkins
Publisher : Edinburgh University Press
Page : 264 pages
File Size : 52,7 Mb
Release : 2019-07-29
Category : Performing Arts
ISBN : 9781474447638

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ReFocus: The Films of Spike Jonze by Kim Wilkins Pdf

This book looks at Spike Jonze's ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions

Post-Pop Cinema

Author : Jesse Fox Mayshark
Publisher : Praeger
Page : 214 pages
File Size : 41,6 Mb
Release : 2007-05-30
Category : Performing Arts
ISBN : UOM:39015069315581

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Post-Pop Cinema by Jesse Fox Mayshark Pdf

Starting in the early 1990s, artists such as Quentin Tarantino, David Foster Wallace, and Kurt Cobain contributed to a swelling cultural tide of pop postmodernism that swept through music, film, literature, and fashion. In cinema in particular, some of the arts most fundamental aspects—stories, characters, and genres, for instance—assumed such a trite and trivialized appearance that only rarely could they take their places on the screen without provoking an inward smirk or a wink from the audience. Out of this highly self-conscious and world-weary environment, however, a new group of filmmakers began to develop as the decade wore on, with a new set of styles and sensibilities to match. In Post-Pop Cinema author Jesse Fox Mayshark takes us on a film-by-film tour of the works of these filmmakers-including Wes and P. T. Anderson, Sofia Coppola, Richard Linklater, Alexander Payne, and David O. Russell-and seeks to reveal how a common pool of styles, collaborators, and personal connections helps them to confront the unifying problem of meaning in American film. Wes Anderson's Bottle Rocket (1996) and Paul Thomas Anderson's Boogie Nights (1997) were ultimately about their characters' lives-even though their characters often dealt with highly contrived environments and situations. And soon after Wes Anderson scored his first success, others like David O. Russell (Flirting With Disaster, Three Kings), the screenwriter Charlie Kaufman (who collaborated with Spike Jonze on such projects as Being John Malkovich and Adaptation), Alexander Payne (Election, Sideways), Richard Kelly (Donnie Darko), and Sofia Coppola (Lost in Translation) began to tread their own paths over this same ground. Although these men and women represent a wide range of styles and subject matter, all their films revolve in different ways around the difficulty of establishing and maintaining connections. This theme of connection also runs deeper than the films made: the directors share actors (Mark Wahlberg, Bill Murray, Ben Stiller, Jason Schwartzman), collaborators (the musician Jon Brion) and sometimes even personal connections (Spike Jonze starred in Russell's Three Kings, and was married to Coppola). Together these filmmakers form a loose and distinctly American school of filmmaking, one informed by postmodernism but not in thrall to it, and one that every year becomes more important to the world of cinema both within and beyond the United States.

Stanley Kubrick

Author : David Mikics
Publisher : Yale University Press
Page : 248 pages
File Size : 49,5 Mb
Release : 2020-08-18
Category : Biography & Autobiography
ISBN : 9780300255614

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Stanley Kubrick by David Mikics Pdf

An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.

ReFocus: The Films of Spike Jonze

Author : Wilkins Kim Wilkins
Publisher : Edinburgh University Press
Page : 312 pages
File Size : 53,6 Mb
Release : 2019-07-29
Category : Performing Arts
ISBN : 9781474447645

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ReFocus: The Films of Spike Jonze by Wilkins Kim Wilkins Pdf

ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions. Each of Jonze's feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze's feature films, the contributors consider his work in music videos and shorts - investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production.

The Cinema of Discomfort

Author : Geoff King
Publisher : Bloomsbury Publishing USA
Page : 396 pages
File Size : 54,8 Mb
Release : 2021-10-07
Category : Performing Arts
ISBN : 9781501359293

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The Cinema of Discomfort by Geoff King Pdf

How do we understand types of cinema that offer experiences of discomfort, awkwardness or disquieting uncertainty? This book examines a number of examples of such work at the heart of contemporary art and indie film. While the commercial mainstream tends to offer comforting viewing experiences – or moments of discomfort that exist largely to be overcome – The Cinema of Discomfort analyses films in which discomfort is offered in a sustained manner. Cinema of this kind confronts us with material such as distinctly uncomfortable sexual encounters. It invites us into uncertain relationships with awkward and sometimes unlikable characters. It presents us with challenging behaviour or what are presented as uncomfortable realities. It often refuses information on which to base judgments. More discomfortingly, cinema of this kind tends to provoke uncertainty at the level of what emotional responses we are encouraged to have towards difficult, sometimes controversial, characters or events. The Cinema of Discomfort examines a number of case-studies, including Palindromes by Todd Solondz (US) and Dogtooth from Yorgos Lanthimos (Greece), along with other examples from Austria, Sweden, the UK, the US and Germany. Offering close textual analysis of the manner in which discomfort is generated, it also asks how we should understand the appeal of such work to certain viewers and how the existence of films of this kind can be explained, as products of both their socio-cultural context and the more particular institutional realms of art and indie film.

New Wave, New Hollywood

Author : Nathan Abrams,Gregory Frame
Publisher : Bloomsbury Publishing USA
Page : 270 pages
File Size : 50,9 Mb
Release : 2021-09-23
Category : Performing Arts
ISBN : 9781501360398

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New Wave, New Hollywood by Nathan Abrams,Gregory Frame Pdf

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over. It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

Movie Journal

Author : Jonas Mekas
Publisher : Columbia University Press
Page : 496 pages
File Size : 46,6 Mb
Release : 2016-04-19
Category : Performing Arts
ISBN : 9780231541589

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Movie Journal by Jonas Mekas Pdf

In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.

Steven Spielberg's America

Author : Frederick Wasser
Publisher : Polity
Page : 249 pages
File Size : 43,8 Mb
Release : 2010-02
Category : Performing Arts
ISBN : 9780745640822

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Steven Spielberg's America by Frederick Wasser Pdf

Steven Spielberg is known as the most powerful man in New Hollywood and a pioneer of the contemporary blockbuster, America’s most successful export. His career began a new chapter in mass culture. At the same time, American post war liberalism was breaking down. This fascinating new book explains the complex relationship between film and politics through the prism of an iconic filmmaker. Spielberg’s early films were a triumphant emergence of the Sunbelt aesthetic that valued visceral kicks and basic emotions over the ambiguities of history. Such blockbusters have inspired much debate about their negative effect on politics and have been charged as being an expression of the corporatization of life. Here Frederick Wasser argues that the older Spielberg has not fully gone this way, suggesting that the filmmaker recycles the populist vision of older Hollywood because he sincerely believes in both big time moviemaking and liberal democracy. Nonetheless, his stories are burdened by his generation’s hostility to public life, and the book shows how he uses filmmaking tricks to keep his audience with him and to smooth over the ideological contradictions. His audiences have become more global, as his films engage history. This fresh and provocative take on Spielberg in the context of globalization, rampant market capitalism and the hardening socio-political landscape of the United States will be fascinating reading for students of film and for anyone interested in contemporary America and its culture.

Shock Value

Author : Jason Zinoman
Publisher : Penguin
Page : 267 pages
File Size : 45,6 Mb
Release : 2011-07-07
Category : Performing Arts
ISBN : 9781101516966

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Shock Value by Jason Zinoman Pdf

An enormously entertaining account of the gifted and eccentric directors who gave us the golden age of modern horror in the 1970s, bringing a new brand of politics and gritty realism to the genre. Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.