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American Folk Art of the Twentieth Century by Jay Johnson,William C. Ketchum (Jr.) Pdf
This illustrated guide to American folk artists and their work spans a century of painters from Grandma Moses to Kathy Jakobsen and covers such media as sculpture, pottery, and textile creations.
Twentieth-century American Folk Art and Artists by Herbert Waide Hemphill,Julia Weissman Pdf
Surveys paintings, sculptures, murals, needlework, carvings, signs, and other works created by American folk artists since 1900, with brief biographies of the one hundred and forty-five artists represented.
Self-taught Artists of the 20th Century by Elsa Weiner Longhauser Pdf
Today the work of so-called "outsider" artists is receiving unprecedented attention. This major critical appraisal of America's 20th-century self-taught artists coincides with a major 1998 traveling exhibition organized by the Museum of American Folk Art in New York. While some of these artists have received critical recognition, others remain virtually unknown, following their muse regardless. 150 color images.
20th Century American Folk, Self-taught, and Outsider Art by Betty-Carol Sellen,Cynthia J. Johanson Pdf
The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography.
Self-Taught, Outsider and Folk Art by Betty-Carol Sellen Pdf
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
Encyclopedia of American Folk Art by Gerard C. Wertkin Pdf
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
American Folk Art in Wood, Metal and Stone by Jean Lipman Pdf
The carved and painted figures collected in this exceptional book are excellent examples of a wide-spread American folk art tradition that flourished from the middle of the 18th to the end of the 19th-century. 183 photographic illustrations, 4 reproduced in full-color on the covers. List of illustrations. Extensive bibliography.
Contemporary American Folk Art by Chuck Rosenak,Jan Rosenak Pdf
For the new or seasoned collector, this groundbreaking guide reveals how to evaluate contemporary American folk art as well as where to see it, buy it, and what to spend on it. The highly informative text is organized by region and features more than 181 biographies of both new and established artists. Color photos of more than 155 works as well as 44 black-and-white portraits of the artists are included.
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.
A World of Their Own by Joseph Jacobs,Newark Museum Pdf
Ce catalogue d'exposition reflète la préoccupation ayant fait surface dans les années 90 avec la peinture, le dessin et la sculpture des artistes americains d'art brut. Des textes de Joseph Jacobs et des biographies de nombreux artistes d'art brut americain viennent agrémenter de grandes reproductions couleurs de leurs oeuvres.
American Weathervanes: The Art of the Winds, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country's skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America's first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city's Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.
Author : Philadelphia Museum of Art Publisher : Unknown Page : 256 pages File Size : 47,5 Mb Release : 1998 Category : Outsider art ISBN : OCLC:80513186
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
