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Fiction. "This coming-of-age tale centers on a young poet, who is ill-prepared for and frustrated by the hometown he returns to, where he fights with his father and with himself. Set against the backdrop of a broken city and a failed relationship, the novel champions poetry and the underdog--whether it be our seemingly-incompetent narrator, a baseball team, or a failing non-profit. With AMERICAN POET, Jeff Vande Zande has written a love poem for the city of Saginaw, and, by extension, a love poem for Flint, Gary, Cleveland, or any forgotten city in the Rust Belt."--Gina Myers
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Author : James E. Miller Jr. Publisher : Penn State Press Page : 492 pages File Size : 51,9 Mb Release : 2005-08-16 Category : Poetry ISBN : 9780271033198
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.
This brilliant, incisive volume captures the high points of Myles' work in New York City during the 1980s. Listen, I have been educated. I have learned about Western Civilization. Do you know What the message of Western Civilization is? I am alone. This breakthrough volume, published in 1991 by the author of Cool For You and Chelsea Girls captures the high points of Myles' work in New York City during the 1980s. Poet, novelist, lesbian culture hero and one-time presidential candidate, Myles has influenced a whole generation of young queer girl writers and activists. She is one of the most brilliant, incisive, immediate writers living today.
The American Poet Laureate shows how the state has been the silent center of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation’s Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Amy Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organizations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost’s “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War.
The American Poet by Samuel D. G. Heath Ph. D. Pdf
Awarded an American Legion Scholarship I am also an award winning author and have published numerous articles and books. Having attended several colleges and universities eventually earning my Ph. D. in Human Behavior I hold several life credentials in education earned during many years as an educator together with years spent working in the Aerospace Industry and other occupations. But to call Einstein's famous equation E=MC2 incomplete because it does not account for life and death does seem quite extraordinary, yet these remain the two greatest mysteries they have ever been denying us thus far a "theory of everything." Something animates life and departs with death, but what this "something" is not all our science has yet discovered, though things like the Large Hadron Collider may provide needed insight, and it has been in the pursuit of knowledge about these two greatest mysteries that has compelled me into so many varied academic studies and careers attempting to make sense of the world and our place in it and how people think and deal with the issues of life and death philosophically, religiously, and politically. The things I have discovered along the way compelled me to much research and speculation about these mysteries and how they impact our lives, to communicate my thoughts about them to share with others in a daily journal and posted to my website and provided in book format each year. These writings are of importance in an increasingly dangerous world with a most uncertain future due to so much corruption, ineptitude and lack of accountability in our own government as well as that of others, the abject failure of our schools due to the very same things especially the same lack of accountability we find in government, the religious and political hatreds with protracted wars worldwide and little to give hope for world peace I believed my articles about these important enough to publish in book format. Some years ago I removed from the greater part of society to live in semi-seclusion alone with my books and thoughts in a quiet part of the Sequoia National Forest devoting myself to contemplation, speculating about many things and committing my thoughts in writing fulltime. As a writer and author given to much introspection and fascinated by human behavior, nature, and our universe it was important to me to simplify my life as much as possible as anyone given to philosophical speculation about many things must. That much of my writing covers some metaphysical thoughts about God, angels and demons, an afterlife and Biblical stories of origins, of prophecies of the End Times and so much more have been absorbing studies as well and I freely share my thoughts about these in this volume.
American Poet! Poems Volume 2 by Cassandra Wilson Pdf
American Poet Vol. 2, is a collection of some of the best poems written by Cassandra Wilson, intertwined with feelings embedded from the depths of her soul, feelings that are hard to express, feelings assiduous for the twist and turns of life and the joy that cometh on the journey. Her poetry takes you through the streets of grace with poems of praise, and the path of love with lascivious poems that inspires not only the soul but the mind to reap in the harvest and awake the spirit within. Her poems will take you on a walk through history with the struggle and the sacrifice for the broken chain with freedom poems. These poems also inspires you to live the American Dream right there with in you, to discover it!, to feel it!, to live it!, and finally, take a step of preciosity with an American Poet!
American Poet! Poems: Living the Dream Volume 4 by Cassandra Wilson Pdf
"American Poet! poems Volume 4". empowers the American woman to reach up and step out and conquer her ambitions and inspires the American man to dream the undreamt dream and conquer the impossible dream today and the fusion of color, nationalities, and cultures that make our differences our strengths to come together under one nation and one God through poetry. "American Poet! Volume 4" relishes the joy of freedom with poems that unite us through our history and love poems that inspire the essence of the American family; their love for romance and the feeling and joy that comes from being loved. ..American Poet! Poems Volume 4 is a paradigm for the righteous and young at heart with Godly praises to inspire the spirit of God and the American Poet within you to discover the American Dream today.....
The Cambridge Introduction to Twentieth-Century American Poetry by Christopher Beach Pdf
The Cambridge Introduction to Twentieth-Century American Poetry is designed to give readers a brief but thorough introduction to the various movements, schools, and groups of American poets in the twentieth century. It will help readers to understand and analyze modern and contemporary poems. The first part of the book deals with the transition from the nineteenth-century lyric to the modernist poem, focussing on the work of major modernists such as Robert Frost, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, and W. C. Williams. In the second half of the book, the focus is on groups such as the poets of the Harlem Renaissance, the New Critics, the Confessionals, and the Beats. In each chapter, discussions of the most important poems are placed in the larger context of literary, cultural, and social history.
Delmore Schwartz: The Life of an American Poet is based on interviews, letters, and an extraordinary collection of unpublished papers that had never before been examined. Delmore Schwartz was only twenty-four in 1938 when his first book, In Dreams Begin Responsibilities, was published. He received praise from T. S. Eliot, Ezra Pound, Allen Tate, John Crowe Ransom, Wallace Stevens, and William Carlos Williams. For Tate, it was “the only genuine innovation we’ve had since Eliot and Pound.” A decade later, the short-story collection The World Is a Wedding was published; many critics characterized it as the definitive portrait of their generation. In this biography, the first about the man whom John Berryman called “the most underrated poet of the twentieth century,” James Atlas traces Schwartz’s history, from the arrival of his Romanian ancestors in New York, to his youth in Washington Heights, to his career at Harvard as a graduate student in philosophy, and onward to the flowering of his generation in the '40s, when he and the critics, poets, and novelists who were his friends made their reputations. Schwartz’s brilliant satires of his friends and acquaintances, his autobiographical stories, and his letters to his illustrious peers contribute to this vivid portrait of an era—and of that era’s most trenchant chronicler.
The Ethics and Poetics of Alterity in Asian American Poetry by Xiaojing Zhou Pdf
Poetry by Asian American writers has had a significant impact on the landscape of contemporary American poetry, and a book-length critical treatment of Asian American poetry is long overdue. In this groundbreaking book, Xiaojing Zhou demonstrates how many Asian American poets transform the conventional “I” of lyric poetry—based on the traditional Western concept of the self and the Cartesian “I”—to enact a more ethical relationship between the “I” and its others. Drawing on Emmanuel Levinas’s idea of the ethics of alterity—which argues that an ethical relation to the other is one that acknowledges the irreducibility of otherness—Zhou offers a reconceptualization of both self and other. Taking difference as a source of creativity and turning it into a form of resistance and a critical intervention, Asian American poets engage with broader issues than the merely poetic. They confront social injustice against the other and call critical attention to a concept of otherness which differs fundamentally from that underlying racism, sexism, and colonialism. By locating the ethical and political questions of otherness in language, discourse, aesthetics, and everyday encounters, Asian American poets help advance critical studies in race, gender, and popular culture as well as in poetry. The Ethics and Poetics of Alterity is not limited, however, to literary studies: it is an invaluable response to the questions raised by increasingly globalized encounters across many kinds of boundaries. The Poets Marilyn Chin, Kimiko Hahn, Myung Mi Kim, Li Young Lee, Timothy Liu, David Mura, and John Yau
American Poets and Poetry [2 volumes] by Jeffrey Gray,Mary McAleer Balkun,James McCorkle Pdf
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
The Beats, Black Mountain, and New Modes in American Poetry by Matt Theado Pdf
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.