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Essays here explore the relationship between politics and explicitly political feature films from the beginning of the movie industry to World War I, and for each decade through to the 1980's. The included filmography is particularly useful. Originally published in 1990, the method of inquiry put forward in this text is nonetheless extendable to the decades following its publication.
American Politics in Hollywood Film by Ian Scott Pdf
How is the American political landscape represented in cinema? What is the relationship between Hollywood and Washington? From Arnold Schwarzenegger's rise to the Governorship of California through to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have never been more intimate.This thoroughly updated and revised new edition continues to analyse the theoretical and conceptual relationship of Hollywood to national politics and the way film content and criticism has aligned itself to political culture and debate.Chronicling the evolution of American political cinema from the 1930s, this book explores the genre's symbiotic relationship with the American political culture and history. Through textual analysis of a range of films and television series, Scott provides a critique of current and past developments across several sub-genres, including the bio-pic, the election film and documentary.New for this edition* Analysis of the post-9/11 and Bush era's effect on the American politics and cinema* In-depth discussion of political documentaries, such as Fahrenheit 9/11 and The Fog of War, as well as films from the 2000s, such as Man of the Year and State of Play* Expanded coverage of television series from The West Wing, through to 24 and John Adams
Films examined include: Master and commander - the far side of the world, The Coneheads, X2, The postman, Taxi driver, Working girl, Mr. Smith goes to Washington, Robocop, Showgirls, The passion of the Christ, Last tango in Paris, Pulp fiction, Kill Bill: Vol. 2.
Projecting Politics by Elizabeth Haas,Terry Christensen,Peter J. Haas Pdf
The new edition of this influential work updates and expands the scope of the original, including more sustained analyses of individual films, from The Birth of a Nation to The Wolf of Wall Street. An interdisciplinary exploration of the relationship between American politics and popular films of all kinds—including comedy, science fiction, melodrama, and action-adventure—Projecting Politics offers original approaches to determining the political contours of films, and to connecting cinematic language to political messaging. A new chapter covering 2000 to 2013 updates the decade-by-decade look at the Washington-Hollywood nexus, with special areas of focus including the post-9/11 increase in political films, the rise of political war films, and films about the 2008 economic recession. The new edition also considers recent developments such as the Citizens United Supreme Court decision, the controversy sparked by the film Zero Dark Thirty, newer generation actor-activists, and the effects of shifting industrial financing structures on political content. A new chapter addresses the resurgence of the disaster-apocalyptic film genre with particular attention paid to its themes of political nostalgia and the turn to global settings and audiences. Updated and expanded chapters on nonfiction film and advocacy documentaries, the politics of race and African-American film, and women and gender in political films round out this expansive, timely new work. A companion website offers two additional appendices and further materials for those using the book in class.
Seeing through the Screen by Bruce E. Altschuler Pdf
Although films affect and reflect the way Americans look at politics, they have received far less attention than television or newspapers. This is changing, particularly on college campuses, where courses on politics and film are growing in popularity. This book consists of short essays on approximately fifty American political films. It is distinctive in two ways. Firstly, it defines politics broadly enough to include a range of films, not only on obviously political topics such as the presidency, congress, and elections, but also on the media, law and courts, war and peace, and a variety of policy issues. Secondly, it goes beyond plot and dialogue to discuss the language of film, including visual aspects, sound, mise-en-scène, and other ways that films communicate their messages to audiences. Each chapter begins with a brief introduction to the films included. The essays also explain the political context of each film and, when films are based on historical events, discuss the accuracy of their depictions. References to additional sources are included at the end of each essay. This book explores the extent to which films take on the political issues of the day and their influence on public perceptions of politics. Do films support the status quo or do they challenge it?
Projecting Politics by Terry Christensen,Peter J. Haas Pdf
This fascinating work examines in detail the relationship between American politics and films, from Birth of a Nation to Fahrenheit 9/11. It provides a decade-by-decade survey of politics and films of all types - comedies and dramas to biographies and documentaries - as well as a helpful framework that students and general readers can use to analyze the political content of films. The book also features an examination of film techniques as they relate to political films, an exploration of the effects of real-world politics on Hollywood, and a practical guide to writing film analysis, as well as a guide to web-based film resources and an extensive "Political Filmography." Throughout the book, the authors emphasize both the political messages transmitted through films and the political values that are reflected in them.
From Box Office to Ballot Box by M. Keith Booker Pdf
Given the complexity and expense of making and distributing a film, the process of filmmaking is by its very nature a political process. Moreover, given the power and persuasiveness of the cinema as a medium, film can be a powerful political tool. It should thus come as no surprise that film has had a long and extensive engagement with a variety of political topics, ranging from the actual mechanics of governance to electoral politics, to any number of specific political issues. Through a film-by-film examination of the movies explicitly concerned with American politics and American political issues, From Box Office to Ballot Box provides valuable new insights into our culture's perceptions of various political environments and serves as a witness to the cinema's own complex contribution to the media's coverage of, and relationship to, American politics at large. From Box Office to Ballot Box takes as its subject films exploring the electoral process, the process of governing, and the involvement of the media in both. Separate chapters also deal with films related to specific political issues or phenomena that are particularly relevant to the above three categories, including labor and class, the Cold War, the Vietnam War, and the other recent conflicts in which the media has played such a large role. Specific films discussed include: Citizen Kane, All the King's Men, The Manchurian Candidate, All the Presidents' Men, The Front, M*A*S*H*, JFK, Nixon, Wag the Dog, Three Kings, Black Hawk Down, The Quiet American, The Contender, and many more.
Politics and Film examines popular movies and television shows as indicators of social and political trends to explore the political culture of the United States. Updated to include the popular and controversial movies and shows American Sniper, House of Cards, Orange Is the New Black, and Twelve Years a Slave, the second edition investigates popular conceptions of government, the military, intelligence and terrorism, punishment and policing, and recognizes mistakes or dark times in our shared history.
Reelpolitik Ideologies in American Political Film by Beverly Merrill Kelley Pdf
In Reelpolitik Ideologies in American Political Film, Beverly Merrill Kelley examines more than a century of political movie history, providing a thorough historical background for diametrically opposed political ideologies in order to facilitate debate and dialectical learning. Kelley explores 185 American political movies (categorized by ideological themes and presented in chronological order) in order to illustrate the history of film as well as the history of the specific political ideology. Each chapter includes a case study which provides an in-depth analysis of the single film that best illustrates the ideology at hand, including: The Candidate (populism), Wall Street (elitism), The Godfather (fascism), All the President's Men (anti-fascism), Patton (interventionism), and M*A*S*H (isolationism). Reelpolitik Ideologies in American Political Film establishes a paradigmatic analysis of political films that details the cyclical nature of ideological dialectic throughout American history and identifies the values, attitudes, and beliefs of the voters who choose not to affiliate with Republicans and Democrats, and who often determine the outcomes of elections. The text also includes an extensive ideological filmology spanning more than 100 years of American cinema. This study represents a bold investigation of the political and social values of American film, and is an essential text in the study of the relationship between culture and politics.
This book analyzes major films about the American political process since the 1930s. It considers the films’ major themes about politics, ideology, and representation of race and gender over the past several decades.
Hollywood and the Great Depression by Iwan Morgan Pdf
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
This reference guide provides detailed discussions of over 50 movies about American politics and politicians, from Mr. Smith Goes to Washington (1939) and All the King's Men (1949) to Air Force One (1997) and Thirteen Days (2001).
The American Road Trip and American Political Thought by Susan McWilliams Barndt Pdf
Americans love road trips. They love to go on road trips. They love to read about road trips. They love to watch road trip stories unfold on television and film. Road trip stories are a consistent feature of the American landscape, a central part of American mythology, and an important piece of the American dream. In The American Road Trip and American Political Thought, Susan McWilliams argues that the American fascination with road trip stories is about more than mere escapism or wanderlust. She shows, in walking through stories like On the Road and The Grapes of Wrath, that American road trip stories are a key expression of American political thought. They are not just stories of personal journeys. They are stories of the American nation. McWilliams Barndt shows how Americans have long used road trip stories to raise and explore central questions about American politics in theory and practice. They talk about freedom and equality and diversity and take those vaunted American ideals for a test drive. American road trip stories are where the rubber meets the road in American political thought. The American Road Trip and American Political Thought includes explorations of a wide variety of American authors, from Walt Whitman and Henry David Thoreau to Erika Lopez and Cheryl Strayed, from Mark Twain and John Steinbeck to Solomon Northup and Hunter S. Thompson. It covers topics including gender, labor, place, race, and technology in American political life. This is a book that will change the way you think about the great American road trip and the great American story.
