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American Presidents Attend the Theatre by Thomas A. Bogar Pdf
Not every presidential visit to the theatre is as famous as Lincoln’s last night at Ford’s, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.
Based upon a collection of true stories. What does it take to be The President of the United States? What kind of person? THE FOUR PRESIDENTS examines these questions as it looks at the lives and characters of four of the most colorful personalities to hold the office. Much of the dialogue comes from the Presidents' own words. THE FARMER WHO WOULD BE KING presents George Washington to the audience through his own words, and the words of his biographer Mason Locke Weems. Was the father of our country a simple farmer who answered the call of his countrymen, or was his destiny preordained? Or is the truth located somewhere in the middleground? THE GREAT EMANCIPATOR is the story of a simple man. Born in the wilds of Kentucky and mostly self taught, Abraham Lincoln would someday be regarded as the greatest American who ever lived. This play presents him as the storyteller he was. Complete with his Gettysburg Address. THE BULL MOOSE who occupied the White House 100 years ago was truly a man of action. Theodore Roosevelt was a father, author, rancher, sportsman, policeman, Rough Rider, cowboy, big game hunter, Governor of New York and eventually The President of the United States! He believed that power should be used to help the little man, and he practiced what he preached! NIXON AND THE GHOSTS is a surreal drama with dialogue ripped straight from the headlines. On the night before his resignation, Nixon ponders his rise and fall, as the shadows themself seem to come alive and he is confronted by the spirits of Presidents past! Check out www.blackboxtheatrepublishing.com for other great plays!!!
Backstage at the Lincoln Assassination by Thomas Bogar Pdf
April 14, 1865. A famous actor pulls a trigger in the presidential balcony, leaps to the stage and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford’s Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, “Burn the place down!” This is the untold story of Lincoln’s assassination: the forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night, and what each of them witnessed in the chaos-streaked hours before John Wilkes Booth was discovered to be the culprit. In Backstage at the Lincoln Assassination, historian Thomas A. Bogar delves into previously unpublished sources to tell the story of Lincoln’s assassination from behind the curtain, and the tale is shocking. Police rounded up and arrested dozens of innocent people, wasting time that allowed the real culprit to get further away. Some closely connected to John Wilkes Booth were not even questioned, while innocent witnesses were relentlessly pursued. Booth was more connected with the production than you might have known—learn how he knew each member of the cast and crew, which was a hotbed of secessionist resentment. Backstage at the Lincoln Assassination also tells the story of what happened to each of these witnesses to history, after the investigation was over—how each one lived their lives after seeing one of America’s greatest presidents shot dead without warning. Backstage at the Lincoln Assassination is an exquisitely detailed look at this famous event from an entirely new angle. It is must reading for anyone fascinated with the saga of Lincoln’s life and the Civil War era.
Over the past two years Mark Peterson has photographed American presidential candidates as they lead rallies, meet with voters and plead for votes. He started shortly before the government shutdown in 2013 at a Tea Party rally at the US Capitol, when politicians were railing against President Obama and the Affordable Care Act--a show to get a sound bite into the next news cycle. Since then Peterson has followed the political spin as it approaches the November 2016 election. Donald Trump's entrance into the race--taking control of TV talking heads and making the media his press agent--is true political theatre. In a similar gesture, Bernie Sanders raised an arm in a power salute to waiting photographers after giving a speech in New Hampshire. Peterson pulls back the curtain on such performances to show these politicians as they really are. Although they are in plain sight, they hide behind words and carefully arranged imagery to project their vision of America. Peterson cuts through such staging and reveals the cold, naked ambition for power.
Experienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.
Philip Roth's bestselling alternate history—the chilling story of what happens to one family when America elects a charismatic, isolationist president—is soon to be an HBO limited series. In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism. For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threaten to destroy his small, safe corner of America–and with it, his mother, his father, and his older brother. "A terrific political novel . . . Sinister, vivid, dreamlike . . . creepily plausible. . . You turn the pages, astonished and frightened.” — The New York Times Book Review
"The Contrast" is a play written by Royall Tyler, first performed in 1787. It's considered one of the earliest American comedies and is notable for being the first American play to be professionally produced. The play contrasts American manners and attitudes with those of European society, particularly British society. It satirizes various aspects of American life and culture, including politics, social class, and gender roles. Overall, "The Contrast" is a significant work in American theater history for its portrayal of early American identity and its contributions to the development of comedy in the United States.
