American Quilts Coverlets In The Metropolitan Museum Of Art
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Amelia Peck,Metropolitan Museum of Art (New York, N.Y.)
Author : Amelia Peck,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 263 pages File Size : 54,5 Mb Release : 1990 Category : Art ISBN : 9780870995927
This photographed book covers the historical panorama of quiltmaking in the United States, from the quintessential patterns to their cultural significance.--[Book jacket.].
"This publication, which accompanies an exhibition held at The Metropolitan Museum of Art, contains a biographical essay and a catalogue of about one hundred designs for textiles, wallpaper, and other interior furnishings by Wheeler and her associates."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Encyclopedia of American Folk Art by Gerard C. Wertkin Pdf
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Author : Metropolitan Museum of Art Publisher : Metropolitan Museum of Art Page : 172 pages File Size : 51,5 Mb Release : 2012-10-09 Category : Electronic ISBN : 9780300193206
Publications of the Metropolitan Museum of Art, 1964-2005 by Metropolitan Museum of Art Pdf
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)
"Here's your chance to get up close and personal with an amazing collections of crazies!" - Quilter's Newsletter Magazine. Made from the finest silks, satins, and velvets and stitched together with elaborate embroidery, the crazy quilt is a testament to quilters’ rich imagination and artistry. This beautiful book traces the bewitching history of “Crazies” from their earliest origins to the present day. Distinguished quilting teacher and appraiser Cindy Brick follows the crazy quilt from colonial times, the Civil War, the Victorian era, and through today, decoding the mystery and meaning of these curious quilts. Also included is a detailed how-to section on constructing crazy quilts. Brick offers methods for planning, piecing, and embroidering or embellishing your quilt, and gives numerous helpful tips that only an expert could provide.
American Country Scrap Quilts by Marianne Fons Pdf
Presents thirty-one projects for constructing "scrap" quilts--a style which utilizes as many as several hundred different fabrics--and offers sewing tips, quilting ideas, and timesaving cutting charts
James R. Houghton,Metropolitan Museum of Art (New York, N.Y.)
Author : James R. Houghton,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 185 pages File Size : 42,9 Mb Release : 2009 Category : Art museum directors ISBN : 9781588393401
Kentucky Quilts and Quiltmakers by Linda Elisabeth LaPinta Pdf
Although they are commonplace in American homes, quilts are much more than simple patchwork bed coverings and wall adornments. While many of these beautiful and intricate works of art are rich in history and tradition, others reflect the cutting-edge talent and avant-garde mastery of contemporary quiltmakers. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have adorned homes throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as quiltmaking in women's history, the influence of early Black quiltmakers, popular Kentucky quilt patterns, types, and colors, and the continuing importance of preserving the commonwealth's quilt history and traditions. The author provides a panoramic view of Kentucky quiltmaking from colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the dynamic quilting industry of today. LaPinta reveals Kentucky's pivotal role in shaping significant aspects of American quilt culture—Kentuckians founded the first statewide quilt documentation project, created important exhibits and major quilt organizations, and established the National Quilt Museum. Rounding out this all-encompassing volume is a collection of fascinating and intimate artistic commentaries by notable quiltmakers, as well as discussion of the key players who have conserved, celebrated, and showcased the commonwealth's extraordinary quilt culture.
By thoroughly examining all of these aspects, Amish Quilts is an essential resource for anyone interested in the history of these beautiful works.--Roderick Kiracofe, author of The American Quilt: A History of Cloth and Comfort, 1750-1950 "Journal of Amish and Plain Anabaptist Studies"
Quilt Culture by Cheryl B. Torsney,Judy Elsley Pdf
"As a blanket, a commemorative covering, and a work of art, the quilt is a nearly universal cultural artifact. In recent years it has been recognized as one of our most compelling symbols of cultural diversity and the power of women. In this collection, Cheryl B. Torsney and Judy Elsley bring together eleven provocative essays on the quilt as metaphor--in literature, history, politics, and philosophy. This interdisciplinary approach makes Quilt Culture an extraordinarily rich exploration of a cultural artifact whose meaning is far more complex than that of a simple bed covering."--Publishers website.
Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This major new book offers a dazzling array of compelling essays on art, architecture and design by leading writers: Joan Kerr on art in Australia by residents, migrants and visitors; Ka Bo Tsang on the imperial court in China; Gayatri Sinha on south Asian artists; Mary Roberts on harem portraiture of the Ottoman empire; Griselda Pollock on Parisian studios; Lynne Walker on women patron-builders in Britain; S?shy;ghle Bhreathnach-Lynch and Julie Anne Stevens on Irish women artists; Ruth Phillips on souvenir art by native and settler women; Janet Berlo on North American textiles; Kristina Huneault on white settler identity in Canada; Charmaine Nelson on neo-classical sculpture in North America; and Stacie Widdifield on Mexico. This pioneering collection addresses issues at the heart of feminist and post-colonial studies: the nature of difference, discrepant modernities and cross-cultural encounters. Written in a lively and accessible style, this lavishly illustrated volume offers fresh perspectives on women, art and identity. It is essential reading for anyone interested in the history of women artists and the art of the nineteenth century.