American Renaissance A Review Of Domestic Architecture
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American renaissance; a review of domestic architecture by Joy Wheeler Dow Pdf
American Renaissance: A Review of Domestic Architecture is a comprehensive guide by American architect Joy Wheeler Dow. The book explores the architectural styles and design principles of American domestic buildings, offering a fascinating overview of the evolution of residential architecture in the United States. Dow's expertise and passion for the subject shine through, making this book an essential resource for architecture enthusiasts and students alike.
Excerpt from American Renaissance: A Review of Domestic Architecture; Illustrated by Ninety-Six Half-Tone Plates This review of American Renaissance originally appeared as a series of papers in the "Architects and Builders' Magazine" and the interest shown in them as they were brought out and the later inquiry for these numbers of the Magazine have led the publisher to suggest the propriety of putting them in more permanent shape. With this in view the author has carefully collated the articles, added some new illustrations, and in some cases the plates have been enlarged where the subjects seemed worthy of fuller representation than was possible in the limited space allowed in the Magazine. The book is intended to be an impartial outline history of American domestic architecture from Colonial times to the present day, and the salutary influence upon it of whatever has been good in past building epochs. How well the subject has been presented, it remains for the readers of the following pages to judge. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
American Renaissance: A Review of Domestic Architecture (1904) by Joy Wheeler Dow Pdf
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author : Museums Council of New Jersey Publisher : Unknown Page : 108 pages File Size : 45,6 Mb Release : 1990 Category : Art, American ISBN : STANFORD:36105112268888
Re-creating the American Past by Richard Guy Wilson,Shaun Eyring,Kenny Marotta Pdf
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
Describes how the apartment building developed in the late nineteenth century and gradually achieved acceptance as middle-class housing in New York City.
If resort life is what you crave, the long ramble in the Charlevoix region of Quebec offered by Philippe Dubé's book provides the desired change of scene. Using many photographs and illustrations of the elegant resort homes of the area, the people who built and inhabited them, and the tourists who flocked there during the summer, Dubé captures both the untamed beauty and the unique history of this remote resort region. From the introduction: Charlevoix sits on the north shore of the St Lawrence River in a fertile valley first colonized by the merchanys of Québec. Its early development under the French Régime was sporadic, but in due course the commercial climate improved. In 1762 Messrs John Nairne and Malcolm Fraser, officers of the Regiment of Fraser Highlanders, began work on their respective properties of Murray Bay and Mount Murray, granted by Governor James Murray. In their time the area was already renowned for its scenery and picturesque way of life, and vistitors would come from countirs far off as Scotland to stay for several months. Ever since, Charlevoix has fascinated travellers and charmed summer vacationers searching for peace and quiet. The locals, for their part, have welcomed outsiders. For over two centuries, then, Charlevoix has been a meeting place for the rural culture of the French and the urban culture that is by tradition predominantly Anglo-Saxon.
American Architectural History by Keith Eggener Pdf
Offering some 30 essays, this volume concentrates on recent writings by historians of American architecture & urbanism. The essays are arranged chronologically from colonial to contemporary & accessible in thematic groupings.
Author : Harry L. Watson,Larry J. Griffin Publisher : Univ of North Carolina Press Page : 528 pages File Size : 46,9 Mb Release : 2008-04-28 Category : History ISBN : 9780807886465
Southern Cultures by Harry L. Watson,Larry J. Griffin Pdf
What does "redneck" mean? What's going to happen to the southern accent? What makes black southerners laugh? What is "real" country music? These are the kinds of questions that pop up in this collection of notable essays from Southern Cultures, the journal of the Center for the Study of the American South at the University of North Carolina at Chapel Hill. Intentionally plural, Southern Cultures was founded in 1993 to present all sides of the American South, from sorority sisters to Pocahontas, from kudzu to the blues. This volume collects 27 essays from the journal's first fifteen years, bringing together some of the most memorable and engaging essays as well as some of those most requested for use in courses. A stellar cast of contributors discusses themes of identity, pride, traditions, changes, conflicts, and stereotypes. Topics range from black migrants in Chicago to Mexican immigrants in North Carolina, from Tennessee wrestlers to Martin Luther King, from the Civil War to contemporary debates about the Confederate flag. Funny and serious, historical and contemporary, the collection offers something new for every South-watcher, with fresh perspectives on enduring debates about the people and cultures of America's most complex region. Contributors: Derek H. Alderman, East Carolina University Donna G'Segner Alderman, Greenville, North Carolina S. Jonathan Bass, Samford University Dwight B. Billings, University of Kentucky Catherine W. Bishir, Preservation North Carolina Kathleen M. Blee, University of Pittsburgh Elizabeth Boyd, Vanderbilt University James C. Cobb, University of Georgia Peter A. Coclanis, University of North Carolina at Chapel Hill Joseph Crespino, Emory University Drew Gilpin Faust, Harvard University franklin forts, University of Georgia David Goldfield, University of North Carolina at Charlotte Larry J. Griffin, University of North Carolina at Chapel Hill Adam Gussow, University of Mississippi Trudier Harris, University of North Carolina at Chapel Hill Patrick Huber, University of Missouri-Rolla Louis M. Kyriakoudes, University of Southern Mississippi Melton McLaurin, University of North Carolina at Wilmington Michael Montgomery, University of South Carolina Steve Oney, Los Angeles, California Theda Perdue, University of North Carolina at Chapel Hill Dan Pierce, University of North Carolina at Asheville John Shelton Reed, University of North Carolina at Chapel Hill Mart Stewart, Western Washington University Thomas A. Tweed, University of North Carolina at Chapel Hill Timothy B. Tyson, Duke University Anthony Walton, Bowdoin College Harry L. Watson, University of North Carolina at Chapel Hill Charles Reagan Wilson, University of Mississippi C. Vann Woodward (1908-1999)
This is the first book to analyze our suburban literary tradition. Tracing the suburb's emergence as a crucial setting and subject of the twentieth-century American novel, Catherine Jurca identifies a decidedly masculine obsession with the suburban home and a preoccupation with its alternative--the experience of spiritual and emotional dislocation that she terms "homelessness." In the process, she challenges representations of white suburbia as prostrated by its own privileges. In novels as disparate as Tarzan (written by Tarzana, California, real-estate developer Edgar Rice Burroughs), Richard Wright's Native Son, and recent fiction by John Updike and Richard Ford, Jurca finds an emphasis on the suburb under siege, a place where the fortunate tend to see themselves as powerless. From Babbitt to Rabbit, the suburban novel casts property owners living in communities of their choosing as dispossessed people. Material advantages become artifacts of oppression, and affluence is fraudulently identified as impoverishment. The fantasy of victimization reimagines white flight as a white diaspora. Extending innovative trends in the study of nineteenth-century American culture, Jurca's analysis suggests that self-pity has played a constitutive role in white middle-class identity in the twentieth century. It breaks new ground in literary history and cultural studies, while telling the story of one of our most revered and reviled locations: "the little suburban house at number one million and ten Volstead Avenue" that Edith Wharton warned would ruin American life and letters.
