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American War Cinema and Media since Vietnam by Patricia Keeton,Peter Scheckner Pdf
No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
American War Cinema and Media since Vietnam by Patricia Keeton,Peter Scheckner Pdf
No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
Author : Jeremy M. Devine Publisher : University of Texas Press Page : 432 pages File Size : 51,8 Mb Release : 1999 Category : Performing Arts ISBN : 029271601X
Hollywood Remembrance and American War by Andrew Rayment,Paul Nadasdy Pdf
Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered ʻthe war memorials of today’ to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films – covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq – and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.
Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research.
Author : Peter C. Rollins,John E. O'Connor Publisher : University Press of Kentucky Page : 877 pages File Size : 55,5 Mb Release : 2008-07-25 Category : Performing Arts ISBN : 9780813138749
Why We Fought by Peter C. Rollins,John E. O'Connor Pdf
A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title
From Hanoi to Hollywood by Linda Dittmar,Gene Michaud Pdf
Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films.
Combat Death in Contemporary American Culture by Agnieszka Soltysik Monnet Pdf
Combat Death in Contemporary American Culture: Popular Cultural Conceptions of War since World War II explores how war has been portrayed in the United States since World War II, with a particular focus on an emotionally charged but rarely scrutinized topic: combat death. Agnieszka Soltysik Monnet argues that most stories about war use three main building blocks: melodrama, adventure, and horror. Monnet examines how melodrama and adventure have helped make war seem acceptable to the American public by portraying combat death as a meaningful sacrifice and by making military killing look necessary and often even pleasurable. Horror no longer serves its traditional purpose of making the bloody realities of war repulsive, but has instead been repurposed in recent years to intensify the positivity of melodrama and adventure. Thus this book offers a fascinating diagnosis of how war stories perform ideological and emotional work and why they have such a powerful grip on the American imagination.
War Gothic in Literature and Culture by Steffen Hantke,Agnieszka Soltysik Monnet Pdf
In the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of "others," psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media.
History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography.
Author : Daniel C. Hallin Publisher : Univ of California Press Page : 300 pages File Size : 42,5 Mb Release : 1989-04-14 Category : History ISBN : 9780520065437
Vietnam was America's most divisive and unsuccessful foreign war. It was also the first to be televised and the first of the modern era fought without military censorship. From the earliest days of the Kennedy-Johnson escalation right up to the American withdrawal, and even today, the media's role in Vietnam has continued to be intensely controversial. The "Uncensored War" gives a richly detailed account of what Americans read and watched about Vietnam. Hallin draws on the complete body of the New York Times coverage from 1961 to 1965, a sample of hundreds of television reports from 1965-73, including television coverage filmed by the Defense Department in the early years of the war, and interviews with many of the journalists who reported it, to give a powerful critique of the conventional wisdom, both conservative and liberal, about the media and Vietnam. Far from being a consistent adversary of government policy in Vietnam, Hallin shows, the media were closely tied to official perspectives throughout the war, though divisions in the government itself and contradictions in its public relations policies caused every administration, at certain times, to lose its ability to "manage" the news effectively. As for television, it neither showed the "literal horror of war," nor did it play a leading role in the collapse of support: it presented a highly idealized picture of the war in the early years, and shifted toward a more critical view only after public unhappiness and elite divisions over the war were well advanced.
Author : J. David Slocum Publisher : Taylor & Francis Page : 464 pages File Size : 46,5 Mb Release : 2023-04-28 Category : Performing Arts ISBN : 9781000938562
Hollywood and War, The Film Reader by J. David Slocum Pdf
Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.
Poetics of the First Punic War by Thomas Biggs Pdf
Poetics of the First Punic War investigates the literary afterlives of Rome’s first conflict with Carthage. From its original role in the Middle Republic as the narrative proving ground for epic’s development out of verse historiography, to its striking cultural reuse during the Augustan and Flavian periods, the First Punic War (264–241 BCE) holds an underappreciated place in the history of Latin literature. Because of the serendipitous meeting of historical content and poetic form in the third century BCE, a textualized First Punic War went on to shape the Latin language and its literary genres, the practices and politics of remembering war, popular visions of Rome as a cultural capital, and numerous influential conceptions of Punic North Africa. Poetics of the First Punic War combines innovative theoretical approaches with advances in the philological analysis of Latin literature to reassess the various “texts” of the First Punic War, including those composed by Vergil, Propertius, Horace, and Silius Italicus. This book also contains sustained treatment of Naevius’ fragmentary Bellum Punicum (Punic War) and Livius Andronicus’ Odusia (Odyssey), some of the earliest works of Latin poetry. As the tradition’s primary Roman topic, the First Punic War is forever bound to these poems, which played a decisive role in transmitting an epic view of history.
Vietnam at 24 Frames a Second by Jeremy M. Devine Pdf
Beginning in 1948 with Paramount’s Saigon and Universal’s Rogue’s Regiment, Hollywood has produced hundreds of features and made-for-television films about Vietnam and the ensuing conflict. With the exception of The Green Berets (1968), few were designed to rally Americans to the cause as earlier war movies had done. Many were not even combat films, instead dealing with such domestic issues as protests, veteran re-entry, MIAs and POWs. Arranged chronologically, this is a critical analysis of Vietnam War films from 1948 through 1993. Recurring themes are stressed along with the ways that movie America reflected the national reality, with essays blending plot synopses and critical commentary. The movies run the gamut of genres: dramas, action, adventure, horror, comedies and even one musical.
The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to project about America's involvement in Southeast Asia. This collection of essays, most of which are previously unpublished, analyzes the themes, modes, and stylistic strategies seen in a broad range of films and television programs. From diverse perspectives, the contributors comprehensively examine early documentary and fiction films, postwar films of the 1970s such as The Deer Hunter and Apocalypse Now, and the reformulated postwar films of the 1980s--Platoon, Full Metal Jacket, and Born on the Fourth of July. They also address made-for-television movies and serial dramas like China Beach and Tour of Duty. The authors show how the earliest film responses to America's involvement in Vietnam employ myth and metaphor and are at times unable to escape glamorized Hollywood. Later films strive to portray a more realistic Vietnam experience, often creating images that are an attempt to memorialize or to manufacture different kinds of myths. As they consider direct and indirect representations of the war, the contributors also examine the power or powerlessness of individual soldiers, the racial views presented, and inscriptions of gender roles. Also included in this volume is a chapter that discusses teaching Vietnam films and helping students discern and understand film rhetoric, what the movies say, and who they chose to communicate those messages. Excerpt Read an excerpt from Chapter 1 (pdf). Contents Acknowledgments Introduction - Michael Anderegg 1. Hollywood and Vietnam: John Wayne and Jane Fonda as Discourse - Michael Anderegg 2. "All the Animals Come Out at Night": Vietnam Meets Noir in Taxi Driver - Cynthia J. Fuchs 3. Vietnam and the Hollywood Genre Film: Inversions of American Mythology in The Deer Hunter and Apocalypse Now - John Hellmann 4. "Charlie Don't Surf": Race and Culture in the Vietnam War Films - David Desser 5. Finding a Language for Vietnam in the Action-Adventure Genre - Ellen Draper 6. Narrative Patterns and Mythic Trajectories in Mid-1980s Vietnam Movies - Tony Williams 7. Rambo's Vietnam and Kennedy's New Frontier - John Hellmann 8. Gardens of Stone, Platoon, and Hamburger Hill: Ritual and Remembrance - Judy Lee Kinney 9. Primetime Television's Tour of Duty - Daniel Miller 10. Women Next Door to War: China Beach - Carolyn Reed Vartanian 11. Male Bonding, Hollywood Orientalism, and the Repression of the Feminine in Kubrick's Full Metal Jacket - Susan White 12. Vietnam, Chaos, and the Dark Art of Improvisation - Owen W. Gilman, Jr. 13. Witness to War: Oliver Stone, Ron Kovic, and Born on the Fourth of July - Thomas Doherty 14. Teaching Vietnam: The Politics of Documentary - Thomas J. Slater Selected Bibliography Selected Filmography and Videography The Contributors Index About the Author(s) Michael Anderegg is Professor of English at the University of North Dakota, and author of two other books: William Wyler and David Lean. Contributors: Cynthia J. Fuchs, John Hellman, David Desser, Ellen Draper, Tony Williams, Judy Lee Kinney, Daniel Miller, Carolyn Reed Vartanian, Susan White, Owen W. Gilman, Jr., Thomas Doherty, Thomas J. Slater, and the editor.
