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American Wars: Good, Bad, and Ugly by Bert Rainwater Pdf
Synopsis American Wars: Good, Bad, and Ugly This work contains an unusual view of American wars that may stimulate new thoughts of the price we have paid and the gains we have made in the folly of our wars. Disagreements are bound to arise, but no one will walk away from this book having been bored by another of those dull books on history. Promises should be made to be kept. I promise you that you will gain a different insight into our wars: the good, bad, and ugly.
Synopsis American Wars: Good, Bad, and Ugly This work contains an unusual view of American wars that may stimulate new thoughts of the price we have paid and the gains we have made in the folly of our wars. Disagreements are bound to arise, but no one will walk away from this book having been bored by another of those dull books on history. Promises should be made to be kept. I promise you that you will gain a different insight into our wars: the good, bad, and ugly.
The Civil War on Film by Peg A. Lamphier,Rosanne Welch Pdf
The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.
The author of Imperial Life in the Emerald City (winner of the 2007 Samuel Johnson Prize) now gives us the startling, behind-the-scenes story of the struggle between President Obama and the US military to remake Afghanistan.
A revealing compilation of essays documenting the effects of the Civil War and its aftermath on Americans—young and old, black and white, northern and southern. Civil War America: Voices from the Homefront describes the myriad ways in which the Civil War affected both Northern and Southern civilians. A unique collection of essays that include diary entries, memoirs, letters, and magazine articles chronicle the personal experiences of soldiers and slaves, parents and children, nurses, veterans, and writers. Exploring such wide-ranging topics as sanitary fairs in the North, illustrated weeklies, children playing soldier, and the care of postwar orphans, most stories communicate some element of change, such as the destruction of old racial relationships, the challenge to Southern whites' complacency, and the expansion of government power. Although some of the subjects are well known—Edmund Ruffin, Louisa May Alcott, Henry Cabot Lodge, Booker T. Washington—most of the witnesses presented in these essays are relatively unknown men, women, and children who help to broaden our understanding of the war and its effects far beyond the front lines.
Information Please advances the ongoing critical project of the media scholar Mark Poster: theorizing the social and cultural effects of electronically mediated information. In this book Poster conceptualizes a new relation of humans to information machines, a relation that avoids privileging either the human or the machine but instead focuses on the structures of their interactions. Synthesizing a broad range of critical theory, he explores how texts, images, and sounds are made different when they are mediated by information machines, how this difference affects individuals as well as social and political formations, and how it creates opportunities for progressive change. Poster’s critique develops through a series of lively studies. Analyzing the appearance of Sesame Street’s Bert next to Osama Bin Laden in a New York Times news photo, he examines the political repercussions of this Internet “hoax” as well as the unlimited opportunities that Internet technology presents for the appropriation and alteration of information. He considers the implications of open-source licensing agreements, online personas, the sudden rise of and interest in identity theft, peer-to-peer file sharing, and more. Focusing explicitly on theory, he reflects on the limitations of critical concepts developed before the emergence of new media, particularly globally networked digital communications, and he argues that, contrary to the assertions of Michael Hardt and Antonio Negri, new media do not necessarily reproduce neoimperialisms. Urging a rethinking of assumptions ingrained during the dominance of broadcast media, Poster charts new directions for work on politics and digital culture.
The Good, the Bad and the Ancient by Sue Matheson Pdf
Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.
Spectacle, myth, fable - these words instantly leap to mind when considering director Sergio Leone's celebrated films. His popularization of the Spaghetti Western genre, through works like A Fistful of Dollars (1964) and Once Upon a Time in the West (1968), continues to have a profound impact on filmmakers worldwide. In this exciting new study, Italian film scholar Christian Uva explores a side of Leone's works rarely before discussed: the political. Grappling with the contradictions between Leone's politically critical cinematic eye and his aversion to ideological classification, Sergio Leone: Cinema as Political Fable makes sense of how the director's internal political tensions shaped the radical themes of his Western fables. Looking at Leone and his films through a number of lenses, the book examines the elements of Italian history and identity interwoven in the director's stories, provides cultural context for a career spanning from Italy's fascist regime to Leone's death in 1989, and discusses the influences that formed Leone's directorial identity. Uva focuses in particular on the postmodernist theory behind Leone's works, revealing the critical basis of his stylistic and narrative innovations and newly analyzing the most iconic sequences from The Good, the Bad, and the Ugly (1967), Duck, You Sucker (1971), and Once Upon a Time in America (1984). An admirably thorough take on the man and his works, Sergio Leone: Cinema as Political Fable provides fresh perspective on a director long-established in cinema canon.
Once one of the most popular film genres and a key player in the birth of early narrative cinema, the Western has experienced a rebirth in the era of post-classical filmmaking with a small but noteworthy selection of Westerns being produced long after the genre's 1950s heyday. Thanks to regular repertory cinema and television screenings, home video releases and critical reappraisals by cultural gatekeepers such as Quentin Tarantino, an ever-increasing number of these Westerns have become cult films. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, Reframing Cult Westerns offers a multitude of new critical insights into a truly eclectic selection of cult Western films. These twelve essays present a wide-ranging methodological scope, from industrial histories to ecocritical approaches, auteurist analysis to queer and other ideological angles. With a thorough analysis of the genre from international perspectives, Reframing Cult Westerns offers fresh insight on the Western as a global phenomenon.
Author : David Kieran,Edwin A. Martini Publisher : Rutgers University Press Page : 411 pages File Size : 45,9 Mb Release : 2018-04-05 Category : History ISBN : 9780813584331
The country’s wars in Iraq and Afghanistan, its interventions around the world, and its global military presence make war, the military, and militarism defining features of contemporary American life. The armed services and the wars they fight shape all aspects of life—from the formation of racial and gendered identities to debates over environmental and immigration policy. Warfare and the military are ubiquitous in popular culture. At War offers short, accessible essays addressing the central issues in the new military history—ranging from diplomacy and the history of imperialism to the environmental issues that war raises and the ways that war shapes and is shaped by discourses of identity, to questions of who serves in the U.S. military and why and how U.S. wars have been represented in the media and in popular culture.
Debates about U.S. foreign policy have revolved around three main traditions--liberal internationalism, realism, and nationalism. In this book, distinguished political scientist Henry Nau delves deeply into a fourth, overlooked foreign policy tradition that he calls "conservative internationalism." This approach spreads freedom, like liberal internationalism; arms diplomacy, like realism; and preserves national sovereignty, like nationalism. It targets a world of limited government or independent "sister republics," not a world of great power concerts or centralized international institutions. Nau explores conservative internationalism in the foreign policies of Thomas Jefferson, James Polk, Harry Truman, and Ronald Reagan. These presidents did more than any others to expand the arc of freedom using a deft combination of force, diplomacy, and compromise. Since Reagan, presidents have swung back and forth among the main traditions, overreaching under Bush and now retrenching under Obama. Nau demonstrates that conservative internationalism offers an alternative way. It pursues freedom but not everywhere, prioritizing situations that border on existing free countries--Turkey, for example, rather than Iraq. It uses lesser force early to influence negotiations rather than greater force later after negotiations fail. And it reaches timely compromises to cash in military leverage and sustain public support. A groundbreaking revival of a neglected foreign policy tradition, Conservative Internationalism shows how the United States can effectively sustain global leadership while respecting the constraints of public will and material resources.
Caricature and National Character by Christopher J. Gilbert Pdf
According to the popular maxim, a nation at war reveals its true character. In this incisive work, Chris Gilbert examines the long history of US war politics through the lens of political cartoons to provide new, unique insights into American cultural identity. Tracing the comic representation of American values from the First World War to the War on Terror, Gilbert explores the power of humor in caricature to expose both the folly in jingoistic virtues and the sometimes-strange fortune in nationalistic vices. He examines the artwork of four exemplary American cartoonists—James Montgomery Flagg, Dr. Seuss, Ollie Harrington, and Ann Telnaes—to craft a trenchant image of Americanism. These examinations animate the rhetorical, and indeed comic, force of icons like Uncle Sam, national symbols like the American Eagle, political stooges like President Donald J. Trump, and more, as well as the power of political cartoons to comment on issues of race, class, and gender on the home front. Throughout, Gilbert portrays a US culture rooted in and riven by ideas of manifest destiny, patriotism, and democracy for all, yet plagued by ugly forms of nationalism, misogyny, racism, and violence. Rich with examples of hilarious and masterfully drawn caricatures from a diverse range of creators, this unflinching look at the evolution of our conflicted national character illustrates how American cartoonists use farce, mockery, and wit to put national character in the comic looking glass.
Anglo-American Relations by Alan P. Dobson,Steve Marsh Pdf
This book provides an examination of contemporary Anglo-American relations. Sometimes controversially referred to as the Special Relationship, Anglo-American relations constitute arguably the most important bilateral relationship of modern times. However, in recent years, there have been frequent pronouncements that this relationship has lost its 'specialness'. This volume brings together experts from Britain, Europe and North America in a long-overdue examination of contemporary Anglo-American relations that paints a somewhat different picture. The discussion ranges widely, from an analysis of the special relationship of culture and friendship, to an examination of both traditional (e.g. nuclear relations) and more recent (e.g. environment) policies. Contemporary developments are discussed in the context of longer-term trends and contributing authors draw upon a range of different disciplines, including political science, diplomacy studies, business studies and economics. Coupled with a substantive introduction and conclusion, the result is an insightful and engaging portrayal of the complex Anglo-American relationship. The book will be of great interest to students of US and UK foreign policy, diplomacy and international relations in general.