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Author : Sandra Forty
Publisher : Thunder Bay Press (CA)
Page : 452 pages
File Size : 41,7 Mb
Release : 2001
Category : History
ISBN : 1571455493
The photographs in this book, some nearly 150 years old, chronicle the American people from the last years of slavery & the Civil War to the present.
Author : Jay Bochner
Publisher : Unknown
Page : 0 pages
File Size : 48,6 Mb
Release : 2008
Category : Armory Show
ISBN : 0262524880
A close reading of photography yieldls a grounndbreaking cultural biography; reveals photography's impresario, Alfred Stieglitz, as he has never been revealed before and looks at his photographs as they have never been looked at before. In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz--as influential gallery owner, photographer, and impresario of the emerging art scene--at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view. Bochner uses these scenes to recreate for today's readers the birth of modernism in America--what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe. Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate--casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in An American Lens create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.
Author : National Geographic School Publishing, Incorporated
Publisher : Unknown
Page : 128 pages
File Size : 45,8 Mb
Release : 2018-07-06
Category : Electronic
ISBN : 1337111910
This is the Student Edition for America Through the Lens, a Grade 11 U.S. History Survey program covering Beginnings to the Present.
Author : Jun Xing
Publisher : Rowman Altamira
Page : 252 pages
File Size : 51,8 Mb
Release : 1998
Category : Performing Arts
ISBN : 076199176X
In Asian America Through the Lens, Jun Xing surveys Asian American cinema, allowing its aesthetic, cultural, and political diversity and continuities to emerge.
Author : Nicole Strathman
Publisher : University of Oklahoma Press
Page : 241 pages
File Size : 46,8 Mb
Release : 2020-03-19
Category : Photography
ISBN : 9780806167060
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
Author : National Geographic School Publishing, Incorporated
Publisher : Unknown
Page : 128 pages
File Size : 46,6 Mb
Release : 2018
Category : Electronic
ISBN : 1337111937
National Geographic U.S. History America Through the Lens is a new United States History program for high school. This new program integrates literacy with content knowledge through support for reading, writing, and critical thinking skills. It includes National Geographic Learning's Modified Text feature (on MindTap) providing content at two grades levels below the on-level content. The program presents manageable two- and four-page lessons, following a clear unit-chapter-lesson organization. It views history as an exploration of identity and a celebration of cultural heritage and diversity. Featured in this stunning new program are National Geographic Explorers, along with National Geographic maps, images, and photography.
Author : Martin W. Sandler
Publisher : Henry Holt and Company (BYR)
Page : 264 pages
File Size : 45,9 Mb
Release : 2014-04-22
Category : Young Adult Nonfiction
ISBN : 9781466869097
"If I could tell the story in words, I wouldn't need to lug around a camera."-Lewis Hine A stunning view of America as captured by groundbreaking photographers American history is punctuated by defining moments-some proud, some tragic, some beautiful. Photography has made it possible for these moments to be captured and shared with the public. As the craft has evolved from unwieldy glass negatives to digital imagery, the photographs themselves have changed the way we see the world. From Mathew Brady's startling Civil War photographs to NASA's stunning images of the universe, America Through the Lens by Martin W. Sandler highlights twelve photographers whose work has truly changed the nation.
Author : Deborah Willis
Publisher : Double Exposure
Page : 0 pages
File Size : 48,6 Mb
Release : 2014
Category : African Americans
ISBN : 1907804463
The first volume of Double Exposure, a major new series of books based on the Smithsonian NMAAHC's remarkable photography archive.
Author : John Wilmerding
Publisher : Rizzoli Publications
Page : 186 pages
File Size : 48,8 Mb
Release : 2020-03-24
Category : Art
ISBN : 9780847864768
A reflection of American art's most iconic portraits that feature eyeglasses, and their significance to the artists--from Grant Wood to Alex Katz--through the lens of renowned art historian John Wilmerding. This book celebrates and interprets eyeglasses in American art through painting, prints, folk art, sculpture, and photography from the end of the eighteenth century to the present. Accompanying an exhibition at the Shelburne Museum in Vermont, the book includes eighty works by illustrious artists such as Mary Cassatt and Alice Neel. Though we know eyeglasses are for looking through, we often overlook their role in portraits and figure images. This survey looks at their appearance and uses in American art, from 1784 when Benjamin Franklin invented the bifocal, to the present day. Spectacles in artwork served as emblems of literacy, fashion, and self-identity; old age and wisdom; inner or psychological vision; and sometimes just contemplation. Contemporary works include bespectacled self-portraits by Chuck Close, Andy Warhol, and Keith Haring; and eyeglasses as pure design by Alex Katz and Wayne Thiebaud.
Author : Robert Frank
Publisher : Unknown
Page : 180 pages
File Size : 53,6 Mb
Release : 1968
Category : Photography, Artistic
ISBN : LCCN:72086107
Author : Lane Ryo Hirabayashi,Kenichiro Shimada
Publisher : University Press of Colorado
Page : 377 pages
File Size : 49,7 Mb
Release : 2011-05-18
Category : History
ISBN : 9781457109720
In Japanese American Resettlement through the Lens, Lane Ryo Hirabayashi gathers a unique collection of photographs by War Relocation Authority photographer Hikaru Iwasaki, the only full-time WRA photographer from the period still living. With substantive focus on resettlement - and in particular Iwasaki's photos of Japanese Americans following their release from WRA camps from 1943 to 1945 - Hirabayashi explores the WRA's use of photography in its mission not only to encourage "loyal" Japanese Americans to return to society at large as quickly as possible but also to convince Euro-Americans this was safe and advantageous. Hirabayashi also assesses the relative success of the WRA project, as well as the multiple uses of the photographs over time, first by the WRA and then by students, scholars, and community members in the present day. Although the photos have been used to illustrate a number of publications, this book is the first sustained treatment addressing questions directly related to official WRA photographs. How and under what conditions were they taken? Where were they developed, selected, and stored? How were they used during the 1940s? What impact did they have during and following the war? By focusing on the WRA's Photographic Section, Japanese American Resettlement through the Lens makes a unique contribution to the body of literature on Japanese Americans during World War II.
Author : National Geographic Learning
Publisher : Unknown
Page : 128 pages
File Size : 52,7 Mb
Release : 2019
Category : United States
ISBN : 1337387169
Author : Nancy Martha West
Publisher : University of Virginia Press
Page : 284 pages
File Size : 44,6 Mb
Release : 2000
Category : Business & Economics
ISBN : 0813919592
The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the center of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-nineteenth century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or unpleasant aspects were systematically erased. West looks at a wide assortment of Kodak's most popular inventions and marketing strategies, including the "Kodak Girl," the momentous invention of the Brownie camera in 1900, the "Story Campaign" during World War I, and even the Vanity Kodak Ensemble, a camera introduced in 1926 that came fully equipped with lipstick. At the beginning of its campaign, Kodak advertising primarily sold the fun of taking pictures. Ads from this period celebrate the sheer pleasure of snapshot photography--the delight of handling a diminutive camera, of not worrying about developing and printing, of capturing subjects in candid moments. But after 1900, a crucial shift began to take place in the company's marketing strategy. The preservation of domestic memories became Kodak's most important mission. With the introduction of the Brownie camera at the turn of the century, the importance of home began to replace leisure activity as the subject of ads, and at the end of World War I, Americans seemed desperately to need photographs to confirm familial unity. By 1932, Kodak had become so intoxicated with the power of its own marketing that it came up with the most bizarre idea of all, the "Death Campaign." Initiated but never published, this campaign based on pictures of dead loved ones brought Kodak advertising full circle. Having launched one of the most successful campaigns in advertising history, the company did not seem to notice that selling a painful subject might be more difficult than selling momentary pleasure or nostalgia. Enhanced with over 50 reproductions of the ads themselves, 16 of them in color, Kodak and the Lens of Nostalgia vividly illustrates the fundamental changes in American culture and the function of memory in the formative years of the twentieth century.
Author : Pamela Littky
Publisher : Kehrer Verlag
Page : 0 pages
File Size : 54,7 Mb
Release : 2018
Category : Fairs
ISBN : 3868288201
The nostalgic glamor of the American fairs attracts visitors of all ages, every year in the USA.
Author : George David Miller
Publisher : Rowman & Littlefield
Page : 317 pages
File Size : 51,6 Mb
Release : 2021-11-05
Category : Law
ISBN : 9781793639417
In Reinventing American Jurisprudence: Law through the Lens of Value, George David Miller and Laura Brown unfurl an original approach to value and an imaginative landscape in philosophy of law. Value essentialism identifies value formations such as a sacred cow and scapegoat tandem and the intensification of “oughtness” as it approaches sacred zenith values. Readers learn how Occam’s razor has been responsible for the death of many ideas; how the celebrated Other gains nuance as near and remote; and where a spectral assessment of probability and necessity leads. Analyses of Supreme Court cases grow out in different and exciting directions. Buck was not about eugenics, but another iteration of the value of efficiency and Yo Wick was decided less on law and more on a justice’s finding humanity in Chinese laundry mat proprietors. Lochner involved not an ideological binary but three distinct value schemes. “Separate but equal” was refined as parallelism and exploitative tangents. In Brown, the Fourteenth Amendment took a significant subjective turn. In Heller, the communitarian position of stopping violence before it began could be contrasted with the individualistic position of waiting until you see the whites of their eyes in your bedroom. Citizens United was distilled into the question: was the First Amendment designed to maximize participation or maximize democracy?
