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“The eloquence of the author’s flowing prose...gives a poetic quality to an already articulate script. There are absolute moments of genuine suspense in the classic Hitchcock vein.” - August Krickel Post & Courier Drama / 4M / 4F / 1 Interior Amityville 1925 is the first published stage play about the infamous house of murder and hauntings in Long Island, New York. The roaring twenties are in full swing. It is late October. The Moynahan family has migrated from Dublin, Ireland to the United States in search of the American dream. John, the father, commissions a beautiful Dutch Colonial home to be constructed at 112 Ocean Avenue. The land, however, is tainted from an ancient curse involving satanic worship, a child’s corpse, and demonic possession. After a mysterious death in the family and subsequent malevolent disturbances, the Moynahan’s dream soon becomes a nightmare of paranormal rage. Suspense builds and spirits collide as they fight to protect hearth and home. Unpredictable twists and turns will keep the audience guessing until the play’s explosive climax. “The play is grounded, smart, and thoroughly entertaining. Quite a remarkable accomplishment deserving of high praise.” - Cindi Boiter Jasper Magazine
Along the shores of Long Island's Great South Bay, the Copiague area was a haven for Native Americans and, later, colonial settlers. Previously known as Huntington South, East Amityville, Great Neck, and Powell's, the hamlet adopted the name Copiague in the 1890s. Pres. George Washington's celebrated 1790 sojourn is one of the high points in Copiague history, as are the visits of famed wireless inventor Guglielmo Marconi in the early 1900s, when he came to review his namesake Marconiville community. In the 1920s, rural Copiague grew to include the beach communities of American Venice, Amity Harbor, and Hawkins Estates and set the stage for the monumental suburban expansion of the 1950s. Beginning in the early 20th century, Copiague also became the adopted home to immigrants from all around the world. Copiague has a rich tradition of community service institutions--its fire department, public schools, veterans' organizations, and churches, including Bethel A.M.E. Church, celebrated as the oldest black church on Long Island.
A Research Guide to Cartographic Resources by Eva H. Dodsworth Pdf
This book navigates the numerous American and Canadian cartographic resources available in print, and online, offering information on how to locate and access the large variety of resources. Cartographic materials are highlighted and summarized, along with lists of map libraries and geospatial centers, and related professional associations.
PULITZER PRIZE WINNER • A modern American classic, this huge and galvanizing biography of Robert Moses reveals not only the saga of one man’s incredible accumulation of power but the story of his shaping (and mis-shaping) of twentieth-century New York. One of the Modern Library’s hundred greatest books of the twentieth century, Robert Caro's monumental book makes public what few outsiders knew: that Robert Moses was the single most powerful man of his time in the City and in the State of New York. And in telling the Moses story, Caro both opens up to an unprecedented degree the way in which politics really happens—the way things really get done in America's City Halls and Statehouses—and brings to light a bonanza of vital information about such national figures as Alfred E. Smith and Franklin D. Roosevelt (and the genesis of their blood feud), about Fiorello La Guardia, John V. Lindsay and Nelson Rockefeller. But The Power Broker is first and foremost a brilliant multidimensional portrait of a man—an extraordinary man who, denied power within the normal framework of the democratic process, stepped outside that framework to grasp power sufficient to shape a great city and to hold sway over the very texture of millions of lives. We see how Moses began: the handsome, intellectual young heir to the world of Our Crowd, an idealist. How, rebuffed by the entrenched political establishment, he fought for the power to accomplish his ideals. How he first created a miraculous flowering of parks and parkways, playlands and beaches—and then ultimately brought down on the city the smog-choked aridity of our urban landscape, the endless miles of (never sufficient) highway, the hopeless sprawl of Long Island, the massive failures of public housing, and countless other barriers to humane living. How, inevitably, the accumulation of power became an end in itself. Moses built an empire and lived like an emperor. He was held in fear—his dossiers could disgorge the dark secret of anyone who opposed him. He was, he claimed, above politics, above deals; and through decade after decade, the newspapers and the public believed. Meanwhile, he was developing his public authorities into a fourth branch of government known as "Triborough"—a government whose records were closed to the public, whose policies and plans were decided not by voters or elected officials but solely by Moses—an immense economic force directing pressure on labor unions, on banks, on all the city's political and economic institutions, and on the press, and on the Church. He doled out millions of dollars' worth of legal fees, insurance commissions, lucrative contracts on the basis of who could best pay him back in the only coin he coveted: power. He dominated the politics and politicians of his time—without ever having been elected to any office. He was, in essence, above our democratic system. Robert Moses held power in the state for 44 years, through the governorships of Smith, Roosevelt, Lehman, Dewey, Harriman and Rockefeller, and in the city for 34 years, through the mayoralties of La Guardia, O'Dwyer, Impellitteri, Wagner and Lindsay, He personally conceived and carried through public works costing 27 billion dollars—he was undoubtedly America's greatest builder. This is how he built and dominated New York—before, finally, he was stripped of his reputation (by the press) and his power (by Nelson Rockefeller). But his work, and his will, had been done.