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Shakespeare's Miracle Plays by Harald William Fawkner Pdf
Fawkner gives readings of the miracle plays that are so different from the established interpretations that the plays appear to emerge anew from their slumbers and misconceptions--to suddenly speak to us differently of things we have so far not permitted ourselves to even theorize, fantasize, or perceive. Rejecting symbolic readings, the author insists that the translation of the experience of the miraculous into psychoanalysis or "myth" is as pointless as any other form of symbolic appropriation of the plays. Symbolic understandings of the miracle plays fail to dig into the roots of what is typical of miraculous experience. To understand Shakespeare's last plays, one must first grasp what a miracle is--not only in religion, culture, drama, and aesthetics, but in Shakespeare.
The Miracle of the Black Leg by Patricia Williams Pdf
Brilliant essays from the renowned Nation columnist—aka the Mad Law Professor—tackling questions of identity, bioethics, race, surveillance, and more Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man’s leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race. With her trademark elegant prose and critical legal studies wisdom, Williams brings to bear a keen analytic eye and a lawyer’s training to chapters exploring the ways we have legislated the ownership of everything from body parts to gene sequences—and the particular ways in which our laws in these areas isolate nonnormative looks, minority cultures, and out-of-the-box thinkers. At the heart of “Wrongful Birth” is a lawsuit in which a white couple who use a sperm bank sue when their child “comes out Black”; “Bodies in Law” explores the service of genetic ancestry testing companies to answer the question of who owns DNA. And “Hot Cheeto Girl” examines the way that algorithms give rise to new predictive categories of human assortment, layered with market-inflected cages of assigned destiny. In the spirit of Dorothy Roberts, Rebecca Skloot, and Anne Fadiman, The Miracle of the Black Leg offers a brilliant meditation on the tricky place where law, science, ethics, and cultural slippage collide.
Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, “art for art’s sake”, art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel’s finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel’s reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel’s themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel’s prose and will be a vital source for readers with an interest in Simmel’s trailblazing ideas in modern European philosophy, sociology, and cultural theory.
Recognizing Miracles in Antiquity and Beyond by Maria Gerolemou Pdf
In recent years, scholars have extensively explored the function of the miraculous and wondrous in ancient narratives, mostly pondering on how ancient authors view wondrous accounts, i.e. the treatment of the descriptions of wondrous occurrences as true events or their use. More precisely, these narratives investigate whether the wondrous pursues a display of erudition or merely provides stylistic variety; sometimes, such narratives even represent the wish of the author to grant a “rational explanation” to extraordinary actions. At present, however, two aspects of the topic have not been fully examined: a) the ability of the wondrous/miraculous to set cognitive mechanisms in motion and b) the power of the wondrous/miraculous to contribute to the construction of an authorial identity (that of kings, gods, or narrators). To this extent, the volume approaches miracles and wonders as counter intuitive phenomena, beyond cognitive grasp, which challenge the authenticity of human experience and knowledge and push forward the frontiers of intellectual and aesthetic experience. Some of the articles of the volume examine miracles on the basis of bewilderment that could lead to new factual knowledge; the supernatural is here registered as something natural (although strange); the rest of the articles treat miracles as an endpoint, where human knowledge stops and the unknown divine begins (here the supernatural is confirmed). Thence, questions like whether the experience of a miracle or wonder as a counter intuitive phenomenon could be part of long-term memory, i.e. if miracles could be transformed into solid knowledge and what mental functions are encompassed in this process, are central in the discussion.
Elizabeth Bishop in the 21st Century by Angus J. Cleghorn,Bethany Hicok,Thomas J. Travisano Pdf
In recent years, a series of major collections of posthumous writings by Elizabeth Bishop--one of the most widely read and discussed poets of the twentieth century--have been published, profoundly affecting how we look at her life and work. The hundreds of letters, poems, and other writings in these volumes have expanded Bishop's published work by well over a thousand pages and placed before the public a "new" Bishop whose complexity was previously familiar to only a small circle of scholars and devoted readers. This collection of essays by many of the leading figures in Bishop studies provides a deep and multifaceted account of the impact of these new editions and how they both enlarge and complicate our understanding of Bishop as a cultural icon. Contributors: Charles Berger, Southern Illinois University, Edwardsville * Jacqueline Vaught Brogan, University of Notre Dame * Angus Cleghorn, Seneca College * Jonathan Ellis, University of Sheffield * Richard Flynn, Georgia Southern University * Lorrie Goldensohn * Jeffrey Gray, Seton Hall University * Bethany Hicok, Westminster College * George Lensing, University of North Carolina * Carmen L. Oliveira * Barbara Page, Vassar College * Christina Pugh, University of Illinois at Chicago * Francesco Rognoni, Catholic University in Milan * Peggy Samuels, Drew University * Lloyd Schwartz, University of Massachusetts, Boston * Thomas Travisano, Hartwick College * Heather Treseler, Worcester State University * Gillian White, University of Michigan
Eugene O'Neill and the Reinvention of Theatre Aesthetics by Thierry Dubost Pdf
The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frames of drama and reinvented theater aesthetics by resorting to masks, the chorus, acoustics, silence or immobility for the creation of his dramatic works.
Icons in Time, Persons in Eternity by C.A. Tsakiridou Pdf
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Essays on Ethics and Feminism by Sabina Lovibond Pdf
"'Essays on Ethics and Feminism' brings together a selection of Sabina Lovibond's shorter writings from 1989 to 2014. ... The book as a whole is concerned with fundamental ethical questions, including, but not restricted to, questions of feminist ethics-- such as the nature of value and the good life; moral requirements and their associated epistemology; character-formation and the ideological critique of the processes by which this is carried out." --Back cover.
"Bring the art and beauty of Japan to your garden with inspiration from Kyoto Gardens." —HGTV Gardens Featuring beautiful Japanese garden photography and insightful writing, Kyoto Gardens is a labor of love from master photographer Ben Simmons and Kyoto-based writer Judith Clancy. In their rocks and plants, empty spaces and intimate details—Kyoto's gardens manifest a unique ability to provoke thought and delight in equal measure. These varied landscapes meld the sensuality of nature with the disciplines of cosmology, poetry and meditation. Japanese aristocrats created these gardens to display not just wealth and power, but cultural sensitivity and an appreciation for transcendent beauty. A class of professional gardeners eventually emerged, transforming Japanese landscape design into a formalized art. Today, Kyoto's gardens display an enormous range of forms—from rock gardens display of extreme minimalism and subtle hues, to stroll gardens of luscious proportions and vibrant colors. In Kyoto Gardens Simmons' photographs present a fresh and contemporary look at Kyoto's most important gardens. Their beauty is enhanced and humanized by gardeners tending the grounds using the tools of their art. Clancy's graceful text provides historic, aesthetic and cultural context to the Japanese gardens. Combining wonder and rigor, she describes how Kyoto's most beloved gardens remain faithful to their founders' creative spirit and conception. Journey to Kyoto's thirty gardens with just a turn of a page, or use the handy maps to plan your trip.
The Little Book of Kyoto is a celebratory visual guide to one of the world's truly unique cities. Kyoto was Japan's imperial capital for one thousand years, as well as its cultural birthplace. A companion to the best-selling The Little Book of Japan, this captivating volume weaves words and images to form a rich tapestry of the fantastic sights of Kyoto, including dozens of World Heritage Sites, Zen gardens, temples, shrines, shopping areas, festivals, and food. A series of forty-eight highlights, organized into four chapters, cover Kyoto's imperial legacy, culture and customs, Zen heritage, top attractions, and its essential spirit. Veteran photojournalist Ben Simmons continues a journey of discovery begun over twenty-five years ago, seeking fresh insights and an immersive take on this endlessly compelling city. Explore its history, art, cultural commentary, and Japanese travel tips. Small enough to carry anywhere, this book is the perfect guide to accompany travelers on their trip to Kyoto--whether visiting for the first time or simply taking a more in-depth look beneath the surface of this ancient capital.
Since its completion in 1932, the Nebraska State Capitol has been widely recognized as an architectural masterpiece, one that justifiably inspires pride in the citizens of the state and admiration in people everywhere. Rising four hundred feet from a massive two-story base, domed with gold-glazed tile and topped with a bronze statueøof a pioneer sower of grain, it can be seen for miles on the plains. This most striking of statehouses, designed by Bertram Grosvenor Goodhue in 1920 and under construction for a decade, successfully embodies the union of art, architecture, and humanism. A Harmony of the Arts: The Nebraska State Capitol surveys in words and pictures the architectural achievement and the artists responsible for it. Frederick C. Luebke introduces the book with a history of the capitals and capitols of Nebraska. H. Keith Sawyers writes about Goodhue?s architectural vision, which was carried out by other artists after his death. David Murphy examines the contribution of Hartley Burr Alexander, the philosopher and anthropologist who developed the symbological details of Goodhue?s vision and invested the building?s many inscriptions with poetic elegance. Dale L. Gibbs considers Lee Lawrie?s sculpture, remarkably congruent with the general design. Joan Woodside and Betsy Gabb discuss the decorative art of the mosaicist, Hildreth Meiere. Norman Geske and Jon Nelson examine the capitol murals, painted by eight artists over four decades. And Robert C. Ripley allows the reader to see the building in its setting, as landscaped by Ernst Herminghaus. Lavishly illustrated and handsomely produced, A Harmony of the Arts presents the first survey in many years of Nebraska?s magnificent capitol and offers new ways of looking at it.