An Aesthetics Of Narrative Performance

Author : Claudia Breger
Publisher : Unknown
Page : 330 pages
File Size : 48,5 Mb
Release : 2015-09-01
Category : Performing Arts
ISBN : 0814252575

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An Aesthetics of Narrative Performance by Claudia Breger Pdf

An Aesthetics of Narrative Performance: Transnational Theater, Literature, and Film in Contemporary Germany by Claudia Breger maps the complexities of imaginative worldmaking in contemporary culture through an aesthetics of narrative performance: an ensemble of techniques exploring the interplay of rupture and recontextualization in the process of configuration. Interlacing diverging definitions of both narrative and performance, the study outlines two clusters of such techniques scenic narration and narrative presencing in performance vs. forms of narrative theatricalization and analyzes the cultural work they do in individual works in three different media: literature, film, and theater. These readings focus on the rich configurations of contemporary worldmaking at location Germany. In the discussed representations of German unification, contemporary cultures of migration, and the transnational War on Terror, the aesthetics of narrative performance finds its identity as a multifaceted imaginative response to the post/modern crisis of narrative authority."

Author : Claudia Breger
Publisher : Unknown
Page : 0 pages
File Size : 47,8 Mb
Release : 2012
Category : Aesthetics, German
ISBN : 0814211976

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An Aesthetics of Narrative Performance by Claudia Breger Pdf

Maps the complexities of imaginative worldmaking in contemporary culture through an aesthetics of narrative performance.

Author : Craig S. Womack
Publisher : University of Oklahoma Press
Page : 417 pages
File Size : 40,5 Mb
Release : 2014-10-20
Category : History
ISBN : 9780806186658

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Art as Performance, Story as Criticism by Craig S. Womack Pdf

Pick up a work of typical literary criticism and you know what to expect: prose that is dry, pedantic, well-meaning but tedious—slow-going and essentially humorless. But why should that be so? Why can’t more literary criticism have a political edge and be engaging and fast-paced? Why can’t it include drama, personal narrative, and even humor? Why can’t criticism become an artistic performance, rather than just a discussion of art? Art as Performance, Story as Criticism is Craig Womack’s answer to these questions. Inventive and often outrageous, the book turns traditional literary criticism on its head, rejecting distanced, purely theoretical argumentation for intimate engagement with literary works. Focusing on Native American literature, Womack mixes forms and styles. He is unafraid to combine meticulous research and carefully considered historical perspectives with personal reactions and reflections. The book opens with a short story, “The Song of Roe Náld,” in which a Native filmmaker loses control of his movie project, in part because of his homoerotic attraction to its star. The following chapters, or “mus(e)ings,” include original dramas, while others more closely resemble traditional literary criticism, such as essays discussing the lesser-known plays of Lynn Riggs and the stories of Durango Mendoza. Still other chapters defy easy categorization, such as the piece “Caught in the Current, Clinging to a Twig,” in which Womack interweaves historical analysis of the state of the Creek Nation in 1908 with a vivid recreation of the last day on earth of Creek poet Alexander Posey. Throughout the book, the author offers his take on such controversial issues as the Cherokee freedmen issue and the ban on gay marriage. In being different, Womack seeks to breathe new life into literary analysis and in-troduce criticism to a wider audience. Radical, groundbreaking, and refreshing, Art as Performance, Story as Criticism reinvents literary criticism for the twenty-first century.

Author : Michael Peter Bolus
Publisher : Anthem Press
Page : 176 pages
File Size : 46,7 Mb
Release : 2019-08-26
Category : Performing Arts
ISBN : 9781783089826

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Aesthetics and the Cinematic Narrative by Michael Peter Bolus Pdf

Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.

Author : Anthonia Chinyere Ogbonaya
Publisher : Unknown
Page : 300 pages
File Size : 51,8 Mb
Release : 1981
Category : Folk literature, Igbo
ISBN : WISC:89092473909

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Aesthetic Principles of Igbo Narrative Performance by Anthonia Chinyere Ogbonaya Pdf

Author : Luca Bandirali,Enrico Terrone
Publisher : Rowman & Littlefield
Page : 135 pages
File Size : 55,6 Mb
Release : 2021-11-08
Category : Philosophy
ISBN : 9781498597579

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Concept TV by Luca Bandirali,Enrico Terrone Pdf

What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.

Author : Peter Kivy
Publisher : John Wiley & Sons
Page : 215 pages
File Size : 52,8 Mb
Release : 2011-03-21
Category : Philosophy
ISBN : 9781444397659

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Once-Told Tales by Peter Kivy Pdf

Drawing comparisons with other art forms, this book examines the role of aesthetic features in silent reading, such as narrative structure, and the core experience of reading a novel as a story rather than a scholarly exercise. Focuses on the experience of the art form known as the novel Uses the more common perspective of a reader who reads to be told a story, rather than for scholarly or critical analysis Draws comparisons with experience of the other arts, music in particular Explores the different effects of a range of narrative approaches

Author : Erika Fischer-Lichte,Małgorzata Sugiera,Torsten Jost,Holger Hartung,Omid Soltani
Publisher : Taylor & Francis
Page : 324 pages
File Size : 54,8 Mb
Release : 2022-12-30
Category : Performing Arts
ISBN : 9781000825923

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Entangled Performance Histories by Erika Fischer-Lichte,Małgorzata Sugiera,Torsten Jost,Holger Hartung,Omid Soltani Pdf

Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography. "Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography. Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.

Author : Dirk Johannsen,Anja Kirsch,Jens Kreinath
Publisher : BRILL
Page : 391 pages
File Size : 41,6 Mb
Release : 2020-01-29
Category : Religion
ISBN : 9789004421677

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Narrative Cultures and the Aesthetics of Religion by Dirk Johannsen,Anja Kirsch,Jens Kreinath Pdf

Narrative Cultures and the Aesthetics of Religion studies narrativity as situated modes of engaging with reality in religious contexts across the globe, equally shaped by the immersive character of the stories told and the sensory qualities of their performances.

Author : Olivia Landry
Publisher : Indiana University Press
Page : 235 pages
File Size : 50,8 Mb
Release : 2019-02-08
Category : Performing Arts
ISBN : 9780253038050

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Movement and Performance in Berlin School Cinema by Olivia Landry Pdf

“A rich and welcome addition to the surge of scholarly interest in the Berlin School.” —Studies in European Cinema Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of “slow cinema,” Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

Author : Friederike Ursula Eigler
Publisher : Boydell & Brewer
Page : 225 pages
File Size : 49,9 Mb
Release : 2014
Category : History
ISBN : 9781571139030

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Heimat, Space, Narrative by Friederike Ursula Eigler Pdf

Explores how contemporary novels dealing with flight and expulsion after the Second World War unsettle traditional notions of Heimat without abandoning place-based notions of belonging. At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwar and contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-82 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlierapproaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging. Friederike Eigler is Professor of German at Georgetown University.

Author : Charlotte McIvor,Jason King
Publisher : Springer
Page : 383 pages
File Size : 43,5 Mb
Release : 2018-12-29
Category : Performing Arts
ISBN : 9783030027049

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Interculturalism and Performance Now by Charlotte McIvor,Jason King Pdf

This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism.

Author : Richard Bauman
Publisher : Cambridge University Press
Page : 152 pages
File Size : 42,7 Mb
Release : 1986-09-26
Category : Language Arts & Disciplines
ISBN : 052131111X

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Story, Performance, and Event by Richard Bauman Pdf

An analysis of Texan oral narratives that focuses on the significance of their social context. Although the tales are all from Texas, they are considered representative of oral storytelling traditions in their relationships between story, performance and event.

Author : Claudia Breger
Publisher : Columbia University Press
Page : 474 pages
File Size : 50,7 Mb
Release : 2020-04-14
Category : Performing Arts
ISBN : 9780231550697

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Making Worlds by Claudia Breger Pdf

The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred.

Author : James R. Hamilton
Publisher : John Wiley & Sons
Page : 248 pages
File Size : 53,7 Mb
Release : 2008-04-15
Category : Philosophy
ISBN : 9780470766101

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The Art of Theater by James R. Hamilton Pdf

The Art of Theater argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater