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Stan Cribb begins work aged just fourteen when, much to the reluctance of his father, he joins the family business as an apprentice undertaker. The young Stan is soon burying victims of London's Blitz. His fascinating and at times hilarious memoir describes the East End way of death during the Second World War and the years after, when horses worked in partnership with their owners and funeral rites hadn't changed much since Victorian times. Stan takes us through ups and downs of the trade, with all its quirks and characters, and gives us a tour that is both memorable and moving.
The third and final book in the bestselling CALL THE MIDWIFE trilogy, now a major BBC TV series starring Miranda Hart and Jessica Raine. The hit BBC TV series CALL THE MIDWIFE is based on the memoirs of Jennifer Worth, chronicling her life as a midwife in London in the 1950s. FAREWELL TO THE EAST END is the third book in the trilogy. Following on from the bestselling CALL THE MIDWIFE and SHADOWS OF THE WORKHOUSE, Jennifer brings her story to a conclusion. Post-war life could be a struggle - the devastating effects of TB, dangerous backstreet abortions, people driven to extremes by poverty - but there was also warmth and humour. Like Megan'mave, the identical twins who share the same browbeaten husband; the eccentric Sister Monica Joan; and gauche debutante Chummy, who wants to be a missionary. FAREWELL TO THE EAST END shines a light on the lives, culture and stories of a bygone era, and is both moving and heartwarming in equal measure.
This omnibus edition of Call the Midwife, Shadows of the Workhouse and Farewell to the East End chronicles Jennifer Worth's career as a midwife from start to finish, from her arrival in the war-scarred Docklands as a wide-eyed trainee, to the demolition of the tenements and subsequent closure of Nonnatus House. It provides a fascinating snapshot of social history, documenting the East End in the days when there was a real sense of community, when times were tough but there was plenty of good humour and neighbourly support to help the inhabitants through the harsh econonic climate. The book also enables readers to follow Jennifer's personal story, as she discovers the amazing resilience of a population still bearing the scars of war, and the vibrant community of nuns with whom she lives and who teach her the skills of midwifery. In stories that are funny, disturbing and moving in equal measure, we meet prostitutes and abortionists, bigamists and mischievous nuns, and see Jennifer earn the confidence of people whose lives are often stranger than fiction.
The first major collection of Ambrose Bierce’s short stories, In the Midst of Life: Tales of Soldiers and Civilians went through multiple editions and titles, with Bierce adding, removing, and revising the stories each time. The version of the stories as collected here follows the final selection and revisions made by Bierce for his Collected Works, Volume 2, published in 1909, and is broken up into two sections, “Soldiers” and “Civilians.” Bierce fought for the Union in the American Civil War from the very first organized action at Philippi. He went on to fight in some of the deadliest battles of the war, at Shiloh and Chickamauga. He joined Sherman’s army on its march to Atlanta, and was grievously wounded in the head at Kennesaw Mountain. These locations serve as backdrops in his gritty and realist short stories in the “Soldiers” collection, most especially in the surreal story “Chickamauga.” While these stories are set in the war, Bierce covers a wide range of themes, from the fear of death in “Parker Adderson, Philosopher,” the requirements of duty for a soldier in “A Horseman in the Sky,” and what one might do for love in “Killed at Resaca.” Perhaps the most well-known story in “Soldiers” is “An Occurrence at Owl Creek Bridge.” Kurt Vonnegut called it “the greatest American short story,” saying “It is a flawless example of American genius, like ‘Sophisticated Lady’ by Duke Ellington or the Franklin stove.” Bierce, much like Edgar Allan Poe and H. P. Lovecraft, was an American pioneer in what he called his “tall tales”—psychological, supernatural, grotesque, and horror fiction. Many stories in “Civilians,” such as “The Man and the Snake,” “A Holy Terror,” and “The Suitable Surroundings,” foreshadow his later and darker works as studies in psychological horror. “The Eyes of the Panther” is a tragic, near-supernatural (though the reader is left guessing) tale of a woman of “feline beauty” and the man seeking her hand. Other stories found in the collection are satirical and ironic, like “The Famous Gilson Bequest” and “The Applicant.” Bierce’s writing earned him the title “Bitter Bierce” from his contemporaries, as one finds precious little hope and compassion in his stories, with death—often cruel—a recurring theme. A very rare exception can be found in “A Lady from Redhorse,” an epistolary romance. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Ice, the magic crystal -- A brief history of ice on planet Earth -- The modern cycle of ice ages -- The greenhouse effect -- Sea ice meltback begins -- The future of Arctic sea ice the death spiral -- The accelerating effects of Arctic feedbacks -- Arctic methane, a catastrophe in the making -- Strange weather -- The secret life of chimneys -- What's happening to the Antarctic? -- The state of the planet -- A call to arms
In the 1950s Jennifer Worth was a district midwife in the Docklands of East London where the aftermath of the war meant many lived in shocking conditions. She worked with the Nursing Sisters of St John the Divine, nurses and midwives whose vocation was to work amongst the poorest of the poor. Despite the official closure of the workhouses in 1930, there was nowhere else for many inmates to go so they changed their names and carried on much as before. In 'Shadows of the Workhouse', Jennifer tells the stories of the men and women she met who began their lives in the workhouse.
Chris Hedges’s profound and unsettling examination of America in crisis is “an exceedingly…provocative book, certain to arouse controversy, but offering a point of view that needs to be heard” (Booklist), about how bitter hopelessness and malaise have resulted in a culture of sadism and hate. America, says Pulitzer Prize–winning reporter Chris Hedges, is convulsed by an array of pathologies that have arisen out of profound hopelessness, a bitter despair, and a civil society that has ceased to function. The opioid crisis; the retreat into gambling to cope with economic distress; the pornification of culture; the rise of magical thinking; the celebration of sadism, hate, and plagues of suicides are the physical manifestations of a society that is being ravaged by corporate pillage and a failed democracy. As our society unravels, we also face global upheaval caused by catastrophic climate change. All these ills presage a frightening reconfiguration of the nation and the planet. Donald Trump rode this disenchantment to power. In his “forceful and direct” (Publishers Weekly) America: The Farewell Tour, Hedges argues that neither political party, now captured by corporate power, addresses the systemic problem. Until our corporate coup d’état is reversed these diseases will grow and ravage the country. “With sharply observed detail, Hedges writes a requiem for the American dream” (Kirkus Reviews) and seeks to jolt us out of our complacency while there is still time.
In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.
An unforgettable story about learning to love again and living life to its fullest, perfect for fans of Jojo Moyes and Josie Silver. "A poignant and uplifting read about loss, love and learning to put yourself back together again after facing the unimaginable." —Sophie Cousens, New York Times bestselling author of This Time Next Year Lost love. A second chance. A hidden secret. Spencer was the love of Anna’s life: her husband, her best friend, her rock. She thought their love would last forever. But three years ago, Spencer was tragically killed in an accident and Anna’s world was shattered. How can she ever move on, when she’s lost her soulmate? On New Year’s Eve Anna calls Spencer’s phone number, just to hear his old voicemail greeting. But to her shock, someone answers… Brody has inherited Spencer’s old number and is the first person who truly understands what Anna’s going through. As her and Brody’s phone calls become lengthier and more frequent, they begin opening up to each other—and slowly rediscover how to smile, how to laugh, even how to hope. But Brody hasn’t been entirely honest with Anna. Will his secret threaten everything, just as it seems she might find the courage to love again?
The Complete Call the Midwife Stories by Jennifer Worth Pdf
The East-End stories that inspired the BBC TV series, CALL THE MIDWIFE, in a gorgeous gift box. London's East End in the 1950s was a tough place: the struggles of post-war life - bombsites, overcrowded tenements, crime, brothels - bred a culture of tight-knit family communities, larger-than-life characters and a lively social scene. It was into this world that Jennifer Worth entered as a trainee midwife. But docklands life was tough, and babies were often born in slum conditions. In funny, disturbing and heartbreaking stories, Jennifer Worth recounts her time among nuns, prostitutes, abortionists, bigamists, gangsters and expectant mothers, portraying East Enders' amazing resilience - and their warmth and humour in the face of hardship. Written with affection and nostalgia, her midwife stories chronicle the lives, traditions and tales of a bygone era.
Farewell Fear is a collection of Theodore Dalrymple's finest essays written for New English Review between 2009 and 2012. His first such collection was Anything Goes (2011). Once encountered, Theodore Dalrymple has become for many of us a shared treasure-the cultured, often mordantly funny social commentator who was for many years a psychiatrist at a British prison. This collection of recent essays captures Dalrymple at his best, ruminating at one moment about why poisoners tend to be more interesting than other kinds of murderers and at another why Tony Blair's mind reminds him of an Escher drawing. No one else writes so engagingly and so candidly about the world as it is, not as the politically correct would have it be. -- Dr. Charles Murray author of Coming Apart and The Bell Curve
Advance praise for Farewell, My Subaru “Fine is Bryson Funny.” ——Santa Cruz Sentinel “Fine is an amiable and self-deprecating storyteller in the mold of Douglas Adams. If you're a fan of Hitchhiker's Guide to the Galaxy-style humor -- and also looking to find out how to raise your own livestock to feed your ice-cream fetish -- Farewell may prove a vital tool.” —— The Washington Post “Fine is an eco-hero for our time..” —— Miami Herald “An afterward offers solid advice and sources for learning more.” —— On Earth Magazine, Natural Resources Defense Fund “This is Green Acres for the smart set—: a witty and educational look at sustainable living. Buy it, read it, compost it.” –A. J. Jacobs, author of The Year of Living Biblically “The details of Doug Fine’s experiment in green living are great fun——but more important is the spirit, the dawning understanding that living in connection to something more tangible than a computer mouse is what we were built for. It’ll make you want to move!” –Bill McKibben, author of Deep Economy: The Wealth of Communities and the Durable Future Like many Americans, Doug Fine enjoys his creature comforts, but he also knows full well they keep him addicted to oil. So he wonders: Is it possible to keep his Netflix and his car, his Wi-Fi and his subwoofers, and still reduce his carbon footprint? In an attempt to find out, Fine up and moves to a remote ranch in New Mexico, where he brazenly vows to grow his own food, use sunlight to power his world, and drive on restaurant grease. Never mind that he’s never raised so much as a chicken or a bean. Or that he has no mechanical or electrical skills. Whether installing Japanese solar panels, defending the goats he found on Craigslist against coyotes, or co-opting waste oil from the local Chinese restaurant to try and fill the new “veggie oil” tank in his ROAT (short for Ridiculously Oversized American Truck), Fine’s extraordinary undertaking makes one thing clear: It ain’t easy being green. In fact, his journey uncovers a slew of surprising facts about alternative energy, organic and locally grown food, and climate change. Both a hilarious romp and an inspiring call to action, Farewell, My Subaru makes a profound statement about trading today’s instant gratifications for a deeper, more enduring kind of satisfaction.
Pie 'n' Mash and Prefabs - My 1950s Childhood by Norman Jacobs Pdf
The Blitz had made many families in the East End of London homeless. One solution was to erect prefabs on fields and open spaces to give temporary accommodation to those who had been bombed out. It was in one of these 'modern' boxes that young Norman Jacobs grew up through the 1950s and 1960s. In a lively, detailed and humorous picture of a postwar Hackney childhood, Norman takes us back to an age of rationing, bomb sites, street markets, colourful characters and camaraderie. And in reminiscing about stodgy school food, jumpers for goalposts, Listen with Mother, greyhound racing, pie 'n' mash, holiday camps, and the advent of American-style burger bars, he provides a glimpse into a way of life that has vanished for ever.Set against a backdrop of Rock 'n' Roll, the Cuban Missile Crisis and the assassination of President Kennedy, funny, poignant and sometimes sad, Norman's is a story full of innocence and happiness that will take you back to the best of times - the days we thought would never end.
A Farewell to Gabo and Mercedes by Rodrigo Garcia Pdf
“This is a beautiful farewell to two extraordinary people. It enthralled and moved me, and it will move and enthrall anyone who has ever entered the glorious literary world of Gabriel García Márquez.”—Salman Rushdie “In A Farewell to Gabo and Mercedes Rodrigo Garcia finds the words that cannot be said, the moments that signal all that is possible to know about the passage from life to death, from what love brings and the loss it leaves. With details as rich as any giant biography, you will find yourself grieving as you read, grateful for the profound art that remains a part of our cultural heritage.”—Walter Mosley, New York Times bestselling author of Down the River Unto the Sea “An intensely personal reflection on [Garcia's] father's legacy and his family bonds, tender in its treatment and stirring in its brevity.”—Booklist (starred review) The son of one of the greatest writers of our time—Nobel Prize winner and internationally bestselling icon Gabriel García Márquez—remembers his beloved father and mother in this tender memoir about love and loss. In March 2014, Gabriel García Márquez, one of the most acclaimed writers of the twentieth century, came down with a cold. The woman who had been beside him for more than fifty years, his wife Mercedes Barcha, was not hopeful; her husband, affectionately known as “Gabo,” was then nearly 87 and battling dementia. I don't think we'll get out of this one, she told their son Rodrigo. Hearing his mother’s words, Rodrigo wondered, “Is this how the end begins?” To make sense of events as they unfolded, he began to write the story of García Márquez’s final days. The result is this intimate and honest account that not only contemplates his father’s mortality but reveals his remarkable humanity. Both an illuminating memoir and a heartbreaking work of reportage, A Farewell to Gabo and Mercedes transforms this towering genius from literary creator to protagonist, and paints a rich and revelatory portrait of a family coping with loss. At its center is a man at his most vulnerable, whose wry humor shines even as his lucidity wanes. Gabo savors affection and attention from those in his orbit, but wrestles with what he will lose—and what is already lost. Throughout his final journey is the charismatic Mercedes, his constant companion and the creative muse who was one of the foremost influences on Gabo’s life and his art. Bittersweet and insightful, surprising and powerful, A Farewell to Gabo and Mercedes celebrates the formidable legacy of Rodrigo’s parents, offering an unprecedented look at the private family life of a literary giant. It is at once a gift to Gabriel García Márquez’s readers worldwide, and a grand tribute from a writer who knew him well. “You read this short memoir with a feeling of deep gratitude. Yes, it is a moving homage by a son to his extraordinary parents, but also much more: it is a revelation of the hidden corners of a fascinating life. A Farewell to Gabo and Mercedes is generous, unsentimental and wise.” —Juan Gabriel Vásquez, author of The Sound of Things Falling “A warm homage filled with both fond and painful memories.” —Kirkus "Garcia’s limpid prose gazes calmly at death, registering pain but not being overcome by it . . . the result is a moving eulogy that will captivate fans of the literary lion." — Publishers Weekly
The unsung and remarkable stories of the women who held London's East End together during not one, but two world wars. _____________ Minksy, Gladys, Beatty, Joan, Girl Walker. While the men were at war, these women ruled the streets of the East End. Brought up with firm hand in the steaming slums and teeming tenements, they struggled against poverty to survive, and fought for their community in our country's darkest hours. But there was also joy to be found. From Stepney to Bethnal Green, Whitechapel to Shoreditch, the streets were alive with peddlers and market stalls hawking their wares, children skipping across dusty hopscotch pitches, the hiss of a gas lamp or the smell of oxtail stew. You need only walk a few steps for a smile from a neighbour or a strong cup of tea. From taking over the London Underground, standing up to the Kray twins and crawling out of bombsites, The Stepney Doorstep Society tells the vivid and moving stories of the matriarchs who remain the backbone of the East End to this day.