An Economic Approach To The Plagiarism Of Music

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An Economic Approach to the Plagiarism of Music

Author : Samuel Cameron
Publisher : Palgrave Pivot
Page : 141 pages
File Size : 49,6 Mb
Release : 2021-07-08
Category : Political Science
ISBN : 3030421112

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An Economic Approach to the Plagiarism of Music by Samuel Cameron Pdf

This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.

An Economic Approach to the Plagiarism of Music

Author : Samuel Cameron
Publisher : Springer Nature
Page : 149 pages
File Size : 53,5 Mb
Release : 2020-06-23
Category : Political Science
ISBN : 9783030421090

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An Economic Approach to the Plagiarism of Music by Samuel Cameron Pdf

This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.

Music in the Marketplace

Author : Samuel Cameron
Publisher : Routledge
Page : 322 pages
File Size : 45,6 Mb
Release : 2015-03-24
Category : Business & Economics
ISBN : 9781317934721

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Music in the Marketplace by Samuel Cameron Pdf

Much recent economic work on the music industry has been focused on the impact of technology on demand, with predictions being made of digital copyright infringement leading to the demise of the industry. In fact, there have always been profound cyclical swings in music media sales owing to the fact that music always has been, and continues to be, a discretionary purchase. This entertaining and accessible book offers an analysis of the production and consumption of music from a social economics approach. Locating music within the economic analysis of social behaviour, this books guides the reader through issues relating to production, supply, consumption and trends, wider considerations such as the international trade in music, and in particular through divisions of age, race and gender. Providing an engaging overview of this fascinating topic, this book will be of interest and relevance to students and scholars of cultural economics, management, musicology, cultural studies and those with an interest in the music industry more generally.

Cultural Appropriation in Fashion and Entertainment

Author : Yuniya Kawamura,Jung-Whan Marc de Jong
Publisher : Bloomsbury Publishing
Page : 184 pages
File Size : 51,8 Mb
Release : 2022-06-16
Category : Design
ISBN : 9781350170568

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Cultural Appropriation in Fashion and Entertainment by Yuniya Kawamura,Jung-Whan Marc de Jong Pdf

Is it ever appropriate to “borrow” culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the debate, exploring appropriation of cultures embedded in race, ethnicity, class, sexuality, and religion in entertainment as well as the clothing, textiles, jewelry, accessories, hairstyles, and tattoos we wear. Case studies are drawn from K-pop, Bollywood dance, J-pop, Bhangra music, Jamaican reggae, hip hop and EDM fashion to explore how, when, and why cultural borrowing or appreciation can become cultural appropriation. There's also discussion of subcultural territories that extend beyond geography, race and ethnicity, such as cosplay and LGBTQI+ communities. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

Economic Analysis of Music Copyright

Author : Ivan L. Pitt
Publisher : Springer Science & Business Media
Page : 186 pages
File Size : 48,9 Mb
Release : 2010-07-16
Category : Business & Economics
ISBN : 9781441963185

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Economic Analysis of Music Copyright by Ivan L. Pitt Pdf

Chris Anderson's initial `Long Tail' analysis was released in 2004 just as the wave of mergers and acquisitions was sweeping the music publishing and radio industries. Music industry executives began looking for Anderson’s ‘Long Tail’ effect and with it the implied redistribution of royalty income from popular songs to long dormant and forgotten works in their catalogs. These music publishers had hoped to further maximize the value of their copyright assets (lyrics and melody) in their existing music catalogs as the sale of compact disks diminished, and consumers switched their purchasing and listening habits to new digital formats in music technology such as the iPod. This book deals with the measurement of skewness, heavy tails and asymmetry in performance royalty income data in the music industry, an area that has received very little academic attention for various reasons. For example, the pay packages, including signing bonuses, of some `superstars' in the sports world are often announced when they join a team. In the art world, the value of an artist's work is sometimes revealed when the work is sold at auction. The main reason it is difficult to study art and culture from a royalty income perspective is that most of the income data at the individual level is often proprietary, and generally not made publicly available for economic analysis. As a Senior Economist for the American Society of Composers, Authors, and Publishers (ASCAP) using both internal and licensed external proprietary data, the author found that the so-called `superstar effects' are still present in performance royalty income. Success is still concentrated on a relatively few copyright holders or members who can be grouped into `heavy tails' of the empirical income distribution in a departure from Anderson's `long tail' analysis. This book is divided into two parts. The first part is a general introduction to the many supply and demand economic factors that are related to music performance royalty payments. The second part is an applied econometrics section that provides modeling and in-depth analysis of income data from a songwriter, music publisher and blanket licensing perspective. In an era of declining income from CD album sales, data collection, mining and analysis are becoming increasingly important in terms of understanding the listening, buying and music use habits of consumers. The economic impact on songwriters, publishers, music listeners, and Performance Rights Organizations (PROs) is discussed and future business models are evaluated. The book will appeal to researchers and students in cultural economics, media and statistics as well as general readers and professionals in the music publishing industry.

The Economics of Books and Reading

Author : Samuel Cameron
Publisher : Springer
Page : 0 pages
File Size : 43,6 Mb
Release : 2023-11-16
Category : Literary Criticism
ISBN : 3031182014

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The Economics of Books and Reading by Samuel Cameron Pdf

This book gives an overview of the key issues related to books and reading within the field of cultural economics and identifies additional lacunae in this area of research. The field of cultural economics is surprisingly short on research on the book market and on the activity of reading compared with other more recently invented media such as films and musical recordings. In addition, books and reading are strongly impacted by the disruptive innovations of digital technology and the use of online distribution platforms that fuel much of the research on the more recently invented cultural media. This book shows that the area of books and reading has had contributions in historically established areas of cultural economics and those currently exciting attention - chiefly with respect to digital disruption. Finally, it explains how books and reading are a fully developed rational addition model rather than something just based on the addition of past behaviour. Previously published in Journal of Cultural Economics Volume 43, issue 4, December 2019

The Economics of Music Second Edition

Author : Peter Tschmuck
Publisher : Unknown
Page : 128 pages
File Size : 48,7 Mb
Release : 2021
Category : Music
ISBN : 1788214307

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The Economics of Music Second Edition by Peter Tschmuck Pdf

Deep Learning Techniques for Music Generation

Author : Jean-Pierre Briot,Gaëtan Hadjeres,François-David Pachet
Publisher : Springer
Page : 284 pages
File Size : 41,7 Mb
Release : 2019-11-08
Category : Computers
ISBN : 9783319701639

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Deep Learning Techniques for Music Generation by Jean-Pierre Briot,Gaëtan Hadjeres,François-David Pachet Pdf

This book is a survey and analysis of how deep learning can be used to generate musical content. The authors offer a comprehensive presentation of the foundations of deep learning techniques for music generation. They also develop a conceptual framework used to classify and analyze various types of architecture, encoding models, generation strategies, and ways to control the generation. The five dimensions of this framework are: objective (the kind of musical content to be generated, e.g., melody, accompaniment); representation (the musical elements to be considered and how to encode them, e.g., chord, silence, piano roll, one-hot encoding); architecture (the structure organizing neurons, their connexions, and the flow of their activations, e.g., feedforward, recurrent, variational autoencoder); challenge (the desired properties and issues, e.g., variability, incrementality, adaptability); and strategy (the way to model and control the process of generation, e.g., single-step feedforward, iterative feedforward, decoder feedforward, sampling). To illustrate the possible design decisions and to allow comparison and correlation analysis they analyze and classify more than 40 systems, and they discuss important open challenges such as interactivity, originality, and structure. The authors have extensive knowledge and experience in all related research, technical, performance, and business aspects. The book is suitable for students, practitioners, and researchers in the artificial intelligence, machine learning, and music creation domains. The reader does not require any prior knowledge about artificial neural networks, deep learning, or computer music. The text is fully supported with a comprehensive table of acronyms, bibliography, glossary, and index, and supplementary material is available from the authors' website.

Refusals to License Intellectual Property

Author : Ian Eagles,Louise Longdin
Publisher : Bloomsbury Publishing
Page : 298 pages
File Size : 49,9 Mb
Release : 2011-12-15
Category : Law
ISBN : 9781847318503

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Refusals to License Intellectual Property by Ian Eagles,Louise Longdin Pdf

Economic analysis rarely appears on the judicial horizon in intellectual property litigation. In competition cases, by contrast, economists are familiar figures in the courtroom and the language of economics is scattered throughout the judgments of even the highest courts. One might expect, therefore, that refusals to license intellectual property would generate the same fruitful symbiosis between law and economics when those refusals surface in competition proceedings. This however, has not been how the law on this subject has developed in most jurisdictions. Courts and enforcement agencies faced with a unilateral refusal to license have instead tended to retreat into sketchily articulated black letter rules and presumptions which then have to be fenced off from the rest of competition law by economically irrelevant qualifications and distinctions based on private law categorisations of, and rationales for, individual intellectual property rights. This bypassing of case-by-case analysis in favour of more traditional modes of legal reasoning is not entirely the fault of lawyers. Economists have contributed to this state of affairs by urging judges and regulators to convert empirically undernourished theories about the proper role of intellectual property in a market economy into rules of law and evidentiary presumptions intended to be binding in future cases. How this came about and what it means for the future of effective competition enforcement globally are the twin concerns of this book.

American Popular Music and Its Business in the Digital Age

Author : Music Licensing Consultant Rick Sanjek
Publisher : Oxford University Press
Page : 697 pages
File Size : 52,8 Mb
Release : 2024-07-18
Category : Music
ISBN : 9780197782897

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American Popular Music and Its Business in the Digital Age by Music Licensing Consultant Rick Sanjek Pdf

As the long awaited sequel to American Popular Music and Its Business: the First 400 Years, this book offers a detailed and objective history of the evolution and effect of digital technology from 1985 through 2020 on all segments of the popular music business from CDs and stadium tours to TikTok and the effects of the COVID-19 pandemic, with particular emphasis on the relationship between the creators, the consumers, and the business professionals who form the three major axes of the industry. Author Rick Sanjek, a 50-year industry veteran, combines the knowledge acquired during his decades of experience with scholarly research to create a compelling narrative of the events, economics, and innerworkings of the modern music business.

Rethinking the Music Business

Author : Guy Morrow,Daniel Nordgård,Peter Tschmuck
Publisher : Springer
Page : 0 pages
File Size : 51,9 Mb
Release : 2023-09-09
Category : Social Science
ISBN : 3031095340

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Rethinking the Music Business by Guy Morrow,Daniel Nordgård,Peter Tschmuck Pdf

COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not. This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.

The Handbook of Information and Computer Ethics

Author : Kenneth E. Himma,Herman T. Tavani
Publisher : Wiley-Interscience
Page : 712 pages
File Size : 42,8 Mb
Release : 2008-05-27
Category : Computers
ISBN : STANFORD:36105131702719

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The Handbook of Information and Computer Ethics by Kenneth E. Himma,Herman T. Tavani Pdf

Discover how developments in information technology are raising new ethical debates Information and computer ethics has emerged as an important area of philosophical and social theorizing, combining conceptual, meta-ethical, normative, and applied elements. As a result, academic interest in this area has increased dramatically, particularly in computer science, philosophy, and communications departments; business schools; information and library schools; and law schools. The Handbook of Information and Computer Ethics responds to this growing interest with twenty-seven chapters that address both traditional and current issues in information and computer ethics research. It is organized into six parts: Foundational Issues and Methodological Frameworks Theoretical Issues Affecting Property, Privacy, Anonymity, and Security Professional Issues and the Information-Related Professions Responsibility Issues and Risk Assessment Regulatory Issues and Challenges Access and Equity Issues Each chapter, written by one or more of the most influential ethicists in their fields of expertise, explains and evaluates the central positions and arguments on the respective issues. Chapters end with a bibliography that identifies the most important supplementary books and papers available on the topic. This handbook provides an accessible, yet sophisticated, overview of the most important issues we face in information and computer ethics today. It is an ideal supplemental text for advanced undergraduate- and graduate-level courses in information and computer ethics, and is also of interest to readers who are involved in library science, computer science, or philosophy.

The Evolution and Equilibrium of Copyright in the Digital Age

Author : Susy Frankel,Daniel Gervais
Publisher : Cambridge University Press
Page : 341 pages
File Size : 54,6 Mb
Release : 2014-08-21
Category : Law
ISBN : 9781107062566

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The Evolution and Equilibrium of Copyright in the Digital Age by Susy Frankel,Daniel Gervais Pdf

Examines how copyright can evolve without compromising the interests of authors, users and those who connect them.

Copyright Law in the Digital World

Author : Manoj Kumar Sinha,Vandana Mahalwar
Publisher : Springer
Page : 328 pages
File Size : 40,6 Mb
Release : 2017-03-06
Category : Law
ISBN : 9789811039843

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Copyright Law in the Digital World by Manoj Kumar Sinha,Vandana Mahalwar Pdf

This book addresses the key issues, challenges and implications arising out of changes in the copyright law and corresponding judicial responses. Using concrete examples, the book does not assume any prior knowledge of copyright law, but brings together leading intellectual property researchers to consider the significant role of copyright law in shaping the needs of the modern digital world. It provides an insight into two distinct arenas: copyright and digital media. The exponential increase in the ability to multiply and disseminate information by digital means has sparked numerous conflicts pertaining to copyright – and in turn has prompted lawmakers to expand the scope of copyright protection in the digital age. Bearing in mind the new questions that the advent of the digital age has raised on the role and function of copyright, the book presents a collection of papers largely covering new frontiers and changing horizons especially in this area. The contributions intensively address core issues including the exhaustion principle, copyright and digital media, liability of hosting service providers, the originality requirement, accessibility to published works for the visually disabled, criminalization of copyright infringement, and software protection under copyright law, among others. Consisting of 14 papers, this book will be equally interesting to researchers, policymakers, practitioners and lawmakers, especially those active in the field of Intellectual Property Rights (IPR).