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An Exploration of Hatred in Pop Music by Glenn Fosbraey Pdf
‘Love’ may be the major theme of the majority of pop songs, but ‘hate’, including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from ‘Runaround Sue’ to ‘W.A.P’, this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way.
Bad Music by Christopher J. Washburne,Maiken Derno Pdf
Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!
Why? is the simple, impulsive question we ask when confronted by horrible acts of hatred and violence. Why do students shoot fellow students or employees their coworkers? Why do mothers drown their children or husbands stalk and kill their wives? Love to Hate challenges us to turn this question upon ourselves at a deeper level. Why, as a culture, are we so fascinated by these acts? Why do we bestow celebrity on the perpetrators, while allowing the victims to fade into a second death of obscurity? Are we, as Pope John Paul II famously accused, "a culture of death"? And if so, how can we break free of this unacknowledged aspect of the cycle of violence? Unlike those who point solely to media imagery, splintered families, or lax gun control laws in search of the roots of America's endemic violence, Jody M. Roy suggests that we all must be held responsible. She argues that we reveal our love affair with hatred and violence in the ways we think and speak in our daily lives and in our popular culture. The very words we use function as building blocks of callousness and contempt, betraying our immersion in subtexts of violence and hatred. These subtexts are further revealed in our complex attitudes toward street gangs, school shooters, serial killers, and hate groups and the paroxysms of violence they unleash. As spectators, driven by our impulse to watch, we become an integral part of the equation of violence. In the book's final section, "Freeing Ourselves of Our Obsession with Hatred and Violence," Roy offers practical steps we can take—as parents, consumers, and voters—to free ourselves from linguistic and cultural complicity and to help create in America a culture of life.
Exploring the explosion of the Who onto the international music scene, this heavily illustrated book looks at this furious band as an embodiment of pop art. “Ours is music with built-in hatred,” said Pete Townshend. A Band with Built-In Hate pictures the Who from their inception as the Detours in the mid-sixties to the late-seventies, post-Quadrophenia. It is a story of ambition and anger, glamor and grime, viewed through the prism of pop art and the radical leveling of high and low culture that it brought about—a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude, and style, as it was uniquely embodied by the Who: first, under the mentorship of arch-mod Peter Meaden, as they learned their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very center of things in Soho. Guided by contemporary commentators—among them, George Melly, Lawrence Alloway, and most conspicuously Nik Cohn—Stanfield describes a band driven by belligerence and delves into what happened when Townshend, Daltrey, Moon, and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how the Who confronted their lost youth as it was echoed in punk.
How does a man who once adored music beyond measure come to revile it as a form of tyranny? Throughout Pascal Quignard's distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard's masterful exploration of the power of music and what history reveals about the dangers it poses. From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge--the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more--to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music's potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard's provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.
Real Health for Real Lives 10-11 by Adrian King,Noreen Wetton Pdf
Real Health for Real Lives is a brand new series offering practical support for teachers involved in PSHE, Citizenship and emotional wellbeing. It also provides teachers with a way in to the best selling Health for Life series.
US Youth Films and Popular Music by Tim McNelis Pdf
This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
Tamil Cinema in the Twenty-First Century by Selvaraj Velayutham,Vijay Devadas Pdf
Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.
You Should've Heard Just What I Seen by Phil Dellio Pdf
A exploration of pop music as it has been used in movies and on TV, mostly (but not exclusively) in the post-Mad Men era: 59 mini-essays, from Better Call Saul to The Perks of Being a Wallflower, with an appendix of 108 memorable pop-music moments from films and TV shows. With a preface by Gavin Edwards.
Provides a comparative look at the classic rockers of yesteryear, such as Led Zepplin and the Doors, in relation to modern bands to demonstrate what influence the original masters had on their work today and the errors they are making by straying from the true rock-and-roll format.
Worship and Sin: Religion-Related Crime in the United States raises provocative questions about the role of religion in crime and criminal behavior. Arguing that religion-related crime should be classified as a distinct subset of crime worthy of continued investigation by scholars, this book brings together for the first time the disparate scholarly research related to various types of religion-related crime, presents numerous examples, and considers the practical and legal issues facing practitioners of various disciplines. This ground-breaking work takes great care to present a comprehensive overview of the phenomenon and illustrates the complex and multidimensional nature of this crime category. A three-pronged typology is presented as a conceptual framework to distinguish the unique features of different types of religion-related crime and to highlight the dynamic historical, psychological, social, and cultural forces involved in each. The author opens the text with several introductory chapters which serve to define religion-related crime, explore the role of religion in society, and to provide an overview of legal and policy issues. The remaining chapters provide detailed examples of three different types of religion-related crime: theologically-based crimes, which are those which are a result of a particular religious custom, practice, or belief; while reactive/defensive crimes are those which come about more as a result of social or political tensions between the religious member or group and the broader secular community. The third type of religion-related crime identified is the abuse of religious authority. This category explores crimes committed by clergy who have taken advantage of their social, political, and religious status. To further broaden an understanding of religion-related crime, the author provides chapters which explore crimes against women and children, the use of illicit drugs in religious practice or to reach desired states of spiritual awareness, the nature and function of destructive religious groups, violence against reproductive health providers, hate crime, and crimes committed by clergy.
You Should've Heard Just What I Seen (expanded Version) by Phil Dellio Pdf
A exploration of pop music as it has been used in movies and on TV, mostly (but not exclusively) in the post-Mad Men era: 64 mini-essays, from Better Call Saul to The Perks of Being a Wallflower, with an appendix of 117 memorable pop-music moments from films and TV shows. With a preface by Gavin Edwards. An expanded and updated version of the first edition, published in 2020.
Radio as Art by Anne Thurmann-Jajes,Ursula Frohne,Jee-Hae Kim,Maria Peters,Franziska Rauh,Sarah Schönewald Pdf
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.
