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This Book Illustrates How, In The Years After The Indian Mutiny Of 1857, The British Gradually Acquired A Vision Of Themselves As Something More Than Mere Conquerors, Indead As Legitimate Rulers Linked Directly To The Mughals And So To India`S Past And How They Came To Create The Distinctive Forms Of `Indo-Saracenic` Architecture And Other Imperial Styles.
This book looks at the relationship between culture and power expressed in architectural forms employed by the British in India. These buildings reflect the choices made by the British in their politics as imperial rulers.
In the middle of the nineteenth century, the Russian empire made a dramatic advance on the Pacific by annexing the vast regions of the Amur and Ussuri rivers. Although this remote realm was a virtual terra incognita for the Russian educated public, the acquisition of an 'Asian Mississippi' attracted great attention nonetheless, even stirring the dreams of Russia's most outstanding visionaries. Within a decade of its acquisition, however, the dreams were gone and the Amur region largely abandoned and forgotten. In an innovative examination of Russia's perceptions of the new territories in the Far East, Mark Bassin sets the Amur enigma squarely in the context of the Zeitgeist in Russia at the time. Imperial Visions demonstrates the fundamental importance of geographical imagination in the mentalité of imperial Russia. This 1999 work offers a truly novel perspective on the complex and ambivalent ideological relationship between Russian nationalism, geographical identity and imperial expansion.
Milton and the Imperial Vision by Balachandra Rajan,Elizabeth Sauer Pdf
This exceptionally rich collection of 16 essays by major literary scholars and cultural historians opens new areas of inquiry in Milton studies. While focusing on forms and variations of imperialism and colonialism in the seventeenth century, chiefly as a context in which to analyse Milton's poetry and prose, these essays extend their attention to the present-day concern with postcolonialism and postcolonialist discourse. More than anything, these essays compare and contrast early modern and postmodern perspectives on various issues: imperial visions of history, imperial intolerance, the geography of empire, the role of Nature in the imperial vision, the interplay of religion and politics in imperialism, Augustan Nationalism, the multiple vision for a British Empire, the imperial canon in the colonial classroom, and the like.
Imperial Visions by Reinhard Gregor Kratz,Joachim Schaper Pdf
In recent years, an interest in empire(s) has emerged in Assyriology, Old Testament/Hebrew Bible Studies and in other areas of the study of the ancient world. Collaborative research projects are devoted to questions of empire and imperialism, and the prophets of Israel and Judah and the books named after them are explored as agents in the contexts of the empires of their times. To some degree, all of this may be seen as a revival of the intense interest which the works of Oswald Spengler, Arnold Toynbee and Karl Wittfogel generated in the twentieth century, in historical situations very different from our own age. But then we too live in an age of transition characterized by insecurity and a lack of orientation and are driven to study the rise and fall of empires through the ages. The present volume, containing essays which are the fruits of the fifth meeting of the Aberdeen Prophecy Network, at the Lichtenberg-Kolleg of the University of Göttingen in October 2015, provides a distinctive perspective on prophecy in the context of empire. It is inspired by the fact that the book of Isaiah enables us to follow the vagaries of a particular prophetic tradition through five centuries under three different empires. The essays in the present volume focus on the history of composition of the constituent parts of the book of Isaiah as well as their correlations with the political and cultural histories of the empires under which they were produced. The volume thus navigates some of the key points of the history of Isaiah and the book named after him.
"In this extraordinary volume, Krishan Kumar provides us with a brilliant tour of some of history's most important empires, demonstrating the critical importance of imperial ideas and ideologies for understanding their modalities of rule and the conflicts that beset them. In doing so, he interrogates the contested terrain between nationalism and empire and the legacies that empires leave behind."--Mark R. Beissinger, Princeton University "This is an excellent book with original insights into the history of empires and the discourses and rhetoric of their rulers and defenders. Kumar's writing is lively and free of jargon, and his research is prodigious. He manages to bring clarity and perspective to a complex subject."--Ronald Grigor Suny, author of "They Can Live in the Desert but Nowhere Else": A History of the Armenian Genocide "A masterly piece of work."--Anthony Pagden, author of The Burdens of Empire: 1539 to the Present
Imperial Visions of Late Byzantium by Leonte Florin Leonte Pdf
Explores a Byzantine emperor's construction of authority with the help of his rhetorical texts Examines the changes in the Byzantine imperial idea by the end of the fourteenth century with a particular focus on the instrumentalization of the intellectual dimension of the imperial ruleIntegrates late Byzantine imperial visions into the bigger picture of Byzantine imperial ideology Provides a fresh understanding of key pieces of Byzantine public rhetoric and introduces analytical concepts from rhetorical, literary, and discursive theoriesOffers translations of key passages from late Byzantine rhetoricManuel II Palaiologos was not only a Byzantine emperor but also a remarkably prolific rhetorician and theologian. His oeuvre included letters, treatises, dialogues, short poems and orations. Florin Leonte deals with several of his texts shaped by a didactic intention to educate the emperor's son and successor, John VIII Palaiologos. He argues that the emperor constructed a rhetorical persona which he used in an attempt to compete with other contemporary power-brokers. While Manuel Palaiologos adhered to many rhetorical conventions of his day, he also reasserted the civic role of rhetoric. With a special focus on the first two decades of Manuel II Palaiologos' rule, 1391-1417, Leonte offers a new understanding of the imperial ethos in Byzantium by combining rhetorical analysis with investigation of social and political phenomena.
The fifteen essays in this book explore the influence of imperialism in a range of urban centres, including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. The first part on "imperial landscapes" is devoted to large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. In the second part, the focus is on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. The final part considers the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.
Imperial Visions of Late Byzantium by Florin Leonte Pdf
Explores a Byzantine emperor's construction of authority with the help of his rhetorical texts Examines the changes in the Byzantine imperial idea by the end of the fourteenth century with a particular focus on the instrumentalization of the intellectual dimension of the imperial ruleIntegrates late Byzantine imperial visions into the bigger picture of Byzantine imperial ideology Provides a fresh understanding of key pieces of Byzantine public rhetoric and introduces analytical concepts from rhetorical, literary, and discursive theoriesOffers translations of key passages from late Byzantine rhetoricManuel II Palaiologos was not only a Byzantine emperor but also a remarkably prolific rhetorician and theologian. His oeuvre included letters, treatises, dialogues, short poems and orations. Florin Leonte deals with several of his texts shaped by a didactic intention to educate the emperor's son and successor, John VIII Palaiologos. He argues that the emperor constructed a rhetorical persona which he used in an attempt to compete with other contemporary power-brokers. While Manuel Palaiologos adhered to many rhetorical conventions of his day, he also reasserted the civic role of rhetoric. With a special focus on the first two decades of Manuel II Palaiologos' rule, 1391-1417, Leonte offers a new understanding of the imperial ethos in Byzantium by combining rhetorical analysis with investigation of social and political phenomena.
Constantinopolis/Istanbul by Çi_dem Kafescio_lu Pdf
"Studies the reconstruction of Byzantine Constantinople as the capital city of the Ottoman empire following its capture in 1453, delineating the complex interplay of socio-political, architectural, visual, and literary processes that underlay the city's transformation"--Provided by publisher.
Author : Joseph R. Hartman Publisher : University of Hawaii Press Page : 0 pages File Size : 54,7 Mb Release : 2021-11 Category : Architecture ISBN : 0824889207
When the USS Maine mysteriously exploded in Havana's harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and "liberate" Cuba from the Spanish empire. "Remember the Maine! To Hell with Spain!" So went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom--in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai'i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish, and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated "proof" for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US empire today, particularly for Caribbean, Latinx, Pilipinx, and Pacific Island communities.
At the end of the nineteenth century, Germany turned toward colonialism, establishing protectorates in Africa, and toward a mass consumer society, mapping the meaning of commodities through advertising. These developments, distinct in the world of political economy, were intertwined in the world of visual culture. David Ciarlo offers an innovative visual history of each of these transformations. Tracing commercial imagery across different products and media, Ciarlo shows how and why the “African native” had emerged by 1900 to become a familiar figure in the German landscape, selling everything from soap to shirts to coffee. The racialization of black figures, first associated with the American minstrel shows that toured Germany, found ever greater purchase in German advertising up to and after 1905, when Germany waged war against the Herero in Southwest Africa. The new reach of advertising not only expanded the domestic audience for German colonialism, but transformed colonialism’s political and cultural meaning as well, by infusing it with a simplified racial cast. The visual realm shaped the worldview of the colonial rulers, illuminated the importance of commodities, and in the process, drew a path to German modernity. The powerful vision of racial difference at the core of this modernity would have profound consequences for the future.
Thomas Babington Macaulay's History of England was a phenomenal Victorian best-seller which shaped much more than the literary culture of the times: it defined a nation's sense of self, charting the rise of the British Isles to its triumph as a homogenous nation, a safeguard of the freedom of belief and expression, and a central world power. In this book Catherine Hall explores the emotional, intellectual, and political roots of Thomas Macaulay's vision of England, tracing the influence of his father's career as a colonial governor and drawing illuminating comparisons between the two men.
Author : Thomas R. Metcalf Publisher : Univ of California Press Page : 284 pages File Size : 48,6 Mb Release : 2007-04-24 Category : History ISBN : 9780520249462
"Imperial Connections challenges the Eurocentrism implicit in many accounts of modern European empires. Focusing on the British empire when it was at its zenith, Metcalf analyzes the pivotal role the Raj played in the running of the empire in regions as far flung from one another as, say, Egypt, Uganda, Natal, and the Malay peninsula. This innovative book is a real tour de force from a respected and versatile historian of India."—Dipesh Chakrabarty, author of Provincializing Europe: Postcolonial Thought and Historical Difference "As he has done regularly throughout his career, Thomas Metcalf has once again refreshed the study of British imperial history with a bold new perspective. Imperial Connections puts South Asians—soldiers, policemen and labourers—right at the heart of his study."—C.A. Bayly, Cambridge University, author of The Birth of the Modern World "This is a distinctly original study which re-centers colonial power in provocative ways. Metcalf asks a simple question—why were Indians so persistently to be found elsewhere in the British empire, and in such significant numbers? Then elegantly offers answers that force us to re-think the operations of imperial power in critical ways. Wide-ranging, elegantly written, and meticulously researched, Metcalf's is an important and a persuasive study."—Philippa Levine, author of Prostitution, Race and Politics: Policing Venereal Disease in the British Empire, and forthcoming, The British Empire, Sunrise to Sunset
Although the young Camus celebrated his godlike difference, Anthony Rizzuto reveals here that this leading existentialist gradually embraced the community of man. In the early Camus (La Morte heureuse, Caligula, L’Etranger), Rizzuto identifies an imperial vision that requires utter detachment. It presumes the “ability to be reborn . . . purely out of one’s will.” Body and mind must be separated, memory stifled. In Le Mythe de Sisyphe the Camus hero evolves from a detached intellectual to a man of action. Camus urges commitment, argues against suicide. Yet the imperial vision persists; the protagonist is an actor-hero who creates himself, who shows himself not as he is but as he would be. The plague, a mad moral equivalent to the Nazi invasion, forms human ties in La Peste. Camus preaches solidarity, shifts focus from the self to the group. Dr. Rieux, the protagonist, reflects Camus’ new sense of commitment: he is not an elitist actor-hero but a man among equals. With L’Homme révolté, Camus affirms human nature and, for the first time, acknowledges the past: “The suppression of the past, whether historical or psychological, engenders not an emancipated future but a bloody fiction… Every modern revolution has… contributed to the further enslavement of man.” Camus’ last novel, La Chute, satirizes both Sartre and his own earlier work. Here Camus attacks the concept of monologue, calling instead for dialogue—a democratic exchange of ideas. He also recants his ridicule of the Socratic dictum, “Know thyself.” And reversing his earlier position, Camus concludes that the “division of sensation and intellect spawns cultural barbarism.” No longer an aloof god, Camus has become a man.
