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This elegantly illustrated accompaniment to a new Smithsonian Libraries exhibition provides a three-part expedition through the collection. The book includes essays by Michael Dirda and Storrs Olson and accompanies the exhibition at the Smithsonian's National Museum of American History in Washington, D.C.
In Touching the Future, Roger Fidler provides a compelling, personal account of how Knight-Ridder, one of America's largest and most distinguished newspaper chains, helped to launch and lead the world-changing digital publishing revolution that ultimately contributed to its demise and the rapid decline of newspapers around the globe. Fidler's 40-year odyssey at the forefront of the digital conversion of print and the development of online news media and mobile displays imbued him with a unique perspective on the first stages of the greatest transformation in human communication systems and society since the emergence of mechanized printing.
Homer in Print by Michael C. Lang,David Wray,Bibliotheca Homerica Langiana Pdf
Homer in Print traces the print transmission and literary reception of the Iliad and the Odyssey from the fifteenth through the twentieth century. Over 175 mini essays provide new details of each included edition's textual, intellectual, and publishing history. Three long-form essays contributed by scholars Glenn W. Most and David Wray, and collector M. C. Lang, place these editions within a wider context, exploring their role in ancient and modern philology, translation studies, and the history of printing. An extensive and strikingly illustrated testament to the power and popularity of Homer over the past five hundred years, Homer in Print is an essential text for students and teachers of classics, classical reception, comparative literature, and book history. This volume, a product of new research and sharp scholarship, evidences Homer's ability to captivate the imaginations of poets, editors, and readers throughout the centuries.
“This quietly profound book belongs on the shelf next to Jon Krakauer’s Into the Wild.” —The New York Times The riveting true story of Dick Conant, an American folk hero who, over the course of more than twenty years, canoed solo thousands of miles of American rivers—and then disappeared near the Outer Banks of North Carolina. This book “contains everything: adventure, mystery, travelogue, and unforgettable characters” (David Grann, best-selling author of Killers of the Flower Moon). For decades, Dick Conant paddled the rivers of America, covering the Mississippi, Yellowstone, Ohio, Hudson, as well as innumerable smaller tributaries. These solo excursions were epic feats of planning, perseverance, and physical courage. At the same time, Conant collected people wherever he went, creating a vast network of friends and acquaintances who would forever remember this brilliant and charming man even after a single meeting. Ben McGrath, a staff writer at The New Yorker, was one of those people. In 2014 he met Conant by chance just north of New York City as Conant paddled down the Hudson, headed for Florida. McGrath wrote a widely read article about their encounter, and when Conant's canoe washed up a few months later, without any sign of his body, McGrath set out to find the people whose lives Conant had touched--to capture a remarkable life lived far outside the staid confines of modern existence. Riverman is a moving portrait of a complex and fascinating man who was as troubled as he was charismatic, who struggled with mental illness and self-doubt, and was ultimately unable to fashion a stable life for himself; who traveled alone and yet thrived on connection and brought countless people together in his wake. It is also a portrait of an America we rarely see: a nation of unconventional characters, small river towns, and long-forgotten waterways.
The Lost Books of the Odyssey by Zachary Mason Pdf
A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.
A Martian Odyssey is a science fiction short story by Stanley G. Weinbaum originally published in the July 1934 issue of Wonder Stories. It was Weinbaum's second published story (in 1933 he had sold a romantic novel, The Lady Dances, to King Features Syndicate under the pseudonym Marge Stanley[1]), and remains his best known. It was followed four months later by a sequel, "Valley of Dreams". These are the only stories by Weinbaum set on Mars. The story immediately established Weinbaum as a leading figure in the field. Isaac Asimov states that Weinbaum's "easy style and his realistic description of extraterrestrial scenes and life-forms were better than anything yet seen, and the science fiction reading public went mad over him." The story "had the effect on the field of an exploding grenade. With this single story, Weinbaum was instantly recognized as the world's best living science fiction writer, and at once almost every writer in the field tried to imitate him." Before, aliens had been nothing more than plot devices to help or hinder the hero. Weinbaum's creations, like the pyramid-builder and the cart creatures, have their own reasons for existing. Also, their logic is not human logic, and humans cannot always puzzle out their motivations. Tweel itself was one of the first characters (arguably the first) who satisfied John W. Campbell's famous challenge: "Write me a creature who thinks as well as a man, or better than a man, but not like a man."
Tell me, O Muse, of that ingenious hero who travelled far and wide after he had sackedthe famous town of Troy. Many cities did he visit, and many were the nations with whosemanners and customs he was acquainted; moreover he suffered much by sea while tryingto save his own life and bring his men safely home; but do what he might he could not savehis men, for they perished through their own sheer folly in eating the cattle of the Sun-godHyperion; so the god prevented them from ever reaching home. Tell me, too, about all thesethings, oh daughter of Jove, from whatsoever source you may know them.So now all who escaped death in battle or by shipwreck had got safely home exceptUlysses, and he, though he was longing to return to his wife and country, was detained bythe goddess Calypso, who had got him into a large cave and wanted to marry him. But asyears went by, there came a time when the gods settled that he should go back to Ithaca;even then, however, when he was among his own people, his troubles were not yet over;nevertheless all the gods had now begun to pity him except Neptune, who still persecutedhim without ceasing and would not let him get home.
To save the world and our future, Sigma Force must embark on a dangerous odyssey into an ancient past whose horrors are all too present in this page-turning thriller from #1 New York Times bestselling author James Rollins that combines cutting-edge science, historical mystery, mythology, and pulse-pounding action. For eons, the city of Troy—whose legendary fall was detailed in Homer’s Iliad—was believed to be myth, until archaeologists in the nineteenth century uncovered its ancient walls buried beneath the sands. If Troy was real, how much of Homer’s twin tales of gods and monsters, curses and miracles—The Iliad and The Odyssey—could also be true and awaiting discovery? In the frozen tundra of Greenland, a group of modern-day researchers stumble on a shocking find: a medieval ship buried a half-mile below the ice. The ship’s hold contains a collection of even older artifacts—tools of war—dating back to the Bronze Age. Inside the captain’s cabin is a magnificent treasure that is as priceless as it is miraculous: a clockwork gold map imbedded with an intricate silver astrolabe. The mechanism was crafted by a group of Muslim inventors—the Banū Mūsā brothers—considered by many to be the Da Vincis of the Arab world—brilliant scientists who inspired Leonardo’s own work. Once activated, the moving map traces the path of Odysseus’s famous ship as it sailed away from Troy. But the route detours as the map opens to reveal a fiery river leading to a hidden realm underneath the Mediterranean Sea. It is the subterranean world of Tartarus, the Greek name for Hell. In mythology, Tartarus was where the wicked were punished and the monstrous Titans of old, imprisoned. When word of Tartarus spreads—and of the cache of miraculous weapons said to be hidden there—tensions explode in this volatile region where Turks battle Kurds, terrorists wage war, and civilians suffer untold horrors. The phantasmagoric horrors found in Homer’s tales are all too real—and could be unleashed upon the world. Whoever possesses them can use their awesome power to control the future of humanity. Now, Sigma Force must go where humans fear to tread. To prevent a tyrant from igniting a global war, they must cross the very gates of Hell.
Gillian Cross's brilliant retelling and Neil Packer's glorious illustrations bring to life Homer's Iliad, one of the greatest stories ever told. The team behind The Odyssey (2012) now tell the story of the Trojan War. Cross's vivid adaptation begins with a beauty contest: the prize, a golden apple. In return for securing her victory, the goddess Aphrodite helps Prince Paris abduct Helen, wife to the king of Sparta. Enraged, the king and his Greek allies wage war on the Trojans. Nine years later, the fighting still rages on, but the Greeks are beginning to quarrel among themselves - Achilles and Agamemnon's petty argument has dire consequences for everyone caught in the crossfire. Neil Packer's pictures capture the beauty and remoteness of the setting, and bring a profound humanity to one of the finest literary achievements of Greek civilization.
An Odyssey: A Father, A Son and an Epic: SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 by Daniel Mendelsohn Pdf
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.
The legendary British Army officer recounts his experiences in the Boer War and both World Wars in this memoir with a foreword by Winston Churchill. Lieutenant General Sir Adrian Carton de Wiart had one of the most extraordinary military careers in the history of the British Army. His gallantry in combat won him a Victoria Cross and a Distinguished Service Order, as well as an eyepatch and an empty sleeve. His autobiography is one of the most remarkable of military memoirs. Carton de Wiart abandoned his law studies at Balliol College, Oxford, in 1899 to serve as a trooper in the South African War. During World War I he served both in British Somaliland and on the Western Front, where he lost his left eye to a bullet at the Battle of Somme. He went on to serve as a liaison officer with Polish forces, narrowly escaping the German blitz at the outbreak of World War II. He was part of the British Military Mission to Yugoslavia, taken prisoner by the Italian Army, and made numerous attempts at escape. He spent the remainder of the war as Churchill’s representative in China. The novelist Evelyn Waugh famously used Carton de Wiart as the model for his character Brigadier Ben Ritchie Hook in the Sword of Honour trilogy. In this thrilling autobiography, the legendary officer tells his own remarkable story.
Author : David Michael Wieger Publisher : Simon and Schuster Page : 202 pages File Size : 50,9 Mb Release : 2004 Category : Adventure and adventurers ISBN : 9780743225007
In the grand tradition of Rien Poortvliet's "Gnomes," James Gurney's "Dinotopia," and Brian Froud's "Good Faeries/Bad Faeries" comes a masterpiece of fantasy artQa brilliantly original world that comes to life through illustrations of remarkable beauty and richness. One of the premier creature designers in the world, Whitlatch's creations have appeared in such films as Jumanji and Dragonheart, and Star Wars: Episode One. 0-7432-2500-7$29.95 / Simon & Schuster
