Analytical Approaches To 20th Century Russian Music

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Analytical Approaches to 20th-Century Russian Music

Author : Inessa Bazayev,Christopher Segall
Publisher : Routledge
Page : 270 pages
File Size : 41,8 Mb
Release : 2020-09-29
Category : Music
ISBN : 9781000179309

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Analytical Approaches to 20th-Century Russian Music by Inessa Bazayev,Christopher Segall Pdf

This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts. Russian music of this era is widely performed, and much research has situated this repertoire in its historical and social context, yet few analytical studies have explored the technical aspects of these composers' styles. With a set of representative analyses by leading scholars in music theory and analysis, this book for the first time identifies large-scale compositional trends in Russian music since 1900. The chapters progress by compositional style through the century, and each addresses a single work by a different composer, covering pieces by Rachmaninoff, Myaskovsky, Prokofiev, Shostakovich, Mansurian, Roslavets, Mosolov, Lourié, Tcherepnin, Ustvolskaya, Denisov, Gubaidulina, and Schnittke. Musicians, scholars, and students will find here a starting point for research and analysis of these composers' works and gain a richer understanding of how to listen to and interpret their music.

Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960

Author : Laurel Parsons,Brenda Ravenscroft
Publisher : Oxford University Press
Page : 297 pages
File Size : 45,7 Mb
Release : 2022
Category : Music
ISBN : 9780190236984

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Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960 by Laurel Parsons,Brenda Ravenscroft Pdf

"This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"--

The Art of Post-Tonal Analysis

Author : Joseph N. Straus
Publisher : Oxford University Press
Page : 241 pages
File Size : 53,6 Mb
Release : 2022-04-05
Category : Music
ISBN : 9780197543979

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The Art of Post-Tonal Analysis by Joseph N. Straus Pdf

"This book consists of analyses of thirty-three musical passages or entire short works in a variety of post-tonal styles. The works under study are taken from throughout the long twentieth century, from 1909 to the present. Within the atonal wing of modern classical music, the composers discussed here, some canonical and some not, represent a diversity of musical style, chronology, geography, gender, and race/ethnicity. Composers studied include Schoenberg, Webern, Berg, Bartok, Stravinsky, Copland, Crawford-Seeger, Babbitt, Dallapiccola, Carter, Louise Talma, Hale Smith, Elisabeth Lutyens, Ursula Mamlok, Tania León, Tan Dun, Shulamit Ran, Kaija Saariaho, Joan Tower, John Adams, Sofia Gubaidulina, Thomas Adès, Caroline Shaw, Chen Yi, and Suzanne Farrin. The approach is pedagogical, in the somewhat informal style of a classroom. Musical examples and analytical videos carry the burden of the analytical argument, with relatively little prose. For each piece, the book suggests ways of making sense of the music, using basic concepts of post-tonal theory to tease out rich networks of musical relationships and reveal something of the fascination and beauty of this challenging music"--

Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985

Author : Richard Louis Gillies
Publisher : Routledge
Page : 238 pages
File Size : 53,9 Mb
Release : 2021-12-10
Category : Music
ISBN : 9781000483055

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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 by Richard Louis Gillies Pdf

Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 explores the ways in which the aftershock of an apparent crisis in Soviet identity after the death of Stalin in 1953 can be detected in selected musical- literary works of what has become known as the ‘Stagnation’ era (1964–1985). Richard Louis Gillies traces the cultural impact of this shift through the intersection between music, poetry, and identity, presenting close readings of three substantial musical-literary works by three of the period’s most prominent composers of songs and vocal cycles: • Seven Poems of Aleksandr Blok, Op. 127 (1966– 1967) by Dmitri Shostakovich (1906–1975) • Russia Cast Adrift (1977) by Georgy Sviridov (1915–1998) • Stupeni (1981–1982; 1997) by Valentin Silvestrov (b. 1937). The study elaborates an interdisciplinary approach to the analysis of musicalliterary artworks that does not rely on existing models of musical analysis or on established modes of literary criticism, thereby avoiding privileging one discipline over the other. It will be of particular signifi cance for scholars, students, and performers with an interest in Russian and Soviet music, the intersection between music and poetry, and the history of Russian and East European culture, politics, and identity during the twentieth century.

The Cambridge Companion to Serialism

Author : Martin Iddon
Publisher : Cambridge University Press
Page : 439 pages
File Size : 53,7 Mb
Release : 2023-02-16
Category : Music
ISBN : 9781108632027

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The Cambridge Companion to Serialism by Martin Iddon Pdf

What is serialism? Defended by enthusiastic champions and decried by horrified detractors, serialism was central to twentieth-century art music, but riven, too, by inherent contradictions. The term can be a synonym for dodecaphony, Arnold Schoenberg's 'method of composing with twelve tones which are related only to one another'. It can be more expansive, describing ways of composing systematically with parameters beyond pitch - duration, dynamic, and more - and can even stand as a sort of antonym to dodecaphony: 'Schoenberg is Dead', as Pierre Boulez once insisted. Stretched to its limits, it can describe approaches where sound can be divided into discrete parameters and later recombined to generate the new, the unexpected, beginning to blur into a further antonym, post-serialism. This Companion introduces and embraces serialism in all its dimensions and contradictions, from Schoenberg and Stravinsky to Stockhausen and Babbitt, and explores its variants and legacies in Europe, the Americas and Asia.

Reader's Guide to Music

Author : Murray Steib
Publisher : Routledge
Page : 928 pages
File Size : 45,5 Mb
Release : 2013-12-02
Category : Music
ISBN : 9781135942625

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Reader's Guide to Music by Murray Steib Pdf

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Perspectives on Peter Maxwell Davies

Author : Richard McGregor
Publisher : Routledge
Page : 200 pages
File Size : 53,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351554350

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Perspectives on Peter Maxwell Davies by Richard McGregor Pdf

"As a composer one forgets, in time, the fine detail of composition processes which produced past work... it must be left to scholars to recreate, slowly and painstakingly, earlier creative processes." Peter Maxwell Davies. In the eight essays presented here, leading scholars of the music of Peter Maxwell Davies explore some of the composer's creative processes. David Roberts, Peter Owens and Richard McGregor examine Davies's employment of pitch-class sets and other models evident in his sketch material, while Joel Lester looks at the serial elements that produce structure and effect in the work Ave Maris Stella. The political, literary and musical influences evident in the 1987 opera Resurrection and in subsequent orchestral works come under scrutiny from John Warnaby. Davies's use of older dramatic forms and ritual is the focus of Michael Burden's examination of his music theatre. The composer's own descriptions of his compositional process contain distinctly modernist overtones as Arnold Whittall suggests in the concluding essay in the volume. The sustained textural multiplicity evident in much of Davies's music points to this modernism. It is a multiplicity mirrored in the variety of approaches taken by the commentators in this volume. The differing points of view on offer complement and contrast each other, allowing the reader to appreciate the different levels on which Davies's music works.

Music, Performance, Meaning

Author : Nicholas Cook
Publisher : Routledge
Page : 378 pages
File Size : 48,8 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351557054

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Music, Performance, Meaning by Nicholas Cook Pdf

This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.

Demystifying Scriabin

Author : Kenneth Smith,Vasilis Kallis
Publisher : Boydell & Brewer
Page : 358 pages
File Size : 52,9 Mb
Release : 2022
Category : Composers
ISBN : 9781783276561

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Demystifying Scriabin by Kenneth Smith,Vasilis Kallis Pdf

An innovative contribution to Scriabin studies, covering aspects of Scriabin''s life, personality, beliefs, training, creative output, and interaction with contemporary Russian culture.This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin''s life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer''s early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin''s part in early twentieth-century Russia''s cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin''s idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music. his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.

A History of Twentieth-Century Music in a Theoretic-Analytical Context

Author : Elliott Antokoletz
Publisher : Routledge
Page : 526 pages
File Size : 41,5 Mb
Release : 2014-03-14
Category : Music
ISBN : 9781135037307

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A History of Twentieth-Century Music in a Theoretic-Analytical Context by Elliott Antokoletz Pdf

A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.

Russian Music and Nationalism

Author : Marina Frolova-Walker
Publisher : Unknown
Page : 424 pages
File Size : 41,8 Mb
Release : 2007
Category : Music
ISBN : STANFORD:36105123362845

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Russian Music and Nationalism by Marina Frolova-Walker Pdf

Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.

The Russian Opera

Author : Rosa Newmarch
Publisher : DigiCat
Page : 288 pages
File Size : 54,7 Mb
Release : 2022-09-15
Category : Fiction
ISBN : EAN:8596547311324

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The Russian Opera by Rosa Newmarch Pdf

In view of the extended interest now felt in Russian opera, drama and ballet, it has been thought worthwhile to offer to the public this outline of the development of a genuine national opera, from the history of which we have much to learn in this country, both as regards the things to be attempted and those to be shunned. Too much technical analysis has been intentionally avoided in this volume. The musician can supply this deficiency by the study of the scores mentioned in the book, which, dating from Glinka's time, have nearly all been published and are therefore accessible to the student; the average opera-goer will be glad to gain a general view of the subject, unencumbered by the monotonous terminology of musical analysis.

Textological Aspects of Musicology in Russia and the Former Soviet Union

Author : Tatyana Naumenko
Publisher : Litres
Page : 128 pages
File Size : 47,6 Mb
Release : 2021-01-18
Category : Social Science
ISBN : 9785041084226

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Textological Aspects of Musicology in Russia and the Former Soviet Union by Tatyana Naumenko Pdf

In this monograph, Tatyana Naumenko, Doctor of Arts and a professor at Moscow’s Gnessin Russian Academy of Music, looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the former Soviet Union and post-Soviet Russia. The Annex lists dissertations approved between 1970 and 2013.

Dimensions of Transformation in the Ottoman Empire from the Late Medieval Age to Modernity

Author : Anonim
Publisher : BRILL
Page : 515 pages
File Size : 48,7 Mb
Release : 2021-08-04
Category : History
ISBN : 9789004442351

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Dimensions of Transformation in the Ottoman Empire from the Late Medieval Age to Modernity by Anonim Pdf

This book is dedicated to Metin Kunt, which primarily examines diverse cases of changes throughout Ottoman history. Both specialist and non-specialist readers will explore and understand the complexities concerning the longevity as well as the tenacity of the Ottoman Empire.