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Author : Richard D. Sonn
Publisher : Unknown
Page : 375 pages
File Size : 53,6 Mb
Release : 1989-01-01
Category : Electronic
ISBN : 0783789149
Author : Richard David Sonn
Publisher : Unknown
Page : 365 pages
File Size : 53,7 Mb
Release : 1989
Category : Political Science
ISBN : 0803241755
Author : Patrick McGuinness
Publisher : OUP Oxford
Page : 280 pages
File Size : 43,8 Mb
Release : 2015-05-14
Category : Literary Criticism
ISBN : 9780191017209
Poetry and Radical Politics in fin de siècle France explores the relations between poetry and politics in France in the last decade of the nineteenth century. The period covers the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarmé and the Symbolists. In terms of French politics, history, and culture, the period was no less dramatic, with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of Action française. This study demonstrates the connections between the anti-Symbolist reaction of the école romane of 1891 (in which Charles Maurras first made his name) and the far-right cultural politics of Action française in the early twentieth century. It also redefines many of the debates about late nineteenth-century French poetry by complicating the political engagement of the Symbolists in an era when the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the nineteenth century and the beginning of the twentieth in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Péguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarmé and ends in Maurras.
Author : Alexander Varias
Publisher : MacMillan
Page : 208 pages
File Size : 43,7 Mb
Release : 1997
Category : Anarchism
ISBN : 0333694325
Anarchists in late nineteenth-century France were no more successful in toppling the established order and creating an ideal society than was the case anywhere else. Nevertheless, their experience in 'fin-de-siecle' Paris revealed a labyrinthine diversity belying their actual political influence and numbers. Paris and the Anarchists analyzes the nature of Parisian anarchist concerns - including the French Revolutionary tradition, the Third Republic, terrorism, the Dreyfus Affair, modernization, and questions pertaining to art and propaganda.
Author : Patrick McGuinness
Publisher : Oxford University Press, USA
Page : 305 pages
File Size : 49,9 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780198706106
Poetry and Radical Politics in fin de siecle France explores the relations between poetry and politics in France in the last decade of the 19th century. The period covers perhaps the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarme and the Symbolists. In terms of French politics, history and culture, the period was no less dramatic with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of 'Action francaise'. Patrick McGuinness argues that the anarchist politics of many Symbolist poets is a reaction to their own isolation, and to poetry's anxious relations with the public: too 'difficult' be be widely read, Symbolist poets react to the loss of poetry's centrality among the arts by delegating their radicalism to prose: they can call, in prose, for the overthrow of the state and support anarchist bombers, while at the same time writing poems about dribbling fountains and dazzling sunsets for each other. This study demonstrates the connections between the anti-Symbolist reaction of the ecole romane of 1891 (in which Charles Maurras first made his name), and the far-right cultural politics of Action francaise in the early 20th century. It also redefines many of the debates about late 19th-century French poetry by putting an argument forward for the political engagement(s) of the Symbolists while the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the 19th century and the beginning of the 20th in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Peguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarme and ends in Maurras.
Author : Richard David Sonn
Publisher : Unknown
Page : 0 pages
File Size : 47,8 Mb
Release : 1989
Category : Electronic
ISBN : 089324175X
Author : Steven Huebner
Publisher : Oxford University Press
Page : 552 pages
File Size : 43,6 Mb
Release : 2006-02-02
Category : Music
ISBN : 0199719926
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Author : Gabriel P. Weisberg
Publisher : Rutgers University Press
Page : 326 pages
File Size : 43,6 Mb
Release : 2001
Category : Art
ISBN : 0813530091
Located on the fringes of Paris, Montmartre attracted artists such as Toulouse-Lautrec, Picasso, Steinlen, and Jules Chéret. By the beginning of the twentieth century, the artists in the quarter began to create works blurring the boundaries between fine art and popular illustration, the artist and the audience, as well as class and gender distinctions. The creative expression that ensued was an exuberant mix of high and low-a breeding ground for what is today termed popular culture. The carefully interlocked essays in Montmartre and the Making of Mass Culture demonstrate how and why this quarter was at the forefront of such innovation. The contributors bring an unprecedented range of approaches to the topic, from political and religious history to art historical investigations and literary analysis of texts. This project is the first of its kind to examine fully Montmartre's many contributions to the creation of a mass culture that reigned supreme in the twentieth century.
Author : Jane F. Fulcher
Publisher : Oxford University Press on Demand
Page : 304 pages
File Size : 49,5 Mb
Release : 1999
Category : History
ISBN : 9780195120219
This book argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of contemporary artistic movements, but rather in terms of the political culture, which was undergoing subtle but profound transformation as nationalist Leagues enlarged the arena of political action. Applying recent insights from French history, sociology, political anthropology, and literary theory, the book reveals how nationalists used critics, educational institutions, concert series and lectures to disseminate their values through a discourse on French music and how the Republic and Left responded to this challenge.
Author : Robyn Roslak
Publisher : Routledge
Page : 318 pages
File Size : 50,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351556538
In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.
Author : Patricia Leighten
Publisher : University of Chicago Press
Page : 269 pages
File Size : 43,6 Mb
Release : 2013-11-08
Category : Art
ISBN : 9780226002422
The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
Author : Federico Ferretti,Gerónimo Barrera de la Torre,Anthony Ince,Francisco Toro
Publisher : Taylor & Francis
Page : 255 pages
File Size : 52,7 Mb
Release : 2017-07-14
Category : History
ISBN : 9781315307541
In the last few years, anarchism has been rediscovered as a transnational, cosmopolitan and multifaceted movement. Its traditions, often hastily dismissed, are increasingly revealing insights which inspire present-day scholarship in geography. This book provides a historical geography of anarchism, analysing the places and spatiality of historical anarchist movements, key thinkers, and the present scientific challenges of the geographical anarchist traditions. This volume offers rich and detailed insights into the lesser-known worlds of anarchist geographies with contributions from international leading experts. It also explores the historical geographies of anarchism by examining their expressions in a series of distinct geographical contexts and their development over time. Contributions examine the changes that the anarchist movement(s) sought to bring out in their space and time, and the way this spirit continues to animate the anarchist geographies of our own, perhaps often in unpredictable ways. There is also an examination of contemporary expressions of anarchist geographical thought in the fields of social movements, environmental struggles, post-statist geographies, indigenous thinking and situated cosmopolitanisms. This is valuable reading for students and researchers interested in historical geography, political geography, social movements and anarchism.
Author : Melanie Hawthorne
Publisher : U of Nebraska Press
Page : 332 pages
File Size : 42,5 Mb
Release : 2001-01-01
Category : Literary Criticism
ISBN : 0803224028
Under the assumed name Rachilde, Marguerite Eymery (1860?1953) wrote over sixty works of fiction, drama, poetry, memoir, and criticism, including Monsieur Vänus, one of the most famous examples of decadent fiction. She was closely associated with the literary journal Mercure de France, inspired parts of Oscar Wilde's The Picture of Dorian Gray, and mingled with all the literary lights of the day. Yet for all that, very little has been written about her. Melanie C. Hawthorne corrects this oversight and counters the traditional approach to Rachilde by persuasively portraying this "eccentric" as patently representative of the French women writers of her time and of the social and literary issues they faced. Seen in this light, Rachilde's writing clearly illustrates important questions in feminist literary theory as well as significant features of turn-of-the-century French society. ø Hawthorne arranges her approach to Rachilde around several defining events in the author's life, including the controversial publication of Monsieur Vänus, with its presentation of sex reversals. Weaving back and forth in time, she is able to depict these moments in relation to Rachilde's life, work, and times and to illuminate nineteenth-century publishing practices and rivalries, including authorial manipulations of the market for sexually suggestive literature. The most complete and accurate account yet written of this emblematic author, Hawthorne's work is also the first to situate Rachilde in the broader social contexts and literary currents of her time and of our own.
Author : Constance Bantman
Publisher : Springer Nature
Page : 243 pages
File Size : 43,5 Mb
Release : 2021-02-15
Category : History
ISBN : 9783030666187
This biography charts the life and fascinating long militant career of the French anarchist journalist, editor, theorist, writer, campaigner and educator Jean Grave (1854-1939), from the run up to the 1871 Paris Commune to the eve of the Second World War. Through Grave, it explores the history of the French and international anarchist communist movement over seven decades: its “heroic period” (1880-1890s), shaken by terrorist violence and intense repression, the emergence of syndicalism, national and international solidarity campaigns, the divisions over the First World War, and post-war division and relegation. Through Grave, a “sedentary transnationalist,” the study investigates the networked and transnational organisation of the anarchist movement, addressing the paradox of Grave’s international influence alongside his deep rootedness in Paris by emphasizing the movement’s global print culture and staggering circulations.
Author : Venita Datta
Publisher : SUNY Press
Page : 344 pages
File Size : 52,9 Mb
Release : 1999-01-01
Category : Literary Criticism
ISBN : 0791442071
Birth of a National Icon examines the emergence of the intellectual in fin-de-siècle France, setting this important phenomenon against the backdrop of an emerging mass democracy and concentrating on the key role played by the avant-garde.
