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"A balanced assessment of science fiction--structured around the themes of genre, paradigm, space, time, machine, and monster--includes readings of several classic and recent works and places the genre within the twentieth century's imaginative landscape."--Publisher.
"This wide-ranging collection of essays re-opens the connection between science fiction and the increasingly science-fictional world. Kevin Alexander Boon reminds us of the degree to which the epistemology of science fiction infects modern political discourse. Károly Pintér explores the narrative structures of utopian estrangement, and Tamás Bényei and Brian Attebery take us deeper into the cultural exchanges between science fiction and the literary and political worlds. In the second half, Donald Morse, Nicholas Ruddick and Éva Federmayer look at the way in which science fiction has tackled major ethical issues, while Amy Novak and Kálmán Matolcsy consider memory and evolution as cultural batteries. The book ends with important discussions of East German and Hungarian science fiction by Usch Kiausch and Donald Morse respectively. I envisage that the book will find a market both among academics and as a recommended text to undergraduates as it offers interesting essays on important readers. The tendency for science fiction to be offered as a literature class to science majors is not usually considered, but this book would be particularly appropriate for such a market." Dr. Farah Mendelsohn, Middlesex University
The third edition (1987) of this annotated SF bibliography is cited in BCL3, Walford, and the Supplement to Sheehy . This revised and updated edition provides concise summaries and evaluations of some 2,100 works of fiction and over 800 works of nonfiction published from the genre's beginnings to th
*INSTANT #1 NEW YORK TIMES BESTSELLER* *INSTANT #1 INDIE BESTSELLER* *INSTANT USA TODAY BESTSELLER* *A REESE'S YA BOOK CLUB PICK* "Schwartz's magical novel is at once gripping and tender, and the intricate plot is engrossing as the reader tries to solve the mystery. She doesn't miss a beat in either the characterization or action, scattering clues with a delicate, precise hand. This is, in the end, the story of the anatomy of the human heart." - Booklist (starred review) Dana Schwartz’s Anatomy: A Love Story is a gothic tale full of mystery and romance. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, Beecham will allow her to continue her medical career. Without official lessons, though, Hazel will need more than just her books—she’ll need corpses to study. Lucky that she’s made the acquaintance of someone who digs them up for a living. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets, and the dreaded Roman Fever, which wiped out thousands a few years ago, is back with a vengeance. Nobody important cares—until Hazel. Now, Hazel and Jack must work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society.
Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguro’s novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotle’s Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse— the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial people’s main cultural function, which is the political and existential negotiation of what it means to be a person.
Spanning three hundred years of imaginary time, and four years of real time, Popular Anatomy is set in the present and imagined from the future. A perversely historical novel this comic chronicle springs from Vancouver in the inflationary years of the early 1980s. Its galaxy of characters -- born and unborn, white and black, impoverished and professional -- all seek a richer, closer world against expanding odds. Debt and ruin loom in a crippling recession that succeeds the Year of the Rooster. Touching down in cities from Asia to Africa, Central to South America, Keath Fraser's triptych is a masterful anatomy of our own ersatz culture, holding out some hope of a grand unity through the history of one Canadian city and its increasingly interwoven protagonists. Dwight Irving is a travel agent who loathes travel, but who finds this no impediment to fabricating a travel empire of advice and packaged trips through his highly leveraged company, Herodotus Tours. His foster charge, Aloysius, is a brilliant punk-rock orphan from Bombay, with an earring and purple hair, whose clambering entrepreneurial spirit brings him to trial for trafficking in refugees. A doctor of chiropractic, Bartlett Day, friend and housemate to the Irvings, is a wide and ironic traveller, visitor of bone caches from Calcutta to Kampala, Phnom Penh to Lima. He is a man disillusioned with his quack profession, yet in deep sympathy with his dislocated patients at home. Meditating on time and place, home and abroad, in quest of unifying metaphors in an illusory world, Popular Anatomy is science fiction in the deepest sense. Plot inflates here like Creation itself, contracting finally to reconcile fiction and history in a novel of thematic dexterity and virtuoso storytelling.
DC Comics: Anatomy of a Metahuman by S.D. Perry,Matthew Manning Pdf
Explore the powers of DC Comics' greatest characters like never before through stunning anatomical cutaways and in-depth commentary from the Dark Knight. Concerned about the threat that so-called “metahumans” may pose to the world, Batman has begun compiling a detailed dossier on their incredible physiology and abilities. From villains like Killer Croc, Bane, and Brainiac, to Batman’s own comrades, including Superman and Cyborg, the file brings together the Dark Knight’s fascinating personal theories on the unique anatomical composition of these formidable individuals. This stunning and unique book delves into the incredible abilities of DC Comics characters like never before. Using beautifully illustrated anatomical cross sections depicting twelve different DC characters, the book, told from Batman’s unique perspective, will explore how these “metahumans” physical makeup differs significantly from that of the average person. From detailed theories on how Superman’s eyes shoot heat rays to an in-depth exploration of how Aquaman is able to breathe under water, the book delves into the deepest secrets of these classic characters. Also featuring chapters on the anatomy and abilities of Doomsday, Aquaman, Swamp Thing, Darkseid, Martian Manhunter, and more, this one-of-a-kind book will change the way you look at metahumans forever.
Science-fiction by Everett Franklin Bleiler,Richard Bleiler Pdf
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.
Discover the award-winning debut novel by the New York Times bestselling author of The Immortalists, a “majestic collision of sci-fi thriller and love story” (Bustle) about a young woman struggling with questions of love, trust, and ethics as the line between dreams and reality dangerously blurs. When Sylvie Patterson, a bookish student at a Northern California boarding school, falls in love with a spirited, elusive classmate named Gabe, they embark on an experiment that changes their lives. Their headmaster, Dr. Adrian Keller, is a charismatic medical researcher who has staked his career on the therapeutic potential of lucid dreaming: by teaching his patients to become conscious during sleep, he believes he can relieve stress and trauma. Over the next six years, Sylvie and Gabe become consumed by Keller’s work, following him across the country. But when an opportunity brings the trio to the Midwest, Sylvie and Gabe stumble into a tangled relationship with their mysterious neighbors—and Sylvie begins to doubt the ethics of Keller’s research. As she navigates the hazy, permeable boundaries between what is real and what isn’t, who can be trusted and who cannot, Sylvie also faces surprising developments in herself—an unexpected infatuation, growing paranoia, and a new sense of rebellion. With stirring, elegant prose, “Chloe Benjamin has crafted an eerie, compelling first novel which, like the lingering effects of a vivid dream, resonates long past its finish” (Karen Brown, The Longings of Wayward Girls).