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This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.
The spectacular jewels of ancient Egypt, long buried in desert tombs, are revealed in all their exotic beauty in this superb survey. Spanning more than 3,000 years, Ancient Egyptian Jewelry features nearly 200 magnificent objects and explores the surprisingly sophisticated techniques used to fashion jewelry from gold, silver, turquoise, lapis lazuli, and other precious and semi-precious stones.The suberb reproductions include not only actual jewelry but also wall paintings, sarcophagi, statues, and reliefs that depict ancient Egyptians wearing their treasures.
The spectacular jewels of ancient Egypt, long buried in desert tombs, are revealed in all their exotic beauty in this superb survey. Spanning more than 3,000 years, Ancient Egyptian Jewelry features nearly 200 magnificent objects and explores the surprisingly sophisticated techniques used to fashion jewelry from gold, silver, turquoise, lapis lazuli, and other precious and semi-precious stones.The suberb reproductions include not only actual jewelry but also wall paintings, sarcophagi, statues, and reliefs that depict ancient Egyptians wearing their treasures.
Ancient Egyptian Jewelry by Nigel Fletcher-Jones Pdf
The artistry and splendor of ancient Egyptian jewelry in fifty masterpieces Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers--to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.
First published in 1971, this book was the first major survey ever made in this field. It includes all the main museum collections in the world, and enables comparative study of almost all the known jewellery from predynastic times to the end of the XXVIth Dynasty (525 B.C.) to be made. The jewellery of the ancient Egyptian civilization was of a delicacy and magnificence seldom rivalled; much has been learned by comparing the jewels themselves, and the techniques and materials of those who made them. But this book draws also on other branches of Egyptian art, since paintings and sculpture sometimes provide evidence showing how the jewellery was made and worn. Each section opens with a brief history of the period reviewed, and an account of the manner in which the individual jewels were discovered both of which help those readers unfamiliar with Egyptological matters. The key pieces are described in detail, and the text is generously illustrated with line drawings and plates. An indispensable reference book for all those with an interest in the art of ancient Egypt."
Masterpieces of Ancient Jewelry by Judith Price Pdf
From the president of the National Jewelry Institute comes the largest collection of the oldest jeweled objects ever assembled. With sparkling photography and history throughout, the book will be supported by a major exhibit of the collection. These gorgeous artifacts—the oldest jeweled armor, weapons, jewelry, household objects, and more, with informative captions and stunning photography on every page—originated in Mesopotamia, Persia, Levant, the Byzantine Empire, and the Islamic world, from 4000 B.C.E. through 700 C.E. Artifacts appearing in the book are being lent to the exhibit by almost every major permanent collection of ancient objects in the world: jeweled treasures from the Louvre, the Berlin Museum, the Islamic collection at the Metropolitan, the Princeton Museum, and the Israeli Museum are shown together for the first time. Also included are interviews with major scholars and curators from around the world, speaking on ancient civilizations and the remaining artifacts that reveal their truly stunning cultures.
Jewels of the Nile by Peter Lacovara,Yvonne J. Markowitz,Paula Artal-Isbrand Pdf
This book introduces the reader to the collecting activities of a late 19th-early 20th century Bostonian couple with a passion for ancient Egypt. The collectors, Laura and Kingsmill Marrs, were guided in their acquisitions by Howard Carter, an archaeologist who would later achieve world-wide recognition for his discovery of the tomb of Tutankhamun (1922). Under his guidance, the Marrs' purchased an outstanding selection of scarabs, amulets, jewelry, and cosmetic-related articles, including rare blue-toned stone vessels. They also acquired a group of Carter's watercolor renditions of important Egyptian sites and royal figures. These artifacts, as well as objects from Worcester's stellar collection of Egyptian antiquities, will be included in the publication. The publication will also include several essays on the Marrs', the amulets and jewelry that form their collection, and the extensive analyses and conservation recently afforded the material.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Make Your Own Egyptian Jewelry by Dawna Flowers Pdf
Learn to make your own custom fitted Ancient Egyptian inspired jewelry! It's easy enough for beginners, with easy to understand drawings, photos, and guidance through the whole process. Instructions are included to make your own necklace, belt, bracelets, anklets, and earrings. You'll walk away with the knowledge to make both small and large necklaces as shown on the cover. By changing up the beads, the sky is the limit with these patterns!
In life, Egyptian jewellery was a colourful accessory to relatively plain clothing. It could denote rank or honours and it might offer amuletic protection. After death it was buried in the tombs of both rich and poor for the owner's use in the Afterlife, along with other pieces made specially for the funeral.
Amulets were first made in Egypt as early as 4000 BC and became essential adornments for both the living and the dead. They were believed to endow the wearer, by magical means, with the properties they represent. An amuletic foot, for example, could be worn to ensure fleetness of foot; while the scarab beetle represented the new-born sun, and was the symbol of new life. Amulets in the image of powerful gods would be worn for protection; and malevolent creatures - like the male hippopotamus - would be worn to ward off the evil they represented.
Nubian Gold by Peter Lacovara,Yvonne J. Markowitz Pdf
The fabled land of Nubia, whose very name means 'gold, ' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art--marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning. Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.
This book presents a detailed analysis and thorough study of the unique collection of Ancient Egyptian beads in the Petrie Museum of Egyptian Archaeology in London. The book first discusses the archaeological value of beads and the method employed in the study of them, especially emphasizing the importance of the technique of bead-making for dating purposes. It then examines and evaluates various schemes for the classification of beads. The book goes on to propose a new classification system and works out a comprehensive corpus of beads with the aid of sixteen plates. Next, the book features a chronological survey that details the material, typology (including the technical peculiarities), use, arrangement and pictorial representation of beads throughout the nine divisions or periods of Ancient Egyptian history. This survey points out the characteristics of each period as well any contact Egypt may have experienced with foreign countries as shown by the beads. It also corrects much wrong identifications of materials and mistaken datings. This book is based on the Ph.D dissertation written by pioneering Chinese archaeologist Xia Nai when he studied in London College University some 70 years ago and who had direct access to considerable firsthand resources at the forefront of Egyptology research. It represents a crucial and long-awaited advance in archaeology, not only for Egypt but for the study of the past across Africa and beyond.
