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Best known for his sweet-natured character Latka on Taxi, Andy Kaufman was the most influential comic of the generation that produced David Letterman, John Belushi, and Robin Williams. A regular on the early days of Saturday Night Live (where he regularly disrupted planned skits), Kaufman quickly became known for his idiosyncratic roles and for performances that crossed the boundaries of comedy, challenging expectations and shocking audiences. Kaufman's death from lung cancer at age 35 (he'd never smoked) stunned his fans and the comic community that had come to look to him as its lightning rod and standard bearer. Bob Zmuda -- Kaufman's closest friend, producer, writer, and straight man -- breaks his twenty-year silence about Kaufman and unmasks the man he knew better than anyone. He chronicles Kaufman's meteoric rise, the development of his extraordinary personas, the private man behind the driven actor and comedian, and answers the question most often asked: Did Andy Kaufman fake his own death?
Andy Kaufman Revealed! by Bob Zmuda,Matthew Scott Hanson Pdf
With a movie about Kaufman already out, this is his manager and friend Zmuda's recollection of the late comedian. Best remembered as English-challenged immigrant Latka Gravas on the '70s sitcom "Taxi", Kaufman also appeared regularly on "Saturday Night Live", did stand-up, and wrestled women. Photos.
For the first time ever, the two people who knew Andy Kaufman best open up about the most enigmatic artist of our generation. Comedian and Taxi star Andy Kaufman, known for his crazy antics on screen and off, was the ultimate prankster, delighting audiences with his Elvis and Mighty Mouse impressions while also antagonizing them with his wrestling and lounge-lizard alter ego, Tony Clifton. Some say he died in 1984, while others believe he performed the ultimate vanishing act. In Andy Kaufman: The Truth, Finally, Bob Zmuda, Andy's writer and best friend, and Lynn Margulies, the love of Andy's life, reveal all—including surprising secrets that Andy made Lynne and Bob promise never to tell until both of his parents had died. Hilarious and poignant, this book separates fact from fiction, and includes a candid inside look at the Milos Forman film Man on the Moon, which Zmuda coexecutive produced and featured Jim Carrey as Andy, Paul Giamatti as Zmuda, Courtney Love as Margulies, and Danny DeVito as Andy's manager, George Shapiro. Finally, Bob Zmuda shares in detail the reasons he believes Andy Kaufman did, in fact, fake his own death, including exactly how he did it and why he will return.
Dear Andy Kaufman, I Hate Your Guts! by Anonim Pdf
Famous for his role as Latka Gravas on TV's Taxi, appearances on Saturday Night Live and his own variety show, legendary eccentric performer Andy Kaufman provoked a national outrage in 1977 by taunting the women of America on TV and challenging them to wrestle him live on television. Thousands of fired-up females (and a few males) responded to the call. Kaufman received a torrent of impassioned challenges, hate mail and love letters from would-be wrestling contenders - all exhibited in this fascinating and sometimes bizarre collection.
From renowned journalist Bill Zehme, author of the New York Times bestselling The Way You Wear Your Hat: Frank Sinatra and the Lost Art of Livin', comes the first full-fledged biography and the only complete story of the late comic genius Andy Kaufman. Based on six years of research, Andy's own unpublished, never-before-seen writings, and hundreds of interviews with family members, friends, and key players in Andy's endless charades, many of whom have become icons in their own right, Lost in the Funhouse takes us through the maze of Kaufman's mind and lets us sit deep behind his mad, dazzling blue eyes to see, firsthand, the fanciful landscape that was his life. Controversial, chaotic, splendidly surreal, and tragically brief--what a life it was. Andy Kaufman was often a mystery even to his closest friends. Remote, aloof, impossible to know, his internal world was a kaleidoscope of characters fighting for time on the outside. He was as much Andy Kaufman as he was Foreign Man (dank you veddy much), who became the lovably bashful Latka on the hit TV series Taxi. He was as much Elvis Presley as he was the repugnant Tony Clifton, a lounge singer from Vegas who hated any audience that came to see him and who seemed to hate Andy Kaufman even more. He was a contradiction, a paradox on every level, an artist in every sense of the word. During the comic boom of the seventies, when the world had begun to discover the prodigious talents of Steve Martin, Richard Pryor, John Belushi, Bill Murray, and so many others, Andy was simply doing what he had always done in his boyhood reveries. On the debut of Saturday Night Live, he stood nervously next to a phonograph that scratchily played the theme from Mighty Mouse. He fussed and fidgeted, waiting for his moment. When it came, he raised his hand and moved his mouth to the words "Here I come to save the day!" In that beautiful deliverance of pantomime before the millions of people for whom he had always dreamed about performing, Andy triumphed. He changed the face of comedy forever by lurching across boundaries that no one knew existed. He was the boy who made life his playground and never stopped playing, even when the games proved too dangerous for others. And in the end he would play alone, just as he had when it was all only beginning. In Lost in the Funhouse, Bill Zehme sorts through a life of disinformation put forth by a master of deception to uncover the motivation behind the manipulation. Magically entertaining, it is a singular biography matched only by its singular subject.
Andy Kaufman defied explanation. Between 1978 and 1979, acclaimed novelist and New Yorker short story writer Julie Hecht attempted to arrange an interview with him, hoping to discover how he came to do what he did. The one-hour interview turned into innumerable surreal meetings and phone conversations with her subject; but she couldn't always tell when his act was on. Whether driving recklessly on icy roads or drawing the author unawares into his schemes and Dada-esque pranks on unsuspecting waiters and college students, Andy Kaufman never seemed to separate himself from his stage personality -- or personalities. Was This Man a Genius? is the culmination of a series of bizarre, frequently hilarious meetings. In describing them, Hecht, herself a master of wit and observation, illuminates the enigma of Andy Kaufman's work and life.
For the first time ever, the two people who knew Andy Kaufman best open up about the most enigmatic artist of our generation. Comedian and Taxi star Andy Kaufman, known for his crazy antics on screen and off, was the ultimate prankster, delighting audiences with his Elvis and Mighty Mouse impressions while also antagonizing them with his wrestling and lounge-lizard alter ego, Tony Clifton. Some say he died in 1984, while others believe he performed the ultimate vanishing act. In Andy Kaufman: The Truth, Finally, Bob Zmuda, Andy's writer and best friend, and Lynn Margulies, the love of Andy's life, reveal all—including surprising secrets that Andy made Lynne and Bob promise never to tell until both of his parents had died. Hilarious and poignant, this book separates fact from fiction, and includes a candid inside look at the Milos Forman film Man on the Moon, which Zmuda coexecutive produced and featured Jim Carrey as Andy, Paul Giamatti as Zmuda, Courtney Love as Margulies, and Danny DeVito as Andy's manager, George Shapiro. Finally, Bob Zmuda shares in detail the reasons he believes Andy Kaufman did, in fact, fake his own death, including exactly how he did it and why he will return.
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Surveys the stand-up comedy of the 1970s, citing the contributions of celebrity comics, from George Carlin and Richard Pryor to Robin Williams and Andy Kaufman, in an account that also evaluates the roles played by such clubs as Catch a Rising Star, the Improv, and the Comedy Store.
The star and creative force behind Mr. Show and Arrested Development pens his "first and final book, chronicling his meteoric rise and abysmal fall in the literary world." After a decade spent in isolation in the Ugandan jungles thinking about stuff, David Cross has written his first book. Known for roles on the small screen such as "never-nude" Tobias Funke on Arrested Development and the role of "David" in Mr. Show With Bob And David, as well as a hugely successful stand-up routine full of sharp-tongued rants and rages, Cross has carved out his place in American comedy. Whether deflating the pomposity of religious figures, calling out the pathetic symbiosis of pseudo-celebrity and its leaching fandom, or merely pushing the buttons of the way-too-easily offended P.C. left or the caustic, double-standard of the callous (but funnier) right, Cross has something to say about everyone, including his own ridiculous self. Now, for the first time, Cross is weaving his media mockery, celebrity denunciation, religious commentary and sheer madness into book form, revealing the true story behind his almost existential distaste of Jim Belushi ("The Belush"), disclosing the up-to-now unpublished minutes to a meeting of Fox television network executives, and offering up a brutally grotesque run-in with Bill O'Reilly. And as if this wasn't enough for your laughing pleasure in these troubled times, some of the pieces splinter off with additional material being created online in exclusive video and animated web content created solely for the book-a historical first (presumably)! With a mix of personal essays, satirical fiction posing as truth, advice for rich people, information from America's least favorite Rabbi and a top-ten list of top-ten lists, I Drink for a Reason is as unique as the comedian himself, and cannot be missed.
Author : Andy Clark Publisher : Oxford University Press, USA Page : 425 pages File Size : 48,8 Mb Release : 2016 Category : Medical ISBN : 9780190217013
This title brings together work on embodiment, action, and the predictive mind. At the core is the vision of human minds as prediction machines - devices that constantly try to stay one step ahead of the breaking waves of sensory stimulation, by actively predicting the incoming flow. In every situation we encounter, that complex prediction machinery is already buzzing, proactively trying to anticipate the sensory barrage. The book shows in detail how this strange but potent strategy of self-anticipation ushers perception, understanding, and imagination simultaneously onto the cognitive stage.
It's in the Book, Bob! by Bob Eubanks,Matthew Scott Hansen Pdf
Best known to audiences as the host of The Newlywed Game, Eubanks chronicles his life and work from the beginning of his career as a radio dj in the late 1950's, then as a concert promoter (for the Beatles and the Rolling Stones, among others) and manager for several country singers--he gave Dolly Parton her start and spent ten years on the road with Merle Haggard.
From cult comedy icon and beloved radio host Tom Scharpling, an inspiring, funny, and thoughtful memoir It Never Ends is Tom Scharpling’s harrowing memoir of his coming of age, a story he has never told before. It’s the heartbreaking account of his attempt at suicide, two stays in a mental hospital, and the memory-wiping electroshock therapy that saved his life. After his rehabilitation, Scharpling committed himself to reinvention through the world of comedy. In this book he will lift the curtain on the turmoil that still follows him, despite all of his accolades and achievements. In the vein of candid memoirs from comedians like Mike Birbiglia's Sleepwalk with Me and Norm Macdonald's Based on a True Story, It Never Ends is a revealing book by a beloved comedy icon.
Almost Black by Vijay Jojo Chokal-Ingam,Matthew Scott Hansen Pdf
I got into medical school by saying I was black. I lied. Honestly, I am about as black as my sister Mindy Kaling (The Office / The Mindy Project). Once upon a time, I was an ethically challenged, hard-partying Indian American frat boy enjoying my third year of college. That is until I realized I didn't have the grades or scores to get into medical school. Legitimately. Still, I was determined to be a doctor and discovered that affirmative action provided a loophole that might help. The only problem? I wasn't a minority. So I became one. I shaved my head, trimmed my long Indian eyelashes, and applied as an African American. Not even my frat brothers recognized me. I joined the Organization of Black Students and used my middle name, Jojo. Vijay, the Indian American frat boy, became Jojo, the African American affirmative action applicant. Not everything went as planned. During a med school interview, an African American doctor angrily confronted me for not being black. Cops harassed me. Store clerks accused me of shoplifting. Women were either scared of me or found my bald black dude look sexually mesmerizing. What started as a scam to get into med school turned into a twisted social experiment that taught me lessons I would never have learned in the classroom. I became a serious contender at some of America's greatest schools, including Harvard, Wash U, UPenn, Case Western, and Columbia. I interviewed at 11 schools while posing as a black man. After all that, I finally got accepted into medical school. Before I finished this book, I stirred a hornet's nest by telling my story. It has been featured in more than 100 media outlets, including CNN, NBC, TIME, FOX, and Huffington Post. Many loved it, but not everyone approved of what I did. My college classmate Tucker Max (I Hope They Serve Beer in Hell) disapproved. My sister Mindy Kaling furiously declared, This book will bring shame on our family! I disagree but I'll let you be the judge.
Long before he became the host of the tonight show, Jay Leno was dubbed by the media and his peers alike as the "Hardest-working Man in Show Business." Performing comedy at a breakneck pace, he played more than 300 dates a year and traveled to every corner of the nation. Or as his mother who never quite understood what he did for a living, liked to say, "Going from town to town, putting on his little skits."--