Angel Song Medieval English Music In History

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Angel Song: Medieval English Music in History

Lisa Colton
Angel Song Medieval English Music in History Book PDF

Author : Lisa Colton
Publisher : Taylor & Francis
Page : 192 pages
File Size : 50,5 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781317181156

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Angel Song: Medieval English Music in History by Lisa Colton Pdf

Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.

Angel Song: Medieval English Music in History

Lisa Colton
Angel Song Medieval English Music in History Book PDF

Author : Lisa Colton
Publisher : Routledge
Page : 214 pages
File Size : 49,9 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781317181149

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Angel Song: Medieval English Music in History by Lisa Colton Pdf

Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.

Female-Voice Song and Women’s Musical Agency in the Middle Ages

Anonim
Female Voice Song and Women s Musical Agency in the Middle Ages Book PDF

Author : Anonim
Publisher : BRILL
Page : 517 pages
File Size : 45,6 Mb
Release : 2022-08-22
Category : History
ISBN : 9789004517035

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Female-Voice Song and Women’s Musical Agency in the Middle Ages by Anonim Pdf

This collection presents fresh evidence and new perspectives on the diverse ways in which women created and interacted with cultures of song between c. 600 and c. 1500.

Music and Liturgy in Medieval Britain and Ireland

Ann Buckley,Lisa Colton
Music and Liturgy in Medieval Britain and Ireland Book PDF

Author : Ann Buckley,Lisa Colton
Publisher : Cambridge University Press
Page : 379 pages
File Size : 49,5 Mb
Release : 2022-01-06
Category : Music
ISBN : 9781108493222

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Music and Liturgy in Medieval Britain and Ireland by Ann Buckley,Lisa Colton Pdf

Reveals the rich liturgical ecology of medieval Britain and Ireland and the religious and lay communities who shaped it.

Knowledge Building in Early Modern English Music

Katie Bank
Knowledge Building in Early Modern English Music Book PDF

Author : Katie Bank
Publisher : Routledge
Page : 284 pages
File Size : 48,7 Mb
Release : 2020-08-16
Category : History
ISBN : 9781000169676

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Knowledge Building in Early Modern English Music by Katie Bank Pdf

Knowledge Building in Early Modern English Music is a rich, interdisciplinary investigation into the role of music and musical culture in the development of metaphysical thought in late sixteenth-, early seventeenth-century England. The book considers how music presented questions about the relationships between the mind, body, passions, and the soul, drawing out examples of domestic music that explicitly address topics of human consciousness, such as dreams, love, and sensing. Early seventeenth-century metaphysical thought is said to pave the way for the Enlightenment Self. Yet studies of the music’s role in natural philosophy has been primarily limited to symbolic functions in philosophical treatises, virtually ignoring music making’s substantial contribution to this watershed period. Contrary to prevailing narratives, the author shows why music making did not only reflect impending change in philosophical thought but contributed to its formation. The book demonstrates how recreational song such as the English madrigal confronted assumptions about reality and representation and the role of dialogue in cultural production, and other ideas linked to changes in how knowledge was built. Focusing on music by John Dowland, Martin Peerson, Thomas Weelkes, and William Byrd, this study revises historiography by reflecting on the experience of music and how music contributed to the way early modern awareness was shaped.

What Kind of a Thing Is a Middle English Lyric?

Cristina Maria Cervone
What Kind of a Thing Is a Middle English Lyric Book PDF

Author : Cristina Maria Cervone
Publisher : University of Pennsylvania Press
Page : 561 pages
File Size : 53,5 Mb
Release : 2022-08-30
Category : Literary Collections
ISBN : 9780812298512

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What Kind of a Thing Is a Middle English Lyric? by Cristina Maria Cervone Pdf

What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.

Devotional Refrains in Medieval Latin Song

Mary Channen Caldwell
Devotional Refrains in Medieval Latin Song Book PDF

Author : Mary Channen Caldwell
Publisher : Cambridge University Press
Page : 313 pages
File Size : 41,6 Mb
Release : 2022-03-31
Category : History
ISBN : 9781316517192

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Devotional Refrains in Medieval Latin Song by Mary Channen Caldwell Pdf

This book reveals the importance of sung refrains in the musical lives of religious communities in medieval Europe.

Vernacular Aesthetics in the Later Middle Ages

Katharine W. Jager
Vernacular Aesthetics in the Later Middle Ages Book PDF

Author : Katharine W. Jager
Publisher : Springer
Page : 312 pages
File Size : 51,9 Mb
Release : 2019-07-03
Category : Literary Criticism
ISBN : 9783030183349

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Vernacular Aesthetics in the Later Middle Ages by Katharine W. Jager Pdf

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.

Devotional Interaction in Medieval England and its Afterlives

Anonim
Devotional Interaction in Medieval England and its Afterlives Book PDF

Author : Anonim
Publisher : BRILL
Page : 429 pages
File Size : 51,7 Mb
Release : 2018-06-05
Category : History
ISBN : 9789004365834

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Devotional Interaction in Medieval England and its Afterlives by Anonim Pdf

The interdisciplinary volume Devotional Interaction in Medieval England and its Afterlives examines the interaction between medieval English worshippers and the material objects of their devotion, with chapters that extend the temporality of objects and buildings beyond the Middle Ages.

The Oxford Handbook of Music and Medievalism

Stephen C. Meyer,Kirsten Yri
The Oxford Handbook of Music and Medievalism Book PDF

Author : Stephen C. Meyer,Kirsten Yri
Publisher : Oxford University Press, USA
Page : 844 pages
File Size : 47,7 Mb
Release : 2020-03-13
Category : History
ISBN : 9780190658441

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The Oxford Handbook of Music and Medievalism by Stephen C. Meyer,Kirsten Yri Pdf

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.

Gender and Voice in Medieval French Literature and Song

Rachel May Golden,Katherine Kong
Gender and Voice in Medieval French Literature and Song Book PDF

Author : Rachel May Golden,Katherine Kong
Publisher : University Press of Florida
Page : 323 pages
File Size : 49,5 Mb
Release : 2021-10-12
Category : Literary Criticism
ISBN : 9780813057927

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Gender and Voice in Medieval French Literature and Song by Rachel May Golden,Katherine Kong Pdf

This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky

The Cyclic Mass

James Cook
The Cyclic Mass Book PDF

Author : James Cook
Publisher : Routledge
Page : 151 pages
File Size : 41,5 Mb
Release : 2019-01-22
Category : Music
ISBN : 9781351042369

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The Cyclic Mass by James Cook Pdf

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.

Anatomy of a Nation

Dominic Selwood
Anatomy of a Nation Book PDF

Author : Dominic Selwood
Publisher : Constable
Page : 548 pages
File Size : 51,6 Mb
Release : 2021-09-23
Category : History
ISBN : 9781472131881

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Anatomy of a Nation by Dominic Selwood Pdf

From an obscure, misty archipelago on the fringes of the Roman world to history's largest empire and originator of the world's mongrel, magpie language - this is Britain's past. But, today, Britain is experiencing an acute trauma of identity, pulled simultaneously towards its European, Atlantic and wider heritages. To understand the dislocation and collapse, we must look back: to Britain's evolution, achievements, complexities and tensions. In a ground-breaking new take on British identity, historian and barrister Dominic Selwood explores over 950,000 years of British history by examining 50 documents that tell the story of what makes Britain unique. Some of these documents are well-known. Most are not. Each reveal something important about Britain and its people. From Anglo-Saxon poetry, medieval folk music and the first Valentine's Day letter to the origin of computer code, Hitler's kill list of prominent Britons, the Sex Pistols' graphic art and the Brexit referendum ballot paper, Anatomy of a Nation reveals a Britain we have never seen before. People are at the heart of the story: a female charioteer queen from Wetwang, a plague surviving graffiti artist, a drunken Bible translator, outlandish Restoration rakehells, canting criminals, the eccentric fathers of modern typography and the bankers who caused the finance crisis. Selwood vividly blends human stories with the selected 50 documents to bring out the startling variety and complexity of Britain's achievements and failures in a fresh and incisive insight into the British psyche. This is history the way it is supposed to be told: a captivating and entertaining account of the people that built Britain.

Recomposing the Past: Representations of Early Music on Stage and Screen

James Cook,Alexander Kolassa,Adam Whittaker
Recomposing the Past Representations of Early Music on Stage and Screen Book PDF

Author : James Cook,Alexander Kolassa,Adam Whittaker
Publisher : Routledge
Page : 260 pages
File Size : 51,6 Mb
Release : 2018-02-01
Category : Music
ISBN : 9781351975513

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Recomposing the Past: Representations of Early Music on Stage and Screen by James Cook,Alexander Kolassa,Adam Whittaker Pdf

Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English ‘dramatick opera’). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: ‘Authenticity, Appropriateness, and Recomposing the Past’, ‘Music, Space, and Place: Geography as History’, and ‘Presentness and the Past: Dialogues between Old and New’. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.

The Motet in the Late Middle Ages

Margaret Bent
The Motet in the Late Middle Ages Book PDF

Author : Margaret Bent
Publisher : Oxford University Press
Page : 777 pages
File Size : 40,7 Mb
Release : 2023-11-03
Category : Music
ISBN : 9780190063801

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The Motet in the Late Middle Ages by Margaret Bent Pdf

A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.