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A Sicilian Romance and The Mysteries of Udolpho Part 1 by Ann Radcliffe offer readers a thrilling journey into the world of Gothic romance. Experience the charm of Sicily and the eerie mysteries of Udolpho as Radcliffe expertly blends romance, suspense, and supernatural elements. Radcliffe's evocative storytelling brings each scene to life, immersing readers in the richly detailed worlds she creates. Ready to experience the thrill and romance of Radcliffe's classic tales? Grab your copies of A Sicilian Romance and The Mysteries of Udolpho Part 1 today!
A Sicilian Romance begins when a tourist meets a local monk at the crumbling ruins of the castle Mazzini. The monk invites her to the monastery to view a manuscript that records the mysterious happenings that occurred hundreds of years ago in the once-great castle. The manuscript tells of the plight of two sisters, Julia and Emilia Mazzini, who, after the return of their tyrannical father, witness supernatural phenomena around the castle’s neglected southern wing. Radcliffe was viewed as the greatest writer of the Gothic literary style by most early 19th century critics and literary historians despite Horace Walpole seemingly “inventing” the genre in The Castle of Otranto. A Sicilian Romance was first published anonymously in 1790, making it the second of her published works.
A Sicilian Romance is an early novel by one of the masters of Gothic fiction, Ann Radcliffe. Two young women live in an isolated mansion near the Straits of Messina. Mysterious sights and sounds begin haunting a neglected wing of the house, and their quest to discover the truth behind these mysteries leads them through the labyrinthine landscape of Sicily and into the darkest secrets of its aristocracy. As part of our mission to publish great works of literary fiction and nonfiction, Sheba Blake Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.
On the northern shore of Sicily are still to be seen the magnificent remains of a castle, which formerly belonged to the noble house of Mazzini. It stands in the centre of a small bay, and upon a gentle acclivity, which, on one side, slopes towards the sea, and on the other rises into an eminence crowned by dark woods. The situation is admirably beautiful and picturesque, and the ruins have an air of ancient grandeur, which, contrasted with the present solitude of the scene, impresses the traveller with awe and curiosity. During my travels abroad I visited this spot. As I walked over the loose fragments of stone, which lay scattered through the immense area of the fabrick, and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendour, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from the earth. 'Thus,' said I, 'shall the present generation—he who now sinks in misery—and he who now swims in pleasure, alike pass away and be forgotten.' My heart swelled with the reflection; and, as I turned from the scene with a sigh, I fixed my eyes upon a friar, whose venerable figure, gently bending towards the earth, formed no uninteresting object in the picture. He observed my emotion; and, as my eye met his, shook his head and pointed to the ruin. 'These walls,' said he, 'were once the seat of luxury and vice. They exhibited a singular instance of the retribution of Heaven, and were from that period forsaken, and abandoned to decay.' His words excited my curiosity, and I enquired further concerning their meaning. 'A solemn history belongs to this castle, said he, 'which is too long and intricate for me to relate. It is, however, contained in a manuscript in our library, of which I could, perhaps, procure you a sight. A brother of our order, a descendant of the noble house of Mazzini, collected and recorded the most striking incidents relating to his family, and the history thus formed, he left as a legacy to our convent. If you please, we will walk thither.' I accompanied him to the convent, and the friar introduced me to his superior, a man of an intelligent mind and benevolent heart, with whom I passed some hours in interesting conversation. I believe my sentiments pleased him; for, by his indulgence, I was permitted to take abstracts of the history before me, which, with some further particulars obtained in conversation with the abate, I have arranged in the following pages.
Ann Radcliffe's A Sicilian Romance by Ann Radcliffe Pdf
This gothic masterpiece is set against the backdrop of scenic Sicily in a hauntingly beautiful castle as young Julia battles to be free from her family's long line of betrayal and secrecy. Follow the misfortunes of the noble House of Mazzini as young Julia fights for autonomy over her own life and navigates the dark secrets hidden in the family castle's walls. Through her masterful storytelling, Anne Radcliffe weaves a tapestry of suspense in a tale of familial betrayal, mysterious twists, and ethereal settings. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. A Sicilian Romance showcases Radcliffe's prowess in the gothic genre, captivating readers with its blend of romance and terror.
A Sicilian Romance The House of Mazzini by Ann Radcliffe A Sicilian Romance is a gothic novel by Ann Radcliffe. It was her second published work, and was first published anonymously in 1790. The plot concerns the fallen nobility of the house of Mazzini, on the northern shore of Sicily, as related by a tourist who learns of their turbulent history from a monk he meets at the ruins of their once-magnificent castle. The Mazzini sisters, Emilia and Julia are 'beautiful' young ladies with many talents. Julia quickly falls in love with the young and handsome Italian count Hippolitus de Vereza, but to her dismay her father decides that she should marry Duke de Luovo instead. After much thought Julia attempts to elope with Hippolitus on the night before her wedding. However, their escape had been anticipated, and the Marquis, Julia's father, ambushes and seemingly kills Hippolitus whose body is carried away by his servants. The Marquis tells Julia that she must marry the duke and after much difficulty she escapes again alone. The Marquis and the Duke spend much of the novel trying to catch Julia and force her to marry the duke. Julia has to flee from her various hiding places as she narrowly avoids capture and eventually ends up, by a secret tunnel, in the abandoned and seemingly haunted southern apartments of the Mazzini castle only to find that her mother, thought to be dead, had been imprisoned there for years by the Marquis, who had grown to despise her. The Marquis's new wife, Maria de Vellorno, commits murder-suicide after the Marquis discovers and accuses her of infidelity, poisoning the Marquis and stabbing herself. Before he dies the Marquis confesses to Ferdinand, his son, that his mother has been imprisoned, and hands him the keys. However, his mother and Julia had already been freed by Hippolitus, who had recovered from his wounds. Ferdinand then finds them at a lighthouse on the coast, waiting to leave for Italy, and they are all joyfully reunited. The introduction to the Oxford World's Classics edition notes that in this novel "Ann Radcliffe began to forge the unique mixture of the psychology of terror and poetic description that would make her the great exemplar of the Gothic novel, and the idol of the Romantics". The novel explores the "cavernous landscapes and labyrinthine passages of Sicily's castles and convents to reveal the shameful secrets of its all-powerful aristocracy" On the northern shore of Sicily are still to be seen the magnificent remains of a castle, which formerly belonged to the noble house of Mazzini. It stands in the centre of a small bay, and upon a gentle acclivity, which, on one side, slopes towards the sea, and on the other rises into an eminence crowned by dark woods. The situation is admirably beautiful and picturesque, and the ruins have an air of ancient grandeur, which, contrasted with the present solitude of the scene, impresses the traveller with awe and curiosity. During my travels abroad I visited this spot. As I walked over the loose fragments of stone, which lay scattered through the immense area of the fabrick, and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendour, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from the earth. 'Thus,' said I, 'shall the present generation--he who now sinks in misery--and he who now swims in pleasure, alike pass away and be forgotten.' ......
On the northern shore of Sicily are still to be seen the magnificent remains of a castle, which formerly belonged to the noble house of Mazzini. It stands in the centre of a small bay, and upon a gentle acclivity, which, on one side, slopes towards the sea, and on the other rises into an eminence crowned by dark woods. The situation is admirably beautiful and picturesque, and the ruins have an air of ancient grandeur, which, contrasted with the present solitude of the scene, impresses the traveller with awe and curiosity. During my travels abroad I visited this spot. As I walked over the loose fragments of stone, which lay scattered through the immense area of the fabrick, and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendour, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from the earth. 'Thus,' said I, 'shall the present generation-he who now sinks in misery-and he who now swims in pleasure, alike pass away and be forgotten.'
The Orphan in Eighteenth-Century Fiction by E. König Pdf
The Orphan in Eighteenth-Century Fiction explores how the figure of the orphan was shaped by changing social and historical circumstances. Analysing sixteen major novels from Defoe to Austen, this original study explains the undiminished popularity of literary orphans and reveals their key role in the construction of gendered subjectivity.
A Sicilian Romance is a gothic novel by Ann Radcliffe. It was her second published work, and was first published anonymously in 1790. 'On the northern shore of Sicily are still to be seen the magnificent remains of a castle, which formerly belonged to the noble house of Mazzini. It stands in the centre of a small bay, and upon a gentle acclivity, which, on one side, slopes towards the sea, and on the other rises into an eminence crowned by dark woods. The situation is admirably beautiful and picturesque, and the ruins have an air of ancient grandeur, which, contrasted with the present solitude of the scene, impresses the traveller with awe and curiosity. During my travels abroad I visited this spot. As I walked over the loose fragments of stone, which lay scattered through the immense area of the fabrick, and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendour, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from the earth.'
