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A brilliant, magisterial novel of family secrets simmering beneath the surface Benjamin, on the verge of becoming a father, discovers a tragic family secret involving patrimony and determines to get to the root of. Those most immediately involved are all dead, but their three closest confidantes are still alive—Isabel, his grandmother; Haroldo, his grandfather’s friend; and Raul, his father’s friend—and each will tell him a different version of the facts. By collecting these shards of memories, which offer personal glimpses into issues of class and politics in Brazil, Benjamin will piece together the painful puzzle of his family history. Like a Faulkner novel, Beatriz Bracher’s brilliant Antonioshows the expansiveness of past events and the complexity of untangling long-buried secrets.
Few American cities enjoy the likes of San Antonio's visual links with its dramatic past. The Alamo and four other Spanish missions, recently marked as a UNESCO World Heritage site, are the most obvious but there are a host of landmarks and folkways that have survived over the course of nearly three centuries that still lend San Antonio an "odd and antiquated foreignness." Adding to the charm of the nation's seventh largest city is the San Antonio River, saved to become a winding linear park through the heart of downtown and beyond and a world model for sensitive urban development. San Antonio's heritage has not been preserved by accident. The wrecking balls and headlong development that accompanied progress in nineteenth-century San Antonio roused an indigenous historic preservation movement—the first west of the Mississippi River to become effective. Its thrust has increased since the mid-1920s with the pioneering work of the San Antonio Conservation Society. In Saving San Antonio, Texas historian Lewis Fisher peels back the myths surrounding more than a century of preservation triumphs and failures to reveal a lively mosaic that portrays the saving of San Antonio's cultural and architectural soul. The process, entertaining in the telling, has reverberated throughout the United States and provided significant lessons for the built environments and economies of cities everywhere.
Antonio and Mellida was the first play by John Marston performed by the newly-revived Paul's Company in 1599. Marston sought to display a variety of talents--comic, tragic, satiric and historical--advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernized format.
Maria and her classmates can't wait for their class trip to San Antonio. They'll get to see the Alamo, where Davy Crockett and Jim Bowie fought for Texas freedom in 1836. Before they can go, the class has a lot of other things to learn about the second largest city in Texas. They find out about the Native Americans who lived in the area before Spanish missionaries arrived, and how the Alamo and four other Spanish missions still stand along Mission Trail. They find out about people from many other countries who have also influenced the city, including Germans, Greeks, and Chinese, which is celebrated by San Antonio's Institute of Texan Cultures. On the big day, not only does the class visit the Alamo and the institute, but they also visit River Walk, an ingenious solution for controlling the San Antonio River that provides beauty and entertainment for all.
Few men have had as much cultural and educational influence on their own countries as the philosopher and educator Antonio Caso (1883-1946). He was above all a patriot of his beloved Mexico, and he sought to deliver his humanitarian message to his countrymen. In his youth, after the revolt against Díaz, he was a member of the Ateneo de la Juventud, a group that sought to bring Mexico, spiritually and economically, back to the Mexicans. Caso realized that this effort involved the forming of a national consciousness among his people, whom he saw divided by their private and public interests. As an educator of Mexican youth for more than thirty years, Caso sought to imbue in his students the desire to search and to question. He saw education as a perpetual search for truth, and his own life and philosophy reflect this search. He rejected any system that proposed to describe all of reality, and he despised all dogmas—official or unofficial. He particularly fought against positivism and Marxism, systems current in his youth. The first part of this book is an introduction to the philosophical and educational ideas of Caso, as well as to the intellectual and political ideas in his life. Mr. Haddox skillfully shows the development of Caso's ideas and how they took shape from his own reading as well as from the experiences of his age and of his country. The second part contains Mr. Haddox's translations of selections from Caso's writings. They give a moving picture of Caso's hopes for Mexico and for humanitiy.
United States. Congress. House. Committee on Banking, Finance, and Urban Affairs. Subcommittee on Housing and Community Development
Author : United States. Congress. House. Committee on Banking, Finance, and Urban Affairs. Subcommittee on Housing and Community Development Publisher : Unknown Page : 424 pages File Size : 55,8 Mb Release : 1994 Category : Business & Economics ISBN : UCR:31210011558838
Housing Needs in San Antonio, TX by United States. Congress. House. Committee on Banking, Finance, and Urban Affairs. Subcommittee on Housing and Community Development Pdf
San Antonio Missions National Historic Park, Suitability and Feasibility Study (1975) B1; Draft Statement for Management (1980) B2; Statement for Management (1980) B3; Draft Land Acquisition Plan (1980) B4; General Management Plan (GMP), Development Concept Plan, Environmental Assessment (EA) by Anonim Pdf
The Chronicles of Count Antonio by Anthony Hope Pdf
Mr. Anthony Hope is finding out his enviable position. Do what he will, he has the power to please most people. Whatever be his moods, and whatever the quality of his performance, he is never awkward, and elegance of form in any literary matter popularly interesting is so uncommon that gratitude and admiration are widespread and intense in proportion. Now that he is finding this out, it is not surprising that he should take advantage of it, and give pleasure to his numerous admirers as frequently and with as little trouble to himself as possible. It is impertinent to pry into the state of Mr. Hope's soul to see if it is growing demoralised by easy triumphs, but it is quite justifiable to say that a little more effort than is to be found in this book is wanted to keep to the estimate which some sincere but discreet admirers have formed of his powers. The stories here are entertaining, and the youth of fourteen who should disapprove of them would do so from mere dulness. But there are features in it that would lead one to believe they were not written for lads in their early teens. Yet it is not exactly a book for men and women, to whom the tales, excellent in imagining as many of them are, must be spoilt by the artificiality of the mechanism, and the conventionality of all the motives, feelings, and expressions, of the human beings concerned. Mr. Hope is a novelist of power, and he gives us an unimpeachable gift-book of a quality equalled by a dozen boys' story writers any Christmas. His Antonio he calls an outlaw ; but he is the outlaw of a maiden-aunt's or a schoolmaster's imagination—compounded of demi-god and family pastor. True, he appears to us through the narrative of a holy father, but Mr. Hope chose that medium, and if it was unsuitable for the rough record of the wild men who took to the hills, he is responsible.
San Antonio in the Great War by John M. Manguso Pdf
San Antonio, Texas, has been called “Military City USA” for many years. It earned this sobriquet not only by virtue of its major military installations but also because of its close and cordial relationship with the US Armed Forces. But in 1916, the year before America entered the Great War, all of that was still in the future. Fort Sam Houston was the largest US Army post in the country, but its attention was focused on the border with Mexico. This changed on April 6, 1917, as the United States needed to quickly raise an expeditionary army of three million men with its attendant air service and send it overseas. This volume portrays the growth of military facilities and infrastructure in San Antonio during World War I that started the Alamo City on the road to becoming “Military City USA.”
Antonio López García’s Everyday Urban Worlds by Benjamin Fraser Pdf
Antonio López García’s Everyday Urban Worlds: A Philosophy of Painting is the first book to give the famed Spanish artist the critical attention he deserves. Born in Tomelloso in 1936 and still living in the Spanish capital today, Antonio López has long cultivated a reputation for impressive urban scenes—but it is urban time that is his real subject. Going far beyond mere artist biography, Benjamin Fraser explores the relevance of multiple disciplines to an understanding of the painter’s large-scale canvasses. Weaving selected images together with their urban referents—and without ever straying too far from discussion of the painter’s oeuvre, method and reception by critics—Fraser pulls from disciplines as varied as philosophy, history, Spanish literature and film, cultural studies, urban geography, architecture, and city planning in his analyses. The book begins at ground level with one of the artist’s most recognizable images, the Gran Vía, which captures the urban project that sought to establish Madrid as an emblem of modernity. Here, discussion of the artist’s chosen painting style—one that has been referred to as a ‘hyperrealism’—is integrated with the central street’s history, the capital’s famous literary figures, and its filmic representations, setting up the philosophical perspective toward which the book gradually develops. Chapter two rises in altitude to focus on Madrid desde Torres Blancas, an urban image painted from the vantage point provided by an iconic high-rise in the north-central area of the city. Discussion of the Spanish capital’s northward expansion complements a broad view of the artist’s push into representations of landscape and allows for the exploration of themes such as political conflict, social inequality, and the accelerated cultural change of an increasingly mobile nation during the 1960s. Chapter three views Madrid desde la torre de bomberos de Vallecas and signals a turn toward political philosophy. Here, the size of the artist’s image itself foregrounds questions of scale, which Fraser paints in broad strokes as he blends discussions of artistry with the turbulent history of one of Madrid’s outlying districts and a continued focus on urban development and its literary and filmic resonance. Antonio López García’s Everyday Urban Worlds also includes an artist timeline, a concise introduction and an epilogue centering on the artist’s role in the Spanish film El sol del membrillo. The book’s clear style and comprehensive endnotes make it appropriate for both general readers and specialists alike.
This book covers the life of the Italian neo-classical sculptor Antonio Canova (1757-1822), some of his works and the lives of two of his contemporaries: John Gibson RA (1790-1866), known as the ‘British Canova’, and the Danish sculptor Bertel Thorvaldsen (1770-1844). Both Gibson and Thorvaldsen lived and worked in Rome under the influence and in the shadow of Canova. All three sculptors helped and guided each other. Gibson was under considerable pressure to return to London, which he resisted, while Thorvaldsen returned to his homeland on several occasions and was greeted as a celebrity. The book aims to rectify the dearth of information in English on Canova and updates the information available on Gibson and Thorvaldsen in this bicentenary year of the death of Antonio Canova.