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For the first thirteen years of her life, Flor Edwards grew up in the Children of God. The group's nomadic existence was based on the belief that, as God's chosen people, they would be saved in the impending apocalypse that would envelop the rest of the world in 1993. Flor would be thirteen years old. The group's charismatic leader, Father David, kept the family on the move, from Los Angeles to Bangkok to Chicago, where they would eventually disband, leaving Flor to make sense of the foreign world of mainstream society around her. Apocalypse Child is a cathartic journey through Flor's memories of growing up within a group with unconventional views on education, religion, and sex. Whimsically referring to herself as a real life Kimmy Schmidt, Edwards's clear-eyed memoir is a story of survival in a childhood lived on the fringes.
Child of the Apocalypse by Donald Edward Casebolt Pdf
Ellen White's two thousand visions, revered by her twenty million disciples, were doctrinally inspired by William Miller, who fathered the largest millennial movement in US history. He and Samuel Snow, during the movement's climax, the "Midnight Cry," predicted Christ's Second Coming for exactly October 22, 1844, on the basis of fifteen proof-texts. Ellen was twelve, suffering from severe brain trauma and the conviction that she was hell-bound, when Miller converted her. By sixteen she became convicted that she was having divine dreams and visions confirming Miller's prophetic role and message. When Miller's predictions failed and he repudiated his own predictions, Ellen announced that God had commanded her to endorse Miller's failed "Midnight Cry" as divinely inspired, and her authority replaced Miller's in the "shut-door" faction of ex-Millerites who evolved into the Seventh-day Adventist church. Miller claimed that his dogmas were the result of merely allowing the Bible to interpret itself and that his method was literal commonsense. White seconded this claim and said God's angels routinely guided Miller's interpretations. However, not only were his interpretations falsified, but examination reveals them to be farfetched allegorical treatments of parables. Nonetheless, White's visions and SDA theology still retain many of Miller's falsified predictions.
This is not the Africa of Isak Dinesen, nor the Africa of Joy Adamson. This is the Africa of civil wars and tribal massacres, where the Lord’s Resistance Army recruits child-soldiers after forcing them to kill their parents and eat their hearts. The aid workers who voluntarily subject themselves to life here are a breed of their own. Meet Hickey, an American school teacher in his late thirties, an American school teacher who burns his bridges with the school board and goes to Africa as an aid worker. Working for an agency in Nairobi, one of his jobs is to drive food and medical supplies to Southern Sudan to an aid station run by Ruth, a middle-aged woman, who acts as nurse, doctor, hospice worker, feeder of starving children, and witness. Ruth is gruff but efficient, and Hickey, who is usually drawn to youth and beauty, is struck by her devotion. Returning to Nairobi, he can’t forget what he has seen. When the violence and chaos in the region increase to a fever pitch and aid workers are being slaughtered or evacuated, Hickey is asked to save Ruth overland by Jeep. What happens to them and the children that have joined their journey is the searing climax of this novel. Hoagland paints an unflinching portrait of a living hell at its worst, and yet amid that suffering there is hope in the form of humility, sacrifice, and life-affirming friendship.
Parenting in the Zombie Apocalypse by Steven J. Kirsh Pdf
Parenting is difficult under the best of circumstances--but extremely daunting when humanity faces cataclysmic annihilation. When the dead rise, hardship, violence and the ever-present threat of flesh-eating zombies will adversely affect parents and children alike. Depending on their age, children will have little chance of surviving a single encounter with the undead, let alone the unending peril of the Zombie Apocalypse. The key to their survival--and thus the survival of the species--will be the caregiving they receive. Drawing on psychological theory and real-world research on developmental status, grief, trauma, mental illness, and child-rearing in stressful environments, this book critically examines factors influencing parenting, and the likely outcomes of different caregiving techniques in the hypothetical landscape of the living dead.
Child of the Apocalypse by Donald Edward Casebolt Pdf
Ellen White’s two thousand visions, revered by her twenty million disciples, were doctrinally inspired by William Miller, who fathered the largest millennial movement in US history. He and Samuel Snow, during the movement’s climax, the “Midnight Cry,” predicted Christ’s Second Coming for exactly October 22, 1844, on the basis of fifteen proof-texts. Ellen was twelve, suffering from severe brain trauma and the conviction that she was hell-bound, when Miller converted her. By sixteen she became convicted that she was having divine dreams and visions confirming Miller’s prophetic role and message. When Miller’s predictions failed and he repudiated his own predictions, Ellen announced that God had commanded her to endorse Miller’s failed “Midnight Cry” as divinely inspired, and her authority replaced Miller’s in the “shut-door” faction of ex-Millerites who evolved into the Seventh-day Adventist church. Miller claimed that his dogmas were the result of merely allowing the Bible to interpret itself and that his method was literal commonsense. White seconded this claim and said God’s angels routinely guided Miller’s interpretations. However, not only were his interpretations falsified, but examination reveals them to be farfetched allegorical treatments of parables. Nonetheless, White’s visions and SDA theology still retain many of Miller’s falsified predictions.
BORN INTO A MULTI RACIAL FAMILY OF A NIGERIAN FATHER AND A CAUCASIAN MOTHER, Isabella an evil child is on a mission to bring pain and misery to her loving parents. She has done this on four occasions. Will she succeed again despite many obstacles and a mother who is determined to make her stay? Rachel was born into wealth and married to the love of her life.Her perfect life was shattered by the mysterious deaths of her babies after birth and now Isabella, her fifth & only surviving child, about to celebrate her 14th birthday has started showing signs all too familiar to her. Rachel is prepared to go to any length to save her little girl. The Apocalypse Child is a psychological thriller that depicts the battle of conflicting wills.
Enough already! Who ripped your fun out of fatherhood? When did parenting become a war of attrition? Didn't you get the memo? Being a dad is the best damn thing that will ever happen to you. It's the story of a lifetime. It's your own personal 'Once Upon a Time.' You're the director. The screenwriter. You write the first act, the second act, the third act. Do you want a happy beginning, middle and end? Then write one. But you're going to have to work for it. Push yourself beyond what you believe possible. Invest in your daughter. Invest in your son. Invest in yourself. When your kids' time comes - and if Epictetus has taught us anything, their time will come - when they grow up, no matter what, will they know you tried your best? Will you have kept those promises you made at 3 a.m. in the dark on a chill Tuesday morning in April as you sang lullabies into the delicate ear of that sleeping fragile lump of life you call your daughter? I'm like you. I'm a father, I'm a parent. I want what's best for my kids. And I'll go to the end of the world to make that a reality. "Because It's not the end of your world, but what if it was?" The Apocalypse Daddy isn't your traditional guide to fatherhood. You'll find zero nappy reviews. You won't read about car seats and bottle feeding and how to manage your sleep. You won't get a breakdown of the latest gadgets or the top 5 fatherhood mis-haps. They'll be nothing about pregnancy or which pushchair to buy. I don't care what's on your breakfast menu. You'll get something much better than that. Something much more actionable and powerful. You'll get a reminder that the best stories are written in childhood. You'll get a story about Quentin Tarantino and Reservoir Dogs and Stoicism and the ancient courts and emperors and Seneca and Diogenes and Epictetus and Aurelius. You'll learn about the power of running circles in your backyard and playing in grass with your children. You'll read about the magic of sleep deprivation and dreams; of running and jumping and playing; of holidays and the never-ending chaos that always ends too soon. Part love letter to his children, part alternative parenting guide, part stoic meditation, part psychotic breakdown, Apocalypse Daddy is the story of a father and his daughter and how one Spring can last a lifetime. Joining Apocalypse Daddy is a cast of cultural icons, scientists, musicians, dead kings and Schrödinger's cat. Can Buddha, Seneca, Epictetus, Bob Dylan, Diogenes, Richard Nixon, Peter Rabbit, Alfred Hitchcock, Jimi Hendrix and Hunter S Thompson help Apocalypse Daddy overcome the odds and bring education home? Is there enough time for Alice and Luca to teach Apocalypse Daddy about the meaning of life and what being a parent is really about? Undistracted. In the moment.
All these stories will touch the heart; some will evoke laughter and tears. Here is a collection of forty stories, each simple and to the point. They are based on lectionary cycle C. The stories examine basic theological and moral questions. Very often the story offers a surprise, an ironic twist or reversal as in the parables of Jesus. The collection will assist the lectionary preacher. Although created for adults, the stories appeal to children and youth. John Sumwalt's stories are a treat -- the gospel comes alive in common life and in regular people, and suddenly we are enchanted by grace. I am putting it on my shelf right up next to Martin Bell and Walter Wangerin. Donald F. Chatfield Professor of Preaching Garrett-Evangelical Theological Seminary John Sumwalt is pastor of Wesley United Methodist Church in Kenosha, Wisconsin. He is a member of the T.A.L.E.S. storytelling guild and his stories appear quarterly in Season: Inter-Faith Family Journal. This book is part of a three-year lectionary stories series.
The Child in Post-Apocalyptic Cinema by Debbie Olson Pdf
The child in many post-apocalyptic films occupies a unique space within the narrative, a space that oscillates between death and destruction, faith and hope. The Child in Post-Apocalyptic Cinema interrogates notions of the child as a symbol of futurity and also loss. By exploring the ways children function discursively within a dystopian framework we may better understand how and why traditional notions of childhood are repeatedly tethered to sites of adult conflict and disaster, a connection that often functions to reaffirm the “rightness” of past systems of social order. This collection features critical articles that explore the role of the child character in post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Apocalypse in Australian Fiction and Film by Roslyn Weaver Pdf
Australia has been a frequent choice of location for narratives about the end of the world in science fiction and speculative works, ranging from pre-colonial apocalyptic maps to key literary works from the last fifty years. This critical work explores the role of Australia in both apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse is used to undermine complacency, foretell environmental disasters, critique colonization, and to serve as a means of protest for minority groups. Australian apocalypse imagines Australia at the ends of the world, geographically and psychologically, but also proposes spaces of hope for the future.
After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy. Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons. Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate.
Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
The year is 2021. No child has been born for twenty-five years. The human race faces extinction. Under the despotic rule of Xan Lyppiat, the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden, lives a solitary life in this ominous atmosphere. That is, until a chance encounter with a young woman leads him into contact with a group of dissenters. Suddenly his life is changed irrevocably as he faces agonising choices which could affect the future of mankind. NOW A MAJOR MOTION PICTURE